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Titre en VO :
Diffusion US :
Diffusion FR :
Diana Stride, célèbre journalilste, veut tout savoir sur les pouvoirs de Superman alors elle décide de mettre le feu au sommet d'un gratte-ciel et se jette en bas. Quand Superman la sauve, elle le marque pour le suivre à la trace.
Un homme d'InterGang est protégé car il doit témoigner contre un assassins qui tuent des personnes connues. La meurtrière est Diana Stride et elle doit tuer le témoin protégé. Loïs retrouve la trace du témoin en volant le téléavertisseur de Mayson mais Diana tire sur le témoins. Superman amène l'homme à l'hôpital.
Diana, très vexée de ce qu'a fait Superman, demande à son patron de la kryptonite qu'elle intègre à son rouge à lèvre. Elle invite Superman à souper et l'embrasse. Il tombe malade. En le suivant, elle voit Clark se changer en Superman.
Loïs amène Superman à l'hôpital mais pendant ce temps, Diana tourne un émission près des habits de Superman qui sont accorché dans l'appartement de Clark.
Superman guérit et Diana va à l'hôpital pour tuer le témoin. Loïs sauve le témoin et Mayson mais Diana prend s'enfuit.
L'émission passe à la télé et la véritable identité de Superman est révélée. Clark convoque une conférence de presse où Superman apparaît grâce au hologrammes de sa mère.
Note : 9/10
Popularité
Titre VO
Top Copy
Titre VF
Quand l'audimat s'en mêle
LOIS & CLARK_
THE NEW ADVENTURES OF SUPERMAN_
"Top Copy"
Written by John McNamara
Directed by Randall Zisk
CAST
CLARK KENT/SUPERMAN
LOIS LANE
PERRY WHITE
JIMMY OLSEN
MARTHA KENT
JONATHAN KENT
DIANA STRIDE
ROLF
MAYSON DRAKE
DOCTOR
MR. DARRYL
SWAT MEMBER (Voice)
TV ANNOUNCER (Voice)
_LOCATIONS_
INTERIORS: EXTERIORS:
Daily Planet Skyscraper Terrace
Pit
Conference Room Woods
Elevator Safe House
Back Hall Pond
Clark's Apartment Clark's Apartment
Terrace
Diana Stride's Office Front Door
Hospital Daily Planet
Room Building Window
Corridor
Ventilation Room Park
Park Cafe
Kent Work Shed
Nuclear Power Plant
TEASER
FADE IN:
1 EXT. A MIDTOWN METROPOLIS SKYSCRAPER - NIGHT #1 1
one of the tallest in the city. From inside its penthouse,
the sudden WHOMPH of an EXPLOSION, then FLAMES flicker
behind the windows.
2 EXT. PENTHOUSE TERRACE - NIGHT 2
Through curtained French doors, we glimpse FLAME and smoke,
spreading. A WOMAN stands in the doorway, her curving back
to us, holding a lit lighter. A trendily smooth Euro-man
named ROLF steps up behind her. Neither seems at all
concerned by the fire.
ROLF
Nice work.
WOMAN
(clicks off lighter)
Thanks.
ROLF
How long till the flames engulf (X)
this floor?
WOMAN
Six, maybe seven minutes. How do I
look?
ROLF
Fabulous. Naturally.
She turns and steps into the light, a striking beauty with
the soul of a born predator: DIANA STRIDE. Rolf opens a
compact so she can inspect her face.
DIANA
See him yet? (X)
Rolf studies the sky. (X)
CUT TO:
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 2.
3 OMITTED 3
3A INT. DAILY PLANET - PIT - NIGHT 3A
LOIS and CLARK are at their desks, each intent on their (X)
computer monitors. Clark is just hanging up the phone. (X)
CLARK
The fax from Iberia should be here (X)
in a few minutes and we can (X)
finally get out of here. Okay... (X)
(clicking his keys) (X)
Queen to King one. Your move. (X)
We see now they're playing computer chess on their (X)
respective machines. (X)
LOIS
I know. It's been my move for a
while.
CLARK
What do you mean, I just -- ? (X)
LOIS
I mean the date thing.
CLARK
Oh.
LOIS
So. About the date thing...
CLARK
Yes?
LOIS
I know I've been kind of
avoiding the subject lately...
CLARK
Yes.
LOIS
... but I've finally decided I
think we should --
Clark SUPER-HEARS a WAILING of SIRENS, then picks up a
POLICE VOICE:
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 3.
3A CONTINUED: 3A
VOICE LOIS
... fire at the -- go ahead and
Metropolitan do it, I mean, I
Building, know there's a
penthouse... lot to lose but
can't get a we're both
helicopter up adults, right?
there, winds are And it's just a
too strong... date, right?
Clark?
CLARK
Lois, please, hold that thought, (X)
okay?
LOIS
'Hold that thought?' Did you just
say, 'Hold that thought?'
CLARK
I'm sorry, uh, but I have to...
(suddenly grabs a
videotape up off his
desk) (X)
...return this video or I'm gonna
get triple-charged --
(out the door)
-- I'll be right back.
He's gone. She's alone. (X)
LOIS
It's me, right? I do this, I
make them insane. No, no, it's
_them_ -- they're insane but they
hide it... ah-ha-ha, but I always
see it, because I'm too smart.
Smart... and alone... and talking (X)
to myself. (X)
CUT TO:
4 EXT. PENTHOUSE TERRACE - NIGHT 4
We're near the edge with Diana and Rolf. The searing LIGHT
of the off-screen fire plays across their faces as SMOKE
drifts by. Rolf is scanning the skies with a pair of
high-tech binoculars. Diana smears a GOLD CREAM on her (X)
hands with a dispenser. It gives a slight SPARKLE on her (X)
fingers. (X)
DIANA
See the Big Red 'S' yet? (X)
ROLF
Heading right this way.
--page break--
TOP COPY (#14) Pink Rev. 1/5/95 3.
3A CONTINUED: 3A
VOICE LOIS
... fire at the -- go ahead and
Metropolitan do it, I mean, I
Building, know there's a
penthouse... lot to lose but
can't get a we're both
helicopter up adults, right?
there, winds are And it's just a
too strong... date, right?
Clark?
CLARK
Lois, please, hold that thought, (X)
okay?
LOIS
'Hold that thought?' Did you just
say, 'Hold that thought?'
CLARK
I'm sorry, uh, but I have to...
(suddenly grabs a
videotape up off his
desk) (X)
...return this video or I'm gonna
get triple-charged --
(out the door)
-- I'll be right back.
He's gone. She's alone. (X)
LOIS
It's me, right? I do this, I
make them insane. No, no, it's
_them_ -- they're insane but they
hide it... ah-ha-ha, but I always
see it, because I'm too smart.
Smart... and alone... and talking (X)
to a piece of plastic. (X)
CUT TO:
4 EXT. PENTHOUSE TERRACE - NIGHT 4
We're near the edge with Diana and Rolf. The searing LIGHT
of the off-screen fire plays across their faces as SMOKE
drifts by. Rolf is scanning the skies with a pair of
high-tech binoculars. Diana smears a GOLD CREAM on her (X)
hands with a dispenser. It gives a slight SPARKLE on her (X)
fingers. (X)
DIANA
See the Big Red 'S' yet? (X)
ROLF
Heading right this way.
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 4.
5 THROUGH THE INFRA-RED BINOCS - ROLF SEES SUPERMAN 5
streak toward them.
6 BACK TO SCENE 6
Diana hands the dispenser to Rolf, who tucks it away.
ROLF
Oh. Your charm? (X)
She reaches into her blouse and pulls out a distinctive
looking _silver crescent moon pendant on a chain_. (X)
DIANA
I always have my charm. (X)
She tucks the pendant back in; she and Rolf air-kiss, then (X)
she steps up onto the ledge.
DIANA (CONT'D)
You'll be all right up here?
ROLF
As long as your plan works... and I
know it will.
DIANA
Okay. Show time.
She turns, extends her arms like an Olympic diver and swan
dives off the side of the building.
7 DIANA STRIDE PLUMMETS TWENTY STORIES 7
face first, a blur of beauty.
FADE OUT.
_END OF TEASE_
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 5.
ACT ONE
FADE IN:
8 EXT. METROPOLITAN BUILDING - NIGHT - CONTINUOUS 8
The FIRE in the penthouse glows brightly against the night
sky, the SMOKE an ever-growing plume.
9 EXT. DIANA'S PLUMMET - CONTINUOUS 9
She tumbles as she picks up speed and --
10 DIANA'S POV 10
of the street rushing up at her and --
11 HER FACE 11
betrays the sudden thought: maybe this wasn't such a hot
idea and --
12 DIANA 12
drops OUT OF FRAME with a SCREAM, then the SCREAM is cut (X)
short and a beat later -- (X)
13 SUPERMAN 13
swoops up INTO FRAME, Diana in his arms.
