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Titre en VO :
Diffusion US :
Diffusion FR :
Lors des funérailles de l'avocate Mayson, Loïs ouvre un cerceuil, où elle avait entendu du bruit, et voit un homme vivant mais quand elle revient vers ce cerceuil, il est mort.
Loïs et Clark décident d'aller fouiller le bureau de Mayson pour trouver des indices qui pourraient les mener à quelque part et ils veulent savoir ce que Mayson a voulu dire avant de mourir par le mot "Résurrection". Ils trouve un homme, Daniel Scardino, un agent fédéral.
Au Daily Planet, ils obtiennent des photos d'un homme qui fouille la voiture de Mayson avant qu'elle meurt et il s'agit du même homme que Loïs a vu dans le cerceuil. Clark décide d'aller à la fourrière et il trouve une pilule dans cette voiture.
C'est Stanley Gables qui a créé cette pilule et il a aussi crée un virus mortel. Il tente de tuer Loïs et Clark. Stanley tente de tuer Loïs mais Daniel la sauve. Ensuite, il reste prostré devant chez elle et se permet d'y entrer mais Loïs arrive vers lui en colère et armée. Il essaye de s'expliquer mais Clark arrive à ce moment pour donner de nouvelles informations.
C'est l'avocat de Gables, Albie Swinson, qui téléphone à Loïs pour lui annoncer les plans de son maître. Il veut asperger la ville de son virus.
Loïs, qui était dans un cerceuil pour échapper à des hommes, se fait sauvée par Superman, ensuite ils vont au StarLab pour arrêter les malfaiteurs.
Note : 8.5/10
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Titre VO
Resurrection
Titre VF
Résurrection
_LOIS & CLARK_
The New Adventures of Superman
"_Resurrection_"
_CAST_
CLARK KENT/SUPERMAN
LOIS LANE
PERRY WHITE
JIMMY OLSEN
DANIEL SCARDINO
STANLEY GABLES
ALBIE SWINSON
BIG BUSTER WILLLIAMS
DIEGO MARTINEZ
SEAN MALLORY
MRS. MALLORY
MR. SUNSHINE
CRAVEN
MAC
PRIEST
SECURITY GUARD
PRISON GUARD
_LOCATIONS_
INTERIORS: EXTERIORS:
Daily Planet Whispering Pines
Bullpen Cemetery
Perry's Office
Stanley Gable's House
Mayson's Office
Hallway Street
Van Police Impound Lot
Lois' Apartment Metropolis Prison
Bathroom
Bedroom Starlabs
Living Room Roof
Street
Mrs. Mallory's Porch
Funeral Director's Office
Stanley Gable's House
Living Room
Prison Visiting Room/Hallway
Starlabs
Lobby
Crawl Space
_TEASER_
FADE IN:
1 EXT. WHISPERING PINES CEMETERY - DAY #1 1
LOIS AND CLARK are among the mourners attending Mayson's
graveside funeral. PERRY and JIMMY stand quietly off to the
side, Jimmy next to an attractive girl. A PRIEST delivers
the final benediction.
PRIEST
Into your hands, oh Lord, we
commend thy faithful servant,
Mayson Drake. Receive her into the
arms of thy mercy, into the blessed
rest of everlasting peace. Amen.
Pull back to include a new passenger van (e.g. Aerostar)
slowly rolling to a stop in the b.g.
2 INT. VAN - DAY - CONTINUOUS 2
STANLEY GABLES, somewhat eccentric, 40ish, sits in the
passenger seat. Seated behind the steering wheel is ALBIE
SWINSON, 30's, Stanley's loyal assistant. Stanley opens a (X)
large jar of Vitamin C and pops several into his mouth. (X)
GABLES
You realize that getting rid of
Mayson Drake only solved half our
problems.
ALBIE
We have people out looking for the
pill, sir.
GABLES
I don't want looking. I want
finding. Let's go.
Albie drops the Van in gear and slowly accelerates.
3 EXT. CEMETERY - DAY - CONTINUOUS 3
As the mourners file past Mayson's coffin, paying their
final respects, Lois walks over to Clark who stands silently
by the coffin and gently places her hand an his shoulder.
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 2.
3 CONTINUED: 3
LOIS
You okay?
Clark's in his own world. He stares at the coffin thru...
CLARK
The last thing she said was (X)
'Resurrection.' What was she (X)
trying to tell me?
LOIS
Maybe you'd like a few minutes
alone... to say good-bye. I'll
meet you at the car.
Lois walks off.
CLARK
(to coffin)
If I'd only gotten to you sooner.
4 OMITTED 4
5 ANOTHER ANGLE 5
Lois walks alone down a winding path past rows of manicured
grave sites and marble headstones. As she passes a plot,
(#29B) she HEARS the SOUND of MOANS emanating from an
unattended coffin lying by an open grave. As she cautiously
approaches, Gable's Van rolls to a stop in the b.g.
Suddenly the coffin starts to shake. Lois reaches down and
pulls open the lid, revealing...
6 THE CORPSE 6
his eyes suddenly pop open. He reacts with confusion and
terror At the sight of Lois.
7 ON LOIS 7
equally terrified, unable to produce anything but a silent
scream. She slams the lid and runs back towards the
funeral.
LOIS
Clark!
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 3.
8 ON VAN 8
Albie quickly jumps out and heads for the coffin. He
removes a large purple pill from a plastic container, flings
open the lid and quickly crams the pill down the groggy
corpse's throat.
9 INT. VAN - DAY - CONTINUOUS 9
Albie hops back into the limo and starts it up thru...
ALBIE
Sorry, Mister Gables. Just a
little mistake with the original
dosage.
GABLES
(cynical)
A little mistake. Albie if
Resurrection is to succeed, I can't
afford any more corpses waking up.
(threatening)
And neither can you.
ALBIE
Yes sir.
As Albie maneuvers the van down the path...
FADE OUT:
_END OF TEASE_
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 4.
_ACT ONE_
FADE IN:
10 EXT. CEMETERY - DAY - PLOT #29b - SHORT TIME LATER 10
The coffin has been lowered. The two grave diggers, CRAVEN
and AL tend to the grave. Al sits behind the controls of an
earth mover as Craven stands off to the side with a shovel.
As the earth mover ROARS to life, lifting dirt and dumping
it into the grave, Lois returns with Clark in tow. She
gestures wildly to the grave diggers amid the NOISE.
LOIS
(shouting over the roar)
Hey! Wait! Stop!
Craven gestures to Al to cut the engine. He does.
CRAVEN
You got a problem, lady?
LOIS
The body you just buried is still
alive. He opened his eyes and
looked at me.
Craven just shoots her a look, then starts to shovel some
dirt into the grave.
LOIS (CONT'D)
Hey! I know what I saw!
(grabbing Craven's shovel)
Dig him up!
CRAVEN
Lady, they don't pay me enough for
this aggravation.
Craven grabs his shovel back as Clark looks down into the
grave using his X-RAY VISION thru...
LOIS (O.S.)
(to Craven)
Doesn't it bother you the tiniest
bit you could have buried a man who
is still alive?
Clark sees the body lying totally motionless and at peace.
CRAVEN
Look, I got a work order to plant
this guy in 29B.
(MORE)
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 5.
10 CONTINUED: 10
CRAVEN (CONT'D)
Now unless I get a _court_ order
telling me not to, I'm plantin'
him. And if you don't get out of
my face you may become the first
person ever ejected from a
cemetery.
CLARK
Lois, listen to yourself. Look, (X)
we've all been through a lot of (X)
stress.
Lois hesitates. Maybe Clark's right.
CLARK (CONT'D)
C'mon, let's go back to the (X)
office. (X)
As Clark takes Lois by the arm and gently leads her off.
CUT TO:
11 INT. DAILY PLANET - DAY - LATER 11
The elevator door opens. Lois and Clark step out in
mid-argument.
CLARK
... muscle spasms. After death
it's not uncommon for a body to
have involuntary movements. Ticks,
knee jerks... even belching.
LOIS
(unconvinced)
Okay. Fine. I imagined the whole
thing. It never happened.
Lois and Clark head for their respective desks.
JIMMY
Um, Lois. I was wondering if I
could ask you a favor?
LOIS
Sure.
JIMMY
Think I could borrow your Jeep
tonight? See, I met this _totally_
cool girl this morning...
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 6.
11 CONTINUED: 11
LOIS
(taken aback)
This morning? At Mayson's funeral?