SUPERMAN
It's all right, I've got you.
DIANA
(beaming at him)
Yes... yes, you do.
As she laces her hands around his neck --
14 CLOSE ON THE HAND WITH THE GOLD CREAM ON IT 14(X)
as her fingers rub it into Superman's neck, wetting it. (X)
15 BACK TO SCENE 15
as they soar up, up and away.
CUT TO:
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 6.
16 EXT. PENTHOUSE TERRACE - NIGHT - LATER 16
No more flames, only residual smoke. We hear O.S. BLASTS of
SUPER-BREATH coming from inside. Diana and Rolf wait out
here. He holds what looks like a hand-sized TV but is in
actuality (we shall learn) a tracking device.
ROLF
You're sure you tagged him?
DIANA
On the neck. Are you getting a
reading?
ROLF
Not yet.
DIANA
Here. Adjust the calibrations to a
higher frequency -- (X)
Superman steps out of the penthouse. Rolf kneels and slips
the tracker into a camera case at his feet, then hefts his (X)
camera out, puts it on his shoulder. (X)
SUPERMAN
It's all right, the fire's out.
Rolf and Diana feign great relief.
DIANA
Superman, thank you so much. I'm
Diana Stride.
SUPERMAN
Yes, Ms. Stride, I've seen your
news show.
Rolf's camera light goes on. He is now filming Diana and (X)
Superman. (X)
DIANA
Really. You watch TV?
SUPERMAN
Once in a while.
He rubs his neck where Diana touched him. Rolf and Diana
glance at one another.
DIANA
This is my cameraman. Rolf.
ROLF
Pleasure.
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 7.
16 CONTINUED: 16
SUPERMAN
What were you two doing up here,
anyway?
ROLF
We came to get some vista shots for
a piece Diana's doing on urban
renewal.
Superman scratches his neck now. Rolf has to hide a smile.
DIANA
Then we just stumbled into an (X)
exclusive. I can't imagine how (X)
this fire got started. Can you,
Rolf?
ROLF
I simply can't.
SUPERMAN
I checked the elevator, it's still
working. You should be able to get
down okay.
DIANA
Superman, if there's ever anything
I can do for you...
SUPERMAN
Take care, Ms. Stride.
(still scratching)
Nice to meet you, Rolf.
ON THEIR FACES they watch him WHOOSH off. Rolf lowers the (X)
camera. (X)
ROLF
So good, so decent. Don't you just
want to vomit?
DIANA
Nice quads, though. (X)
Diana lifts the tracker. It BEEPS. She smiles.
DIANA
It's working. We can track him.
(the BEEPING stops)
Wait. What's wrong?
ROLF
He's so fast, he just flew out of
range.
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 8.
16 CONTINUED: 2 16
DIANA
We'll get him in range again. And
then it's just a matter of time
before we have...
CUT TO:
17 INT. DIANA STRIDE'S OFFICE - DAY #2 17
DIANA
... the story of the century.
The walls covered with photos of Diana with various
luminaries and on the cover of every magazine imaginable.
She addresses a GROUP of five, including Rolf. She crosses
in front of a poster that reads DIANA STRIDE'S TOP COPY --
SUNDAYS AT 8:00.
DIANA (CONT'D)
Face it. Our show has always been
uplifting and intellectually
challenging. And that's why our (X)
ratings suck. So I've decided -- (X)
people want dirt, we'll give them
the _dirtiest_, starting with
Superman. Everything the public (X)
is _dying_t o know. What are his
weaknesses? Who are the women in
his life?
ROLF
I for one would love to meet those
girls.
The group has no choice but to nod.
DIANA
But most importantly... who is he
when he's out of uniform?. Does he
have another life... a secret
identity? If he does, we're going
to expose it on worldwide
television, it'll be sensational, (X)
it'll be...
18 INT. DAILY PLANET - CONFERENCE ROOM - DAY 18
PERRY
... the story of the century.
Lois, Clark, JIMMY and PERRY in a closed door session.
Throughout the following, we glimpse some residual tension
between hero and heroine.
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 9.
18 CONTINUED: 18
Scratching his still-itchy neck, he occasionally chances a
warm glance her way, while she remains steadfastly arctic.
PERRY (CONT'D)
A key member of Intergang's been
arrested, made a deal... and is
gonna testify.
JIMMY
Who is it?
Perry hits a remote on the TV. A grainy video of a HOODED
MAN being led out of a car by HEAVILY-ARMED COPS and into a
government building.
PERRY
We don't know. The DA's calling
him Mr. X. Word is, Intergang's
been killing world leaders for
decades, making it look like
accidents, and _this_ fella's gonna
finger their number one assassin.
Now I want the story on this guy so
by the time he takes the stand, the
Planet has the headlines -- who he
is, where he came from, what he's
gonna say. All right? Go get him.
They break. Jimmy and Perry head for the doors. Lois makes
some notes. Clark busies himself putting on his jacket.
CLARK
Lois... about last night...
LOIS
It's okay, Clark, we can finish the
chess game some other time.
CLARK
I'm not talking about the chess
game. I'm talking about us. You
were trying to say something and
I... I...
LOIS
... had a sudden urge to return a
tape. Perfectly understandable. I
needed to express a deep, personal
feeling and you needed to save
three dollars.
CLARK
You know, Lois, I really hope
someday you learn...
(MORE)
(CONTINUED)
--page break--
TOP COPY (#14). Pink Rev. 1/5/95 9.
18 CONTINUED: 18
Scratching his still-itchy neck, he occasionally chances a
warm glance her way, while she remains steadfastly arctic.
PERRY (CONT'D)
A key member of Intergang's been
arrested, made a deal... and is
gonna testify.
JIMMY
Who is it?
Perry hits a remote on the TV. A grainy video of a HOODED
MAN being led out of a car by HEAVILY-ARMED COPS and into a
government building.
PERRY
We don't know. The DA's calling
him Mr. X. Word is, Intergang's
been killing world leaders for
decades, making it look like
accidents, and _this_ fella's gonna
finger their number one assassin.
Now I want the story on this guy so
by the time he takes the stand, the
Planet has the headlines -- who he
is, where he came from, what he's
gonna say. All right? Go get him.
They break. Jimmy and Perry head for the doors. (X)
JIMMY
Hey, new specs? (X)
CLARK
Yeah. (X)
JIMMY
Can I try 'em on? (X)
CLARK
No! I mean, they're pretty (X)
strong, I wouldn't want you to (X)
hurt your eyes. (X)
PERRY
C'mon, Jimmy, I want to see those (X)
proofs. (X)
Jimmy and Perry exit. Lois makes some notes. Clark busies (X)
himself putting on his jacket.
CLARK
Lois... about last night...
(CONTINUED)
--page break--
TOP COPY (#14). Pink Rev. 1/5/95 9A.
18 CONTINUED: 2 18
LOIS
It's okay, Clark, we can finish the
chess game some other time.
CLARK
I'm not talking about the chess
game. I'm talking about us. You
were trying to say something and
I... I...
LOIS
... had a sudden urge to return a
tape. Perfectly understandable. I
needed to express a deep, personal
feeling and you needed to save
three dollars.
CLARK
You know, Lois, I really hope
someday you learn...
(MORE)
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 10.
18 CONTINUED: 2 18
CLARK (CONT'D)
(pause; she looks at
him, waiting)
why sometimes what it _seems_
like people are doing isn't what
they're really doing.
LOIS
What are you, a fortune cookie? If
you had some other reason for
leaving last night, say it.
CLARK
I guess... I don't.
LOIS
Then I guess that's it.
(heads for door)
Let's get to work.
19 INT. DAILY PLANET - PIT - DAY - CONTINUOUS 19
Jimmy and Perry linger near the open door, pretending to go
over some photos as Lois and Clark emerge.
JIMMY
Man... you're looking at two very
tense people.
PERRY
Norcross and Judd.
JIMMY
Sorry?
PERRY
Billy Norcross and Serena Judd.
Reporters before your time. Almost
as good as these two. They were an
inch from the Pulitzer when...
JIMMY
... they got involved?
(Perry nods)
And it didn't work out?
PERRY
Son, it was such a disaster, they
shoulda filed for federal aid. She
ended up teaching yoga to oil
workers in Anchorage.
(MORE)
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 11.
19 CONTINUED: 19
PERRY (CONT'D)
He emptied every bottle in the
Tri-State area, found God and
started his own cable TV ministry.
(watching L & C)
All 'cause they were partners, best
friends... and fell in love.
20 INT. DAILY PLANET - ELEVATOR - DAY 20
Diana and Rolf get in, alone. He pulls out the tracker. It
BEEPS.
ROLF
Superman is definitely in the
building.
DIANA
Be still my beating heart.
21 INT. DAILY PLANET - BACK HALL - DAY 21
Clark steps out of the men's room, wiping his neck with a
wet towel. Still itches. Then, he SUPER-HEARS the
tracker's BEEPING, getting louder as he ZEROES in on it
through the BABBLE of the world around him and --
DIANA (O.S.)
Get the camera ready.
22 INT. DAILY PLANET - ELEVATOR - DAY 22
DIANA
(checking to see her
pendant is there) (X)
Superman might be disguised as
anyone, so whoever the tracker says
we tagged --
23 INT. DAILY PLANET - BACK HALL - DAY 23
DIANA
(V.O super-hearing) (X)
-- get it on film.
Clark's eyes widen. Hol-eee shit. He touches his neck.
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 12.
24 INT. DAILY PLANET - PIT - DAY 24
The elevator doors snap open and Rolf, camera on shoulder,
follows Diana as she gets off, holding the tracker. People
stop and stare at the sight of her. She sweeps through the
enormous room like royalty, following the tracker's BEEPS to
the back hall as they come faster and louder.
Lois looks up and sees her move past. Perry is standing
nearby. All three exchange a confused look.
PERRY
Is that who I think it is?
Diana moves right past Lois, _her crescent moon pendant_
_hanging outside her blouse for the rest of the scene_. (X)
DIANA
Got him. He's right --
Superman steps around the corner.
DIANA (CONT'D)
-- here.
(smiles)
Superman. You didn't hear about my
story, did you?
SUPERMAN
(tight)
Afraid so.
DIANA
There goes my surprise.
(to the room, tucking
her pendant back in) (X)
Everyone -- I'm Diana Stride and
_Top Copy_ is doing a tribute to
Superman.
APPLAUSE as she makes a grand gesture toward him. He
scratches his neck and looks annoyed.
DIANA (CONT'D)
We know he has a lot of great
friends here at the Planet and I
want to interview all of you. I
had hoped it would be a surprise
for him --
(slips her arm through
his)
-- but I guess there's no keeping
secrets from the Man of Steel. So.
Let's get started, shall we? Who
wants to talk about Superman?
She is practically mobbed by Staffers.
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 13.
24 CONTINUED: 24
DIANA (CONT'D)
And Superman, I can count on you
for an interview soon?
He glances down at the beeping tracker in her hand.
SUPERMAN
Careful, whatever you've got in
your hand there...
A QUICK BLAST of heat vision from him and the tracker
SMOKES.
SUPERMAN (CONT'D)
... has a short. Let me take it,
before you get burned.
They lock eyes -- predator and prey. She smiles, conceding (X)
this battle. (X)
CUT TO:
25 INT. DIANA'S OFFICE - NIGHT #2 25
She sits with Rolf, having a drink, planning their next
move.
DIANA
Maybe he works there, as someone
else.
ROLF
Ah. Your secret identity theory.
A lamp on her desk blinks on -- then off. Then on again.
ROLF (CONT'D)
Must be the bulb.
DIANA
(sharp)
I'll get it. You go home.
ROLF
But --
DIANA
I want to be _alone_, Rolf.
He nods and exits. The TV switches on by itself. ON (X)
SCREEN, a MAN'S FACE appears. This is MR. DARRYL. (X)
MR. DARRYL (X)
Hello, Diana. You're looking good.
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 14.
25 CONTINUED: 25
DIANA
Cut the flattery... I retired. (X)
MR. DARRYL (X)
A hiatus. You don't retire when
you work for Intergang.
DIANA
Whatever it is, I'm not interested.
MR. DARRYL (X)
Ohhhhh, I think you will be.
ON TV, his image is replaced by the grainy video of the
Hooded Man being led out of the car by the cops -- the same
film Perry showed.
DIANA
Nice hood. Couture?
MR. DARRYL (X)
He's one of ours, turning state's.
The DA's calling him Mr. X but
_you_ know him...
A new image ON SCREEN -- a photo of Diana and a gruffly
handsome man in a suit.
MR. DARRYL (CONT'D) (X)
... as Michael Disanto. Your
former partner.
Diana stares at the screen in shock.
MR. DARRYL (CONT'D) (X)
In one week, he's going to tell the
Grand Jury everything he knows --
how we plucked you out of nowhere
and made you a world famous
journalist. So you could meet the
rich, the powerful... and kill them
for us.
DIANA
All right, where is he? (X)
MR. DARRYL (X)
(chuckles)
That's my girl.
CUT TO:
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 15.
26 EXT. PARK - NIGHT 26(X)
Lois and Clark walk down a shrub-lined path.
CLARK
I'm not really comfortable with
this, Lois.
LOIS
Why? Mayson works in the DA's
office and she's a friend of yours,
so she might tell us something
about Mr. X. I don't see the
problem.
CLARK
You don't.
LOIS
Just because she's in love with
you?
(light laugh)
You don't think that _bothers_ me,
do you?
CLARK
(rubs his head as she
walks on ahead)
God, help me make it through the
day...
CUT TO:
27 EXT. PARK CAFE - NIGHT 27(X)
Lois reading notes. Clark fidgeting. MAYSON stirring her
coffee.
MAYSON
Sorry, guys, I can't give on this
one.
LOIS
Look, we wouldn't be irresponsible
with the information. We'd hold it
till the day he testified.
MAYSON
This isn't a matter of trust. I
have orders. And these orders come
from way up.
(CONTINUED)
--page break--
TOP COPY (#14) Pink Rev. 1/5/95 15.
26 EXT. PARK - NIGHT 26
Lois and Clark walk down a shrub-lined path.
CLARK
I'm not really comfortable with
this, Lois.
LOIS
Why? Mayson works in the DA'S
office and she's a friend of yours,
so she might tell us something
about Mr. X. I don't see the
problem.
CLARK
You don't.
LOIS
Just because she's in love with
you?
(light laugh)
You don't think that bothers me,
do you?
CLARK
(rubs his head as she
walks on ahead)
Help me make it through the (X)
night... (X)
CUT TO:
27 EXT. PARK CAFE - NIGHT 27
Lois reading notes. Clark fidgeting. MAYSON stirring her
coffee.
MAYSON
Sorry, guys, I can't give on this
one.
LOIS
Look, we wouldn't be irresponsible
with the information. We'd hold it
till the day he testified.
MAYSON
This isn't a matter of trust. I
have orders. And these orders come
from way up.
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 16.
27 CONTINUED: 27
CLARK
We've heard the rumors about the
assassin Mr. X is going to ID...
there's nothing at all you can give
us?
Mayson looks at Clark. Melts more than a little. Lois
controls the urge to hurl and looks away as --
MAYSON
Well. All right, but I shouldn't
even be saying this. Apparently,
the assassin is famous.
Lois' eyes light on a beeper sitting in Mayson's bag. She
pretends to drop her pen, then pretends to bend to get it.
MAYSON (CONT'D)
(to Clark, who is busy
scribbling)
Really famous.
Lois reaches for the beeper. Should she?
MAYSON (CONT'D)
And if I say another word, I'll be
looking for a new career.
CLARK
I appreciate this, Mayson. Thanks.
Lois?
Lois palms the beeper, straightens up and tries not to look
guilty.
LOIS
Yes!
CLARK
We should get going.
LOIS
(up and out like a shot)
We should! Thanks, Mayson, bye!
She heads off.
CLARK
(to Mayson, moving to
catch up with Lois)
I'll uhhh... I'll call you.
MAYSON
I'd like to talk. Things got left
kind of up in the air between us...
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 17.
27 CONTINUED: 2 27
CLARK
I know, I apologize, I will call.
CUT TO:
28 EXT. WOODS - NIGHT 28(X)
Dressed in dark outdoor clothes, Jimmy, Lois and Clark skulk
through the brush.
CLARK
I still can't believe you stole her
beeper.
LOIS
See, that's where you're wrong. I
hesitated because I _thought_ it
was stealing, then I realized I
could get the information I wanted
and mail it back anonymously.
Morally remaining on very solid
ground.
Lois crouches and pulls out binoculars.
JIMMY
You gotta admit, C.K., it was
pretty smart getting those phone
numbers then tracing them to the
addresses.
CLARK
Yeah, brilliant. We now know where
Mayson's maid lives, her secretary,
two lawyers, a judge --
LOIS
-- and Mr. X. I think we just
found the government safe house.
She hands the binoculars to Jimmy. Clark lowers his glasses
and --
29 SUPER-TELESCOPIC VISION 29
reveals a PHALANX OF SWAT GUARDS around a small ranch house
next to a pond.
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 18.
30 BACK TO SCENE 30
CLARK
I don't see any Mr. X.
(off his friends' look)
I mean, I bet I wouldn't... if I
looked.
LOIS
We need to get closer.
CLARK
Lois, he's not being guarded by the
Three Stooges.
VOICE
No. He's not.
They whip around and see THREE SWATTERS levelling rifles at
them.