(he nods)
Jimmy, I've heard of people looking
through obituaries hoping to find
low rent apartments, but I never
knew anyone who went to a funeral
looking for girls.
JIMMY
It didn't start out that way.
Honest. It just... happened.
LOIS
What about Angela? I thought she
was the love of your life.
JIMMY
She's yesterday's news. (X)
LOIS
That didn't take long. (X)
JIMMY
Lois, I'm young, single... I have
to keep my options open... Anyway
she left me for a guy with a
Ferrari. So, what do you say? Can
I borrow the Jeep?
LOIS
Tell you what. I'll lend you the
Jeep if you find out who's buried
in plot twenty-nine B at Whispering
Pines.
JIMMY
You got it.
Lois hands him the phone number and Jimmy heads off. Clark
is at his desk deeply engrossed in his work as Perry
approaches.
PERRY
How are you holding up, son?
(no response)
Clark?
CLARK
Huh? Oh, okay I guess.
PERRY
Howls the story coming?
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 7.
11 CONTINUED: 2 11
CLARK
Slow. I just can't seem to get a
handle on it. I don't know why.
PERRY
Son, there's a reason why surgeons
don't operate on members of their
own family. You and Mayson were
pretty close. If you need some
time off, let me know.
Clark nods as Lois approaches.
PERRY (CONT'D)
Oh, by the way, there's a federal
agent from the DEA coming by later
today looking into Mayson's murder.
Maybe he can shed some light on
your investigation.
LOIS
Why's the DEA involved?
PERRY
Don't know. Could be they think
it's mob related. Mayson made
quite a few enemies with Intergang.
CLARK
Maybe if I can get into her office.
Go through her files.
PERRY
Police have it cordoned off.
(beat, then)
But then, when has a little police
tape ever stopped you two before?
Lois and Clark and Perry exchange a conspiratorial smile.
CUT TO:
12 INT. OFFICE HALLWAY - DAY - LATER 12
Lois and Clark, disguised as office cleaners, push a cart
filled with cleaning supplies down the hall to Mayson's
office. The door is padlocked.
CLARK
(holding up paper clip)
This shouldn't take long.
As he turns to the door, an office worker passes, taking a
bite out of a sandwich.
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 8.
12 CONTINUED: 12
Clark stops and busies himself, head down, at the cart. The
worker tosses what's left of his sandwich into the
wastebasket hanging on Lois' cart. It hits the side and
lands on the floor. Oblivious, he keeps going. Lois
reacts, annoyed.
LOIS
Excuse me!
The worker turns and eyes her. Clark shoots her a look to
avoid confrontation. She takes a beat, then, forcing a
smile...
LOIS (CONT'D)
Thank you.
... and gingerly picks up the sandwich, dumping it into the
wastebasket. Clark turns back to the door and, pretending
to use the paper clip, quickly breaks the lock with two
fingers.
LOIS (CONT'D)
Sometimes I think you're in the
wrong profession.
13 INT. MAYSON'S OFFICE - DAY - CONTINUOUS 13
Lois and Clark slip into the office, closing the door behind
them. He goes to a file cabinet, she to the desk.
CLARK
See if you can find some connection
to Intergang or what she meant by
'resurrection.' My guess is it
would be something she worked on
recently.
Clark SPEED READS the files. Lois scans the desk top. Her
eyes rest on a file marked STANLEY GABLES.
LOIS
Here's something she received the
day before she died. It's a file
on someone named Stanley Gables.
CLARK
Anything about Intergang or
resurrection?
(Lois shakes her head)
Keep looking.
Lois moves aside a law book and finds a half-eaten meatball
hero. She picks it up.
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 9.
13 CONTINUED: 13
LOIS
How's this for recent?
(Clark comes over)
It's still warm.
CLARK
A meatball sandwich?
MAN (O.S.)
Molinaro's. Best in the city.
Lois and Clark react as DAN SCARDINO jumps down from an (X)
open ceiling panel, and lands in front of them, wielding a
gun the size of Cleveland. He's about thirty, rugged good
looks, well built and oddly enough, is also dressed in the
same office cleaner outfit as they are. (X)
SCARDINO (CONT'D) (X)
(re: sandwich)
Go ahead. Take a bite. They also
got a veal and peppers that'll
knock your socks off.
CLARK
Who are you?