CUT TO:
31 EXT. ANOTHER PART OF THE WOODS - NIGHT 31
Two SWATTERS patrol the forest. They pass a tall tree and
move OFF CAMERA. A FIGURE IN BLACK drops silently out of
the high branches, moves into the moonlight and we see it's
Diana -- wearing a black commando jumpsuit, boots, gloves
and an array of weaponry around a web belt. She crouches,
pulls out a mini-cannon, snaps open a stand and sets it
down. Then loads a small rocket into it, hits a button and
moves off. WE MOVE IN ON the cannon, seeing its
computerized countdown.
32 EXT. WOODS NEAR POND - NIGHT 32
Diana glides through the forest like a panther -- silent,
deadly and utterly sure of herself. She comes to the pond's
edge pulls a black hood up over her hair and slips into the
water, disappearing under the surface.
33 EXT. SAFE HOUSE - NIGHT 33
Lois, Jimmy and Clark, hands laced behind their heads, led
by the three Swatters who nabbed them.
JIMMY
I'm too young and boyish to go to
jail.
34 EXT. WOODS - ON DIANA'S MINI-CANNON - NIGHT 34
The countdown hits ZERO, the cannon FIRES and --
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 19.
35 EXT. SAFE HOUSE - NIGHT 35
Clark hears the BLAST of the cannon and the O.S. WHISTLE of
the incoming, grabs Lois and Jimmy. A WINDOW on the safe
house SHATTERS and suddenly spews WHITE SMOKE. Pandemonium.
Clark dives on Lois and Jimmy, protecting them. (X)
36 EXT. SAFE HOUSE - BACK DOOR - NIGHT 36
MICHAEL DISANTO is run out the back door by TWO PLAINCLOTHES
AGENTS. (X)
36A DIANA 36A
is flat on her belly in the brush, twenty feet away, aiming (X)
a rifle with silencer and telescope. She squeezes off (X)
three quick SHOTS. (X)
36B DISANTO 36B
is hit and falls into the Agents. (X)
36C DIANA 36C
gets up and takes off, disappearing into the woods. (X)
36D SUPERMAN 36D
LANDS near Disanto and the Agents; sees the felled Witness (X)
moaning on the ground. Alive. (X)
SUPERMAN
(to the agents).
I'm getting him to the hospital.
Meet me there.
He picks Disanto up and FLIES OFF.
37 EXT. SAFE HOUSE - NIGHT 37
The gunfire has stopped. Lois and Jimmy lift their heads
and look around. No sign of --
LOIS
Clark... ?
38 EXT. BACK OF SAFE HOUSE - CONTINUOUS 38
Agents bark into walkie-talkies. Swatters race out into the
forest, looking for the assassin. Lois and Jimmy appear.
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 20.
38 CONTINUED: 38
LOIS
Clark...
JIMMY
C.K ... ?
Lois looks for Clark -- then spies something gleaming in the
mud next to the water's edge. She bends and picks it up.
39 OMITTED 39
40 EXT. BACK OF SAFE HOUSE - NIGHT 40
Lois picks up the gleaming object, which rests among (X)
several muddy footprints. Lois holds it to the light. (X)
_It's Diana's crescent charm_. Her eyes widen as she (X)
recognizes it.
FADE OUT.
_END OF ACT ONE_
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 21.
_ACT TWO_
FADE IN:
41 OMITTED 41
42 INT. HOSPITAL CORRIDOR - NIGHT 42
Superman walking with a DOCTOR. (X)
DOCTOR
One slug is still dangerously (X)
close to the heart. I can't (X)
operate till he stabilizes. (X)
SUPERMAN
This witness needs to be (X)
protected... can he be moved? (X)
DOCTOR
Only if you want to do the (X)
assassin's job for him. (X)
Superman and the Doctor turn a corner and find it's -- (X)
Jammed with NEWS CREWS and REPORTERS. COPS both uniformed
and PLAINCLOTHES are trying to control the circus. Then, a
sudden hush as Supermen steps comes into the fray, grimly
determined.
SUPERMAN
I'd like to make a statement.
Cameras and lights all turn his way.
SUPERMAN (CONT'D)
An attempt was made on the life of
a state's witness. I want to say
to anyone out there thinking of
making a second attempt....
43 INT. DIANA'S OFFICE - NIGHT 43
ON TV, Superman speaks:
SUPERMAN
... don't. I am now _personally_
protecting this witness...
REVEAL Diana, an ice pack on her knee. She looks at (X)
Superman on TV with undisguised venom.
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 22.
43 CONTINUED: 43
SUPERMAN (CONT'D)
... and if anything happens to him,
I will hunt his killers.
_Relentlessly_.
Diana moves to the light on her desk. Clicks it off, then
on, then off again. The TV switches to a black screen, then
the image of MR. DARRYL comes up. (X)
DIANA
Did you watch the news?
MR. DARRYL (X)
Not like you to bungle one, Diana.
And now you've turned Superman into
a bodyguard. Tsk, tsk, tsk...
DIANA
There's been a rumor about a
substance that can kill him... a
chunk of meteor Lex Luthor got
ahold of. Can you get it?
MR. DARRYL (X)
Are you telling me ... ?
DIANA
I'll kill Superman. For free.
Just get me the rock. Then get me
in touch with the Science (X)
Division. (X)
44 INT. DAILY PLANET - PIT - DAY #3 44(X)
Lois sits at her computer, utterly absorbed. Clark hovers,
holding the crescent pendant she found. (X)
CLARK
And you found this ... ?
LOIS
Right after you disappeared. And
what happened to you, anyway?
CLARK
I thought I saw the assassin.
LOIS
(turns to him)
_You_ went after a professional
killer?
(he nods)
By yourself? Clark...
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 23.
44 CONTINUED: 44
CLARK
Lois, come on, it wasn't that
danger --
(stops, moves close)
Well, no, I guess it was. I guess
I could've been killed... and we
never would've settled things.
Maybe this is fate handing us a
second chance.
LOIS
Nice. You rehearse that one?
CLARK
Improvised on the spot.
LOIS
'A' for effort. 'F' for fat
chance.
CLARK
(nods, backs off)
Anyway, I lost him.
LOIS
Well, I've got a real feeling it's
not a 'him.' I think it's Diana
Stride.
CLARK
(lifts pendant) (X)
All because of this?
LOIS
You know, you get this _tone_ in
your voice when you're humoring me
and you think I don't hear it, but
I do.
CLARK
Sorry. What have you got?
LOIS
She was in the army. The only
woman ever in Special Forces.
_Then_ she pops up in a TV station
in Omaha, starts a very fast rise
to legendary anchorwoman.
CLARK
And ... ?
She hits a button. Clark studies the screen: a tile (X)
grouping of faces. (X)
(CONTINUED)
--page break--
TOP COPY (#14) Pink Rev. 1/5/95 23.
44 CONTINUED: 44
CLARK
Lois, come on, it wasn't that
danger --
(stops, moves close)
Well, no, I guess it was. I guess
I could've been killed... and we
never would've settled things.
Maybe this is fate handing us a
second chance.
LOIS
Nice. You rehearse that one?
CLARK
Improvised on the spot.
LOIS
'A' for effort. 'F' for fat
chance.
CLARK
(nods, backs off)
Anyway, I lost him.
LOIS
Well, I've got a real feeling it's
not a 'him.' I think it's Diana
Stride.
CLARK
(lifts pendant)
All because of this?
LOIS
You know, you get this _tone_ in
your voice when you're humoring me
and you think I don't hear it, but
I do.
CLARK
Sorry. What have you got?
LOIS
She was in the army. The only
woman ever in Special Forces.
_Then_ she pops up in a TV station
in Omaha, starts a very fast rise
to legendary anchorwoman.
CLARK
And ... ?
She hits a button. Clark studies the screen: a tile (X)
grouping of faces. (X)
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 24.
44 CONTINUED: 2 44
LOIS (CONT'D)
What do all these men have in
common?
CLARK
They're famous...
LOIS
... powerful...
CLARK
...dead...
LOIS
... and were interviewed by Diana
Stride.
CLARK
(extends his hand across
the desk)
Lois, what am I doing right now?
LOIS
Reaching?
CLARK
And I'm not the only one.
Mayson walks up.
MAYSON
Can I talk to you guys?
45 INT. DAILY PLANET - CONFERENCE ROOM - DAY 45
Mayson looks at Lois and Clark. Hard (X)
LOIS
Look, I told the police
everything...
MAYSON
Well, now you're going to tell (X)
_me_. How did you find him?
LOIS
I don't think I like your tone.
MAYSON
And I don't like my witness on life
support. (X)
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 25.
45 CONTINUED: 45
LOIS
You can't force a reporter to
reveal sources.
MAYSON
True. But let me tell you what I
can do. I can convene a Grand
Jury, put you on the stand and if
you refuse to answer, toss you in
jail till you do.
(eyes boring into Clark)
Both of you.
CLARK
Mayson, hold it, we're on the same
side here, we all want to bring
down Intergang...
MAYSON
Then tell me _how_ you found my
witness, and anything you know about
the assassin.
Clark folds his arms. He won't betray Lois.
MAYSON (CONT'D)
I'll give you twenty-four hours.
If I don't get an answer by then,
I'll hit you both so hard you'll
think it was raining hammers.
She exits.
LOIS
She's watched a _little_ too much
Perry Mason.
CLARK
Maybe we haven't watched enough.
46 INT. DAILY PLANET - PIT - CONTINUOUS 46
Mayson strides out, Lois and Clark follow.
LOIS
What does that mean?
CLARK
It means maybe we stepped over the
line.
LOIS
_We_ didn't, I did, is that what
you mean?
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 26.
46 CONTINUED: 46
CLARK
Lois, whatever one of us does, the
other takes responsibility for.
That's what being partners is all
about.
LOIS
Okay. Well, we've got a little (X)
time here. If we can ID who's
trying to kill her witness, that
might get her off our backs.
Mayson moves up to the elevators as the doors slice open and
out steps Perry and Jimmy with Diana, all three laughing and
having a great time as Mayson gets on.
LOIS (CONT'D)
Huh. Speak of the devil. (X)
Lois gets a gleam in her eye.
LOIS (CONT'D)
I've got an idea.
She whispers in Clark's ear, then moves to her desk. Diana,
Perry and Jimmy cross the pit to Perry's office.
DIANA
(as the laughter
subsides)
... Perry, you've got to tell that
story on film...
PERRY
Oh, I don't know, Diana, I'm kinda
shy...
JIMMY
Yeah? Compared to what?
(off Perry's glare)
Sir.
DIANA
(to Jimmy)
And _you_. You are just (X)
delicious. Mmmm, j'ador. (X)
JIMMY
Yeah, me too. (X)
She stops, seeing Clark for the first time.
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 27.
46 CONTINUED: 2 46
PERRY
Diana, this is Clark Kent, the
fella I was telling you about. Now
_he_ and Superman are real tight.
A long look is held between Clark and Diana. Then she holds
out her hand.
DIANA
It's hard to believe we haven't
met. I've read everything you've
ever written.
LOIS
I didn't think TV people had time
for newspapers.
DIANA
Lois Lane. This is a real honor.
I understand there's no one in the
world closer to Superman. I hope
we can spend some time together.
CLARK
(pointedly)
That's a pretty _necklace_, Lois.
He points to Diana's crescent in Lois' hand. (X)
LOIS
Oh, it's not mine, I found it...
Diana's eyes light up as she sees it, then her eyes flick (X)
to Lois' and she stops herself from speaking. (X)
LOIS (CONT'D)
Is it yours? (X)
Lois and Diana hold a look. (X)
DIANA
No. (X)
LOIS
You sure? I saw you wearing one (X)
just like it the other day... (X)
Diana's eyes flick to the crescent. (X)
LOIS (CONT'D)
... and I thought it was so (X)
appropriate. You know, Diana the (X)
Huntress, from Greek mythology, (X)
who stalked her prey by the (X)
moonlight. It's really not yours? (X)
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 28.
46 CONTINUED: 3 46
DIANA
Mine's in a jewelry store, being (X)
cleaned. (X)
LOIS
My mistake. Well, I hope whoever (X)
lost this little charm finds it... (X)
(exchanges a look with (X)
Clark) (X)
... or they're in for some bad (X)
luck. (X)
CUT TO:
47 INT. KENT WORK SHED - NIGHT #3 47(X)
Clark is there with JONATHAN, who strains to lift a big
metal box. Clark picks it up with one hand and moves it
across the room to MARTHA, dressed in greasy overalls,
standing among a web of cables, a computer, a
high-tech-looking video camera and two black boxes on
tripods.
CLARK
Lois is onto something. Diana
Stride's not what she seems.
MARTHA
Too bad. Your father always had a
little crush on her.
JONATHAN
That's not true, Martha, I've just
always thought she was very...
MARTHA
Sizzling? Vivacious?
JONATHAN
... trustworthy.
CLARK
I don't know about that, Dad. She
wants to find out Superman is Clark
Kent and tell the world. And I'm
not sure I can stop her.
MARTHA
But if you and Lois could prove
this theory about her being some
kind of assassin...
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 29.
47 CONTINUED: 47
CLARK
(head shake)
It's all just pieces. We don't
even have enough to tell Perry.
And she's closing in. Funny. I've
never felt like this before.
JONATHAN
Like what?
CLARK
Like I was being... stalked.
Martha hits a switch. One of the tripod black boxes lights
up and emits a laser beam.
CLARK (CONT'D)
Mom... is that a laser?
MARTHA
(adjusting some dials)
Uh-huh.
CLARK
I thought this was an art project.
MARTHA
It is. My professor says it's the
sculpture of the future -- light.
Clark and Jonathan just look at each other.
48 INT. DIANA'S OFFICE - NIGHT 48
Diana stands before Mr. Darryl on TV.- She holds a small (X)
vial in her hand.
MR. DARRYL (X)
What our lab guys know about this
Kryptonite is still sketchy.
Diana lifts the vial to the light. Inside, a green GLOWING (X)
paste. (X)
MR. DARRYL (CONT'D) (X)
But they ground it down to a (X)
paste, just like you asked. (X)
Diana studies the pastey Kryptonite. (X)
DIANA
And the device I sent you?
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 30.
48 CONTINUED: 48
MR. DARRYL (X)
Should be modified by tomorrow.
Diana just smiles, studying the vial. (X)
49 INT. CLARK'S APARTMENT - NIGHT 49
We hear an O.S. WHOOSH, then Superman enters. He hits the (X)
PLAY button on his phone machine. (X)
DIANA (V.O.)
Clark, this is Diana Stride. Could
you contact Superman for me? I'd
really like to spend some time with
him. Tonight. One on one.
Superman's face hardens. (X)
SUPERMAN
You got it. (X)
50 INT. DIANA'S OFFICE - NIGHT 50
Shadowy. An O.S. WHOOSH and Superman steps into frame. A
match is lit across the room, illuminating Rolf, who is
bending to light the candles at an exquisitely set dinner
table for two.
ROLF
Hello, there. Diana will be here
in just a moment. Meanwhile, can I
get you some wine? It's not a bad
Merlot.
SUPERMAN
No, thank you, Rolf.
ROLF
You know, while I have you here,
there's something I've always
wanted to ask you. When I wear my
very tightest ski pants, I always
get a bit... chafed. Do you find
this happens to you?
SUPERMAN
No. But it helps to be
invulnerable.
Diana makes her entrance, dressed in a gown that would make
grown men weep.
(CONTINUED)
--page break--
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50 CONTINUED: 50
DIANA
Rolf, I'd like to be alone with
Superman.
ROLF
(sighs, exiting)
Qui ne voudrais pas ca? (X)
SUBTITLE: 'What girl wouldn't?'
SUPERMAN
(nods)
Ms. Stride --
DIANA
(moving close)
Diana.
SUPERMAN
(moving away)
-- I know your story isn't a
tribute, it's an attempt to expose
me.
DIANA
Expose you?
(runs her fingers
lightly across 'S')
Do you have something to hide?
SUPERMAN
We all have something to hide.
Some of us for the good of
others... and some of us for our
own gain. I'm here to tell you,
Ms. Stride -- drop this story.
DIANA
Superman...
She suddenly turns away and crosses to the table, pours a
drink.
DIANA (CONT'D)
... I can't...
He looks at her. Her back is to him.
DIANA (CONT'D)
I'm going to lose my show...
and it's all I have. When you want
so much from life, then get more
than you ever expected, the thought
of having it all taken away can
make you do things that you...
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 32.
50 CONTINUED: 2 50
From Superman's POV he sees her set the drink down;
shoulders shake and she lifts her hand to her face, crying.
DIANA (CONT'D)
... never thought you were capable
of.
SUPERMAN
Don't cry.
Now we are CLOSE on Diana's face as she pulls a lipstick (X)
out of her pocket and uncaps it. The lipstick has a GREEN (X)
KRYPTONIE GLOW. She dabs it onto her lips, which give off (X)
a deadly little SPARKLE. (X)
DIANA
That's what made me do this, or
maybe it's just because I'm no
good.
Superman moves to her and puts a hand on her shoulder.
SUPERMAN
There's good in everyone.
She turns and suddenly kisses him hard on the mouth. He's
startled and it takes a moment before he gently pries her
off.
DIANA
(with an evil smile)
Not everyone.
He touches his lips and looks at her, getting woozy. He
drops to his knees in front of her.
DIANA (CONT'D)
Please, Superman. Not on a first
date.
Superman shakes his head clear and gets up.
SUPERMAN
Ms. Stride, you don't want me for
an enemy.
DIANA
But I've got you.