SCARDINO (X)
The cleaning man. Who are _you_?
Lois tries to placate him while inching her way toward the
door with Clark.
LOIS
The cleaning _woman_. How's that
for a coincidence? We're all
cleaners. Guess the agency
overbooked.
Scardino shakes his head and cocks the gun, stopping her. (X)
SCARDINO (X)
Y'know, I'm a very sensitive guy. (X)
I just hate it when people lie to (X)
me.
LOIS
But you don't mind lying yourself. (X)
SCARDINO (X)
(amused) (X)
Ah... touche. But I've got the (X)
gun, so my lie takes precedence. (X)
Clark starts to make a move towards him. Scardino quickly (X)
levels the gun right at Clark.
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 10.
13 CONTINUED: 2 13
SCARDINO (CONT'D) (X)
Unless you're Superman, I wouldn't
recommend it. (X)
WIPE TO:
14 INT. MAYSON'S OFFICE - DAY - MOMENTS LATER 14
Lois and Clark are tied back to back on two chairs as
Scardino rifles through Mayson's desk. (X)
SCARDINO (X)
I don't want you to get the wrong
impression. I really am a fun guy.
You should see me at parties.
He finds a small black diary. Slips it into his jacket. As
he heads for the window...
SCARDINO (CONT'D) (X)
(to Lois)
You know, you have the most
incredible eyes.
He pulls up the shade revealing an open window and a rope
hanging down outside. He gets up on the window sill. As he
grabs the rope...
SCARDINO (CONT'D) (X)
Well, it's been real. And don't
forget. Check out Molinaro's...
when you're not so... tied up.
He lowers himself out of sight. Clark quickly pulls his (X)
hands loose.
CLARK
(re: getting untied)
Guess he was never a boy scout.
(untying Lois)
Call the police. I'm going after
him. (X)
As Clark turns to leave, a SECURITY GUARD on a routine check
opens the office door, seeing our heroes, he pulls his gun.
GUARD
(sarcastic)
I'm sure you two have a good reason
for breakin' in here.
LOIS
Would you believe, the place was
really dirty?
CUT TO:
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 11.
15 INT. DAILY PLANET BULLPEN - DAY - LATER 15
Lois and Clark sit across from a Planet sketch artist. As
they talk, the artist sketches on a drawing pad.
CLARK
His eyes were brown. Dark brown
and shifty.
LOIS
I wouldn't call them shifty,
exactly. But they were soft...
and warm.
The artist looks up at Lois, then over to Clark.
CLARK
Just brown. Thin lips. Hard set
jaw.
LOIS
I wouldn't say hard. More like...
chiseled. And his lips had this
cute little way of curling up when
he smiled.
Clark shoots Lois an exasperated look. She's got to be (X)
kidding. The artist makes a few more scribbles on his
sketch pad then turns it to Lois and Clark. It's a cartoon
caricature with exaggerated features.
LOIS (CONT'D)
Who's that supposed to be?! Bugs
Bunny?!
MAC
Hey! I'm an editorial cartoonist. (X)
You want a portrait, get a camera! (X)
PERRY (O.S.)
Lois, Clark! In my office. (X)
16 INT. PERRY'S OFFICE - DAY - CONTINUOUS 16
Perry stands in the doorway as Lois and Clark enter.
PERRY
Agent Scardino, I'd like you to
meet Lois Lane and Clark Kent. (X)
Lois and Clark are taken aback when they see who's inside
the office.
LOIS/CLARK
You!!
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 12.
17 REVEAL AGENT SCARDINO 17
the same man who broke into Mayson's office earlier. Only
now, dressed in loud Hawaiian shirt, jeans and cowboy boots.
SCARDINO (X)
(grinning broadly)
Small world!
PERRY
You know each other?
LOIS
Agent Scardino? (X)
Scardino takes her hand in his. There's an instant (X)
physical attraction between them.
SCARDINO (X)
Please. Call me Daniel.
LOIS
You always leave by the window?
SCARDINO (X)
I left my macaroni salad on the
mezzanine. (X)
CLARK
(annoyed)
Why didn't you identify yourself
in Mayson's office?
SCARDINO (X)
(playful)
What? And spoil all our fun?
(then)
Come to think of it, Kent, I don't
remember you or Miss Lane here
whipping out any press credentials
either.