Superman touches his lips again and exits with a WHOOSH.
Diana sits back in her chair and wipes her lips.
(CONTINUED)
--page break--
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50 CONTINUED: 3 50
DIANA (CONT'D)
(singing)
Yes, I've got you... under your
skin...
And as she laughs to herself, studying the green smear on
the tissue --
FADE OUT.
_END OF ACT TWO_
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 34.
_ACT THREE_
FADE IN:
51 INT. DIANA'S OFFICE - DAY #4 51(X)
Diana is talking to Mr. Darryl. (X)
DIANA
The Kryptonite is in his blood
stream. He should die a slow and
painful death within a day or so.
MR. DARRYL (X)
Diana... you are the _best_.
She smiles and picks up the tracker.
DIANA
Thank the lab boys for modifying
this so fast.
MR. DARRYL (X)
You'd better hurry up and get that
story on Superman. Doesn't sound
like he's going to be around much
longer.
DIANA
Don't worry, I'll get my story.
And Disanto.
She switches off the TV. Rolf walks in.
ROLF
So... we have a new way to track
Mr. Steely Pants?
Diana hits a button on the tracker. It starts to BEEP.
DIANA
I made him swallow a radioactive
substance.
ROLF
(grins)
I'll just bet you did.
DIANA
And this time when we get close,
he'll probably be a little too
distracted to notice us.
She dials down the noise of the BEEPER, silencing it. Now a
light just flashes. The two share a nasty laugh.
--page break--
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52 INT. DAILY PLANET PIT - DAY 52
Lois and Clark exit the elevator. Across the room, Jimmy
and Perry watch them.
PERRY
What's your read on 'em, Jimmy?
JIMMY
They seem like they're getting
along.
PERRY
Very professional, doing their
jobs, no fuss, no muss?
JIMMY
Exactly.
PERRY
(shakes his head)
Norcross and Judd all over again.
JIMMY
You really think it's that bad?
PERRY
Son, they're a truckload of nitro
speedin' down a mountain, the
brakes are out and they don't even
know it.
Lois and Clark walk up to her desk.
LOIS
Well, we've hit a big wall on the
Diana front. What next?
(studies him)
Hey. You look kind of pale, you okay?
CLARK
I'm fine. Just a headache.
Jimmy walks up with a message slip.
JIMMY
Message from Mayson Drake.
(reads)
She says you've now got exactly one
hour to answer her question, or
else.
Lois and Clark look at each other.
LOIS
How do we play this?
(CONTINUED)
--page break--
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52 CONTINUED: 52
CLARK
Your call. Whatever you decide,
you're my partner and I'll back you
up.
She looks at him, touched by his loyalty, when --
Across the room, the elevator doors open and in comes Diana
and Rolf-with-camera and
53 SUPER-TELESCOPIC VISION REVEALS 53
the silent tracker in her hand and --
54 CLARK 54
suddenly drops behind a desk to tie his shoe.
55 DIANA AND ROLF 55
stand on the rise near the elevators, scanning the room.
She can't see Clark because he's crouched behind the desk
but, using the tracker, moves in his direction.
56 BACK TO SCENE 56(X)
CLARK
I'm gonna run out and get some
aspirin.
LOIS
I think I've got some in my desk.
As she turns away, Clark SHOOTS out of the room in a BLUR (X)
of SUPER-SPEED.
Diana sees only the wake of rustling papers he leaves. She (X)
checks the tracker. (X)
DIANA
He left the building. Let's --
Perry walks up, wearing his best suit.
PERRY
Diana, I'm ready for our little...
(grins)
... tete a tete.
Diana and Rolf exchange a look of annoyance. Diana plasters
on a grin.
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 37.
56 CONTINUED: 56
DIANA
Of course, Perry.
(straightens his tie)
Let's do it in your office.
57 INT. CLARK'S APARTMENT - DAY 57
He drops onto the couch in a cold sweat, shivering. Wipes
his forehead, picks up the phone and dials.
58 INTERCUT: KENT WORK SHED - DAY 58(X)
Martha is aligning the lasers Clark helped her hook up.
Jonathan is over on the work bench, sharpening some kitchen
knives. The phone RINGS. Martha picks up.
MARTHA
Hello?
CLARK
(weak)
Mom...
MARTHA
Clark? What is it, you sound
awful.
CLARK
I need you and Dad to come to
Metropolis...
JONATHAN
What's the matter?
MARTHA
He sounds sick. Clark, are you
sick?
JONATHAN
(picks up extension)
He doesn't get sick.
MARTHA
Unless... Clark is it -- ?
CLARK
Kryptonite.
JONATHAN
Oh, no.
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 38.
58 CONTINUED: 58
CLARK
I recognize the symptoms. I
suddenly got so weak I couldn't
even fly home.
MARTHA
Well, can't you get away from it?
CLARK
No, it's inside me.
MARTHA
What can we do?
CLARK
Nothing but there's this other
problem
JONATHAN
_Another_ problem?
CLARK
Just one of those days, Dad... I
need you to get here fast... bring
that laser sculpture, Mom...
MARTHA
You mean the hologram? What for?
CUT TO:
59 EXT. PARK - DAY 59
Mayson sits, eating a bag of popcorn. Lois appears. (X)
LOIS
Thanks for meeting me.
MAYSON
Sure.
LOIS
(sits)
Look, I did something I shouldn't
have...
She pulls Mayson's beeper out.
MAYSON
You stole it.
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 39.
59 CONTINUED: 59
LOIS
Yes. And it's not that I haven't
bent the law for a story before but
this time I felt bad. Because when
I got through rationalizing I
realized a big part of why I did
this is... I don't like you.
MAYSON
Really?
(smiles)
Oh, God, that is such a relief -- I
don't like you either.
LOIS
(smiles)
Really?
MAYSON
Really.
LOIS
That makes me feel so much better.
I couldn't stand the idea that I
was just jealous because of Clark,
it's so...
MAYSON
(nods)
... petty, I know, it feels much
better just to...
LOIS
... really dislike you because of
you.
Mayson nods, tips the bag of popcorn toward her. Lois takes
a handful. They munch.
CUT TO:
60 INT. CLARK'S APARTMENT - DAY 60
Clark still on the phone:
CLARK
... great, I'll be here at the
apartment.
61 INTERCUT: KENT WORK SHED - DAY 61
Jonathan and Martha on their phones:
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 40.
61 CONTINUED: 61
JONATHAN
No, Clark, you get yourself to a
hospital.
CLARK
Dad, they can't operate, I'd break
the scalpels.
MARTHA
There's got to be something they
can do.
CLARK
I guess you're right. But I'd
better go as Superman...
He starts to unbutton his shirt, getting weaker by the
second.
CUT TO:
62 EXT. CLARK'S APARTMENT - TERRACE - CONTINUOUS 62
Diana and Rolf come up the fire escape ladder and creep onto
the terrace, following the map on the tracker. They move to
the big slanted window and through it --
63 DIANA'S POV 63
of a weakened Clark hanging up the phone and coming into
view, unbuttoning his shirt and revealing the Big Red S. He
pulls off his glasses.
64 DIANA AND ROLF 64
drop down, not wanting to be seen as their eyes go wide.
DIANA
Oh, my God. Clark Kent is Superman
and we've got it on _film_.
ROLF
Woops.
DIANA
Woops. Did you just say...
_woops_?
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 41.
64 CONTINUED: 64
ROLF
(nods)
My battery pack is dead. The
camera won't work. I have to get a
fresh --
She grabs him by the throat.
DIANA
(viciously)
Go.
She throws him back. He scurries over the wall and down the
ladder. Diana watches as Clark pulls off his pants and
stumbles into the living room, heading for the door.
65 INT. CLARK'S LIVING ROOM - DAY 65
He moves up the stairs to the door, so weak he can barely
walk. He stumbles and drops to his knees.
66 EXT. CLARK'S FRONT DOOR - DAY 66
Lois walks up and knocks. Peers through the glass and sees
Superman on his knees, collapsed.
LOIS
Superman!
He doesn't respond. She pulls her coat off, balls it around
her fist and SMASHES it through the glass, unlocks the door
and yanks it open.
67 INT. CLARK'S APARTMENT - LANDING - DAY 67
Lois kneels.
LOIS
Superman, what are you doing -- ?
SUPERMAN
Gotta get... gotta get to a
hospital... (X)
68 EXT. CLARK'S TERRACE - DAY 68
Breathless, Rolf scurries up the ladder. Diana glares at
him icily.
ROLF
I'm sorry, I'm so sor --
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 42.
68 CONTINUED: 68
DIANA
Idiot!
She BACKHANDS him. He reels, then --
ROLF
I deserved that. You can do it
again if you like.
DIANA
(moving to back door)
There'll be plenty of time for that
later.
69 EXT. CLARK'S APARTMENT - FRONT DOOR - DAY 69
As Lois helps Superman down the steps, TWO AMBULANCE
ATTENDANTS race up.
LOIS
Hurry, please, he's dying!
As Lois and the Attendants help Superman, WE SEE Diana and (X)
Rolf in Clark's apartment. (X)
70 INT. CLARK'S APARTMENT - DAY 70
Rolf films, Diana searches, tapping walls. She finds the
hollow behind the false wall of the secret closet in his
living room, slides it open and --
-- there are Superman's spare uniforms.
DIANA
Well, well.
(touches hair, stands
next to uniforms)
I'm ready for my close up, Mr. De
Mille.
As Rolf aims the camera at her and the super-uniforms, she
lifts the mic to her lips.
FADE OUT.
_END OF ACT THREE_
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 43.
ACT FOUR
FADE IN:
71 INT. DIANA'S OFFICE - NIGHT #4 71(X)
Diana bursts in with Rolf, followed by a Cadre of
Assistants. She hands them the tape.
DIANA
I want this spliced into the
interviews with Superman's friends.
Then get on the phone with the
network -- we broadcast tonight.
(checks watch)
I've got to get going.
ROLF
Where?
DIANA
Doctor's appointment.
72 INT. HOSPITAL ROOM - NIGHT 72
The Doctor who attended to Disanto examines the
ever-weakening Superman, who lies on a bed under covers, (X)
bare-chested, hooked up to heart monintors and EKG'S. (X)
SUPERMAN
The witness... (X)
LOIS
Disanto? (X)
SUPERMAN
In danger... She did this... Diana (X)
did this...
LOIS
Why?
SUPERMAN
To get to him... I've got to... got
to...
He tries to get up but he can't.
DOCTOR
Easy, Superman, easy. There are
over a hundred police officers
protecting that witness. Let them
handle it.
CUT TO:
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 44.
73 INT. HOSPITAL CORRIDOR - NIGHT 73
A UNIFORMED POLICEWOMAN comes around a corner. She is
suddenly snatched into a shadowy alcove.
74 INT. HOSPITAL ROOM - NIGHT 74
Superman lies back, his breathing ragged. Lois and the
Doctor confer. (X)
DOCTOR
I'm not going to lie to you, miss
Lane, I don't know what to do.
This Kryptonite you told me about
has invaded his system. It's
spreading, almost like a cancer...
LOIS
Wait. If it _were_ cancer...
DOCTOR
We'd try to kill it, with chemo
or...
LOIS
Superman, did you hear that?
SUPERMAN
I heard.
LOIS
If there was some way to... to burn
it out of you... a heat or...
SUPERMAN
Radiation.
DOCTOR
We have facilities here.
LOIS
I think we need something bigger.
Superman reaches for his uniform. (X)
75 INT. HOSPITAL CORRIDOR - NIGHT 75
Diana comes around the corner, dressed in the policewoman's
hat and uniform, along with a pair of mirrored aviator
glasses. She passes TWO UNIFORMED COPS in the hall. They
exchange nods. She moves around the corner, to --
A checkpoint. TWO MORE COPS and Mayson Drake. She stops.
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 45.
75 CONTINUED: 75
MAYSON
You are ... ?
DIANA
Rourke.
Mayson and Cop 1 check the list. Cop 2 checks her badge
number against the list.
MAYSON
You're early, Officer Rourke.
DIANA
Wanted to get some coffee.
Mayson nods. They let Diana through.
CUT TO:
76 OMITTED 76
76A INT. INDUSTRIAL ROOM - NIGHT 76A
we sense piping, steel walls, but thick radioactive gas (X)
obscures almost everything. We glimpse Superman moving (X)
through. He crosses to another steel door. This is the (X)
reactor. He unlocks it, pulls it open and -- (X)
SEARING WHITE LIGHT BLASTS out at him. He shields his eyes (X)
and moves inside the reactor, shutting the door behind him. (X)
WE PUSH IN ON the door and see the words METROPOLIS NUCLEAR (X)
POWER PLANT. (X)
77 INT. HOSPITAL CORRIDOR NEAR DISANTO'S ROOM - NIGHT 77
Thick with Cops and Swatters. A NURSE is searched with a
metal detector at Disanto's door. Diana moves past the cops
and around the corner to -- (X)
78 INT. HOSPITAL VENTILATION ROOM - CONTINUOUS 78
Diana closes the door behind her and moves to the main
heating and cooling juncture; pries open the vent. Then,
from her jacket, takes two items: one, a gas mask; the
other, a metal canister. She slips the gas mask on, then
pulls a pin on the canister. A jet of gas hisses out of the
canister. She sets it inside the juncture, closes the vent
and looks at her watch.
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 46.
79 INT. HOSPITAL CORRIDOR - MAYSON'S CHECKPOINT - NIGHT 79
Lois walks up. A Cop is about to detain her but --
MAYSON
It's all right. What is it, Lois?
LOIS
Your witness is in a lot more
danger than you think...
CUT TO:
80 OMITTED 80
81 INT. VENTILATION UNIT - NIGHT 81
Diana's canister of gas HISSING.
82 INT. HOSPITAL CORRIDOR NEAR DISANTO'S ROOM - NIGHT 82
TIGHT ON the air vent near the ceiling. We see just a whisp
Diana's gas escape, then evaporate. TILT DOWN to all the
Cops and Swatters around Disanto's door -- on the floor, (X)
unconscious. (X)
83 INT. HOSPITAL CORRIDOR - MAYSON'S CHECKPOINT - NIGHT 83
Lois and Mayson conferring at the far end of the hall. (X)
MAYSON
... wait, you're telling me that
Diana _Stride_ is a professional
assassin?
LOIS
Look, I know it's hard to believe
but --
Lois hears a THUNK, turns and sees all the Cops in the hall (X)
passed out. Mayson moves to the cops and suddenly gets (X)
woozy herself. Lois sniffs the air. (X)
LOIS (CONT'D)
Mayson, it's gas, get back!
Too late. Mayson keels over next to the cops. Lois
stumbles, about to succumb, then grabs an oxygen mask off a (X)
gurney. Cranks the oxygen on the tank and breathes. (X)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 47.
84 INT. HOSPITAL VENTILATION ROOM - NIGHT 84
Diana looks at her watch again, takes off her gas mask. (X)
Then, a la Clark's change to Superman, Diana grasps her
cop's shirt and tears it open, revealing a white nursers
uniform underneath.
85 INT. HOSPITAL CORRIDOR NEAR DISANTO'S ROOM - NIGHT 85
Dressed in nurses's white, Diana walks over the sleeping (X)
cops and enters Disanto's room. (X)
86 INT. DISANTO'S ROOM - NIGHT 86
Disanto is on his bed, unconscious, hooked up to life
support. Diana creeps in, then extracts a syringe from her
pocket and --
DIANA
Hello, Michael.
His eyes flutter open. Then widen in horror.
DIANA (CONT'D)
Good-bye, Michael.
She lays the needle against his arm, as the window flies
open and Lois leaps in from the ledge and launches herself
at Diana. Diana shoves Lois off. Her movements are (X)
assured and deadly as she circles Lois. (X)
DIANA (CONT'D)
You're in way over your head, Lois.
LOIS
I've only got one thing to say to
you, honey --
Diana goes for the kill but --
LOIS (CONT'D)
(blocks the blow) (X)
-- keep your lips off Superman!
Lois finishes with a roundhouse wallop. Diana drops back,
pulls up her white dress and we see a commando knife
strapped to her thigh. She pulls it and smiles.
COP VOICES
(various)
In here! This way! Come on!
Diana hears the running footsteps approach. She deftly
flips the knife, catching the blade in her fingertips as she
brings it up behind her head
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 48.
86 CONTINUED: 86
Lois dives and grabs a tray off a table --
Diana throws the knife --
Lois brings the tray up and the knife THWACKS into it, its
blade sticking out the other side, an inch from Lois' throat
as --
Diana leaps out the window, onto the ledge and is gone.
Lois gets to her feet and --
THREE SWATTERS IN GAS MASKS burst in and level guns at her.
LOIS
Wrong reporter.
She points out the window.
87 INT. NUCLEAR GAS TREATMENT CENTER - NIGHT 87
We hear a SUPER-SCREAM, then the door flies open, light
SEARS through the gas and Superman stumbles out, face
contorted in pain, the SCREAM dying down. He drops to his
knees.
He rises slowly. Takes a step. Then another. Each more
assured than the last.
88 INT. HOSPITAL CORRIDOR - NIGHT 88
Near the nursers station. Woozy Cops and Hospital Staff (X)
are coming to. Superman and Lois in mid-embrace. (X)
LOIS
I'm so glad you're all right.
SUPERMAN
She didn't hurt you...?
LOIS
I'm fine... I'll be a little achy
in the morning but --
Mayson walks up, still groggy. (X)
MAYSON
Diana made a clean getaway, we
can't find her.