PERRY
Obviously I've missed something.
Is there some kind of problem here?
CLARK
There is, if Agent Scardino is (X)
Washington's idea of solving
Mayson's murder.
SCARDINO (X)
(mainly to Lois) (X)
Washington has nothing to do with
it. In fact, they sort of
suggested I keep my distance.
(MORE)
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 13.
17 CONTINUED: 17
SCARDINO (CONT D) (X)
(shoots her a dazzling
smile)
They have this crazy idea that I'm
some kind of 'loose cannon.'
She can't help but smile. He's handsome and amusing. (X)
CLARK
(sarcastic)
Gee, I find that hard to believe.
LOIS
(intrigued) (X)
If you're not here officially,
why are you here?
SCARDINO (X)
Because I know who designed the
bomb that killed Mayson Drake. A
con by the name of Sean Mallory.
PERRY
The guy responsible for that (X)
series of drug related bombings in (X)
'89?
SCARDINO (X)
The same. I lost someone very
close to me in one of those
bombings.
CLARK
I thought Mallory died in prison
three weeks ago?
SCARDINO (X)
So they say. The hit on the D.A.
says otherwise. I know Mallory's
M.O. like the back of my hand. I
was the one who put him in prison.
Somehow he's out there again. And
I'm gonna nail him.
CLARK
So, your idea of solving Mayson's
murder is looking for a dead man?
SCARDINO (X)
I guess you could say that. So if
you come across any information
that might help, I'd appreciate you
letting me know. I'm staying at
the Bristol.
(MORE)
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 14.
17 CONTINUED: 2 17
SCARDINO (CONT'D) (X)
(starts to leave; then,
to Lois)
Please don't take this the wrong
way, but are those eyelashes real?
LOIS
(amused) (X)
Of course they're real.
SCARDINO (X)
Boy, they're pretty.
He and Lois stare at each other a moment. She's taken
aback by the compliment in spite of herself. (X)
PERRY
(sensing trouble) (X)
Ah... agent Scardino, let me (X)
show you out. (X)
Lois looks after Scardino as Perry leads him out. Clark (X)
moves to Perry's computer and starts tapping-keys thru... (X)
CLARK
Just show him to a window, Chief. (X)
(beat, then)
I can't believe that. Who's (X)
he think he is, Mel Gibson? (X)
LOIS
(turning to Clark) (X)
I don't know. He's kinda cute. (X)
CLARK
(under his breath) (X)
Gimme a break. (X)
LOIS
What are you looking for? (X)
CLARK
Sean Mallory's obit, since he's the
only lead we have. Here it is...
(reading)
Died of natural causes. Survived
by his mother. Colleen Mallory.
DISSOLVE TO:
18 EXT. MRS. MALLORY'S FRONT PORCH - DAY - LATER 18
Lois and Clark sit on wicker chairs looking at a photo album
and chatting with Sean's mother, MRS. MALLORY.
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 15.
18 CONTINUED: 18
She's a cherubic, amiable Irish woman in her early 60's.
She needlepoints throughout the scene.
MRS. MALLORY
... and that's a picture of Sean
when he was ten. We took that the
day before he blew up the garage.
Look at those dimples. He was such
a cute baby.
LOIS
(wryly)
Adorable.
MRS. MALLORY
And really a wonderful son.
Actually Sean is responsible for my
taking up needle point. After he
went to prison I had to find some
way to support myself.
(re: her needlepoint)
Now I sell these at swap meets.
CLARK
Um, Mrs. Mallory, did Sean have any
close friends.
MRS. MALLORY
I'm afraid little Sean didn't make
friends easily.
(pointing to a 5X7 photo
in album)
Oh, that was the last picture taken
of Sean. Two weeks before he died.
Isn't he adorable?
18A INSERT PHOTO 18A
Sean Mallory in prison garb, scowling at the camera.
18B RESUME 18B
LOIS
What about 'big' Sean? Did he have
any friends?
MRS. MALLORY
Well... he did have one. They were
pen pals.
CLARK
They wrote to each other?
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 16.
18B CONTINUED: 18B
MRS. MALLORY
Heavens no. They met in the pen.
(suddenly remembering)
You know, I think Sean might have
mentioned him in one of these
letters he wrote me from prison.
She bends down and pulls a stack of handwritten letters