(to Superman)
Maybe _you_ could, ohhh, I don't
know... help out with the search?
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 49.
88 CONTINUED: 88
SUPERMAN
I'll be glad to, Ms. Drake.
MAYSON
And Lois, I just wanted to say...
thanks. I owe you an awful lot.
Keep this up and we may have to (X)
like each other. (X)
LOIS
(smiles)
Oh, no, anything but _that_. (X)
Their attention is caught by the TV and --
89 ON TV - SHOT 89
of Superman, then --
TV ANNOUNCER
Tonight on _Top Copy_! Diana
Stride and the secrets of Superman!
SHOT of Diana:
DIANA
Does the Man of Steel lead a secret
life? Find out -- tonight, only on
_Top Copy_.
90 MAYSON AND LOIS 90
both look at Superman. He tries to be casual.
SUPERMAN
Boy, those people'll do anything
for ratings, huh?
He moves off. Lois and Mayson look at each other.
91 INT. DAILY PLANET - NIGHT 91
Perry, Jimmy, Lois and STAFFERS are gathered around the
TV's, watching, their mouths as agape.
92 ON TV - DIANA 92
opens Clark's closet, revealing Superman's uniforms.
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 50.
92 CONTINUED: 92
DIANA
... and here in this apartment, we
find the final piece of the puzzle
which tells us that Superman is
Clark Kent.
93 BACK TO SCENE 93
as our Planeteers stare in utter shock.
JIMMY
I don't believe it.
PERRY
I don't either.
JIMMY
They always kinda looked alike,
though.
PERRY
Hey, I've been told I look a little
like Nixon but I've never been to
the White House. Lois? You buying
this?
LOIS
I...
(words won't come)
I...
She makes a head shake, then a shrug, lets out a pained sigh
and sits, in a state of shock.
The elevators PING open. Everyone turns. Clark steps off.
Everyone stares. Silence, then --
CLARK
(innocent as a lamb)
Hi. (X)
94 EXT. DAILY PLANET - NIGHT 94
REPORTERS clog the street and sidewalk, grouped around a
podium on a dais. Lois, Jimmy, Perry and some Staffers are
led out of the lobby by Clark.
LOIS
Clark, what is going on here?
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 51.
94 CONTINUED: 94
CLARK
I decided the easiest way to settle
all this would be a press
conference.
He gestures for his fellow staffers to move among the
reporters as he steps up behind the podium and speaks into
the mic:
CLARK (CONT'D)
My name is Clark Kent. I'm sure
you all saw the story on TV tonight
and I'd just like to say --
There is an O.S. WHOOSH, everyone looks up and --
95 SUPERMAN 95
has just landed on the ledge in front of the Planet Globe.
96 THE REPORTERS 96
are stunned now at the sight of --
97 SUPERMAN AND CLARK 97
together, the Man of Steel standing only a few feet over the
head of the mild-mannered reporter.
SUPERMAN
Clark, I don't mean to interrupt
but maybe it'd be easier if I
explained. Diana Stride is now a
wanted fugitive.
98 EXT. WINDOW OF A BUILDING ACROSS THE STREET - NIGHT 98
Where we spy Martha and Jonathan Kent, each manning a (X)
laser, activated and aimed down at the Planet Globe. (X)
MARTHA
Jonathan, we're getting a blip in
the hologram...
99 EXT. PLANET - ON SUPERMAN - NIGHT 99
TIGHT ON a tiny speaker stuck to one of the beams holding up
the Globe. This is where his VOICE is coming from. (X)
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 52.
99 CONTINUED: 99
REVEAL Superman and SEE that indeed, there's just a faint
electronic WARBLE visible around the edge of his cape, near (X)
the shoulder. (X)
SUPERMAN
Her contention that I'm Clark Kent
is an attempt to deflect the fact
that she's long been using her
celebrity as a cover -- so she
could operate freely as an assassin
for Intergang.
The WARBLE is corrected. The image is perfect.
100 EXT. WINDOW - NIGHT 100(X)
The Kents. (X)
JONATHAN
What am I doing playing with (X)
lasers? I'm a farmer.
MARTHA
We're helping our son. Now get
your telemetry straight.
101 EXT. PLANET - NIGHT 101
As Clark and everyone else watch, Superman finishes his
statement.
SUPERMAN
Clark Kent is a friend. My
uniforms were in his closet because
he's nice enough to clean them for
me.
(shrugs)
I don't have a washing machine...
or a place to hang my spare capes.
Now if you'll excuse me, I've got
to go pick somebody up.
He SOARS over the Crowd and out of sight. Clark looks at
the assembled Reporters, then zeroes in on Lois:
CLARK
Any questions?
The ROAR of VOICES is deafening.
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 53.
102 EXT. WINDOW - NIGHT 102(X)
She switches off the lasers and lets out a long sigh,
looking at Jonathan. (X)
MARTHA
Kids.
CUT TO:
103 INT. DARK HALLWAY - NIGHT 103
Diana and Rolf skulk out of a passport office. (X)
ROLF
I don't understand why we have to
leave the country... Diana, what's
going on?
An O.S. WHOOSH, they turn and there's --
SUPERMAN
The police'll be glad to answer
that.
ROLF
Ohhh, am I in trouble? Are you
going to... to punish me?
SUPERMAN
No, Rolf.
Rolf's disappointment is palpable.
DIANA
Superman...
(moving very close)
... isn't there something we can
work out here?
SUPERMAN
I don't think so.
DIANA
Then how about a kiss good-bye?
SUPERMAN
Diana, you ought to come with a
Surgeon General's warning.
DIANA
(with an evil chuckle)
Who says I don't... Clark? (X)
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 54.
103 CONTINUED: 103
SUPERMAN
I'm afraid I've got some bad news (X)
on that front, too. (X)
He picks up a copy of THE PLANET lying in front of a door (X)
and hands it to her. She and Rolf see the headline: DIANA (X)
STRIDE'S SUPERMAN HOAX EXPOSED! (X)
ROLF
But that's... but... (X)
DIANA
I don't care what this says. We (X)
know what we saw. (X)
SUPERMAN
I tried to tell you, Diana -- you (X)
don't want me as an enemy. Come (X)
on. (X)
104 EXT. PLANET - NIGHT 104
Lois comes out onto the deserted street alone, stifling a
yawn. Clark appears. She stops. They look at each other.
CLARK
Working late?
LOIS
Big news night. Where've you been?
CLARK
Superman caught Diana. I got us
the exclusive.
LOIS
(smiles, moves to him)
You are some partner.
CLARK
Is that all I am, Lois?
She looks at him.
LOIS
I don't know. I know how I feel...
but I also know what I think. And
they're two very different things.
CLARK
Can I make a suggestion?
LOIS
Please.
(CONTINUED)
--page break--
TOP COPY (#14) FULL Blue Rev. 1/5/95 55.
104 CONTINUED: 104
CLARK
Let's finish what we started.
(off her look)
The chess game, remember? Then...
take it from there.
They move back into the Planet as Jimmy and Perry come out. (X)
PERRY
You two going back to work? (X)
LOIS
Nope. We're going back to play. (X)
They move into the lobby. Perry just shakes his head in (X)
dread. (X)
PERRY
Jimmy, I've got a bad feeling in (X)
the pit of my stomach. (X)
JIMMY
Must be the chili dog you had for (X)
lunch. 'Cause I think they're (X)
kind of cute. (X)
PERRY
(head shake)
Ah, youth. (X)
FINAL FADE OUT.
_THE END_
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Les nouvelles aventures de Clark se sont arrêtées : il a été éliminé de l'HypnoCup par Melinda...
![[HypnoCup] Clark en compétition dans le 3ème tour !](/graph/news_icon/news_icon-cfb55615fcdcd4242c27c8fcd3b7f915.jpg?v1){kind=icon}
[HypnoCup] Clark en compétition dans le 3ème tour !
Après avoir éliminé son adversaire Firestorm avec une confortable avance sur lui (100 à 63), Clark...
Les nouveautés des séries et de notre site une fois par mois dans ta boîte mail ?
stella, 14.04.2024 à 20:51
Nouveau design tout sur le quartier Malcolm! Tout avis est la bienvenue 
choup37, 15.04.2024 à 10:15
La chasse aux gobelins est en cours sur Doctor Who, venez (re)découvrir la série 
choup37, 15.04.2024 à 10:15
Il manque 3 votes pour valider la nouvelle bannière Kaamelott... Clic clic clic
chrismaz66, 15.04.2024 à 11:46
Oui cliquez;-) et venez jouer à l'animation Kaamelott qui démarre là maintenant et ce jusqu'à la fin du mois ! Bonne chance à tous ^^
Supersympa, Avant-hier à 14:31
Bonjour à tous ! Nouveau survivor sur le quartier Person of Interest ayant pour thème l'équipe de Washington (saison 5) de la Machine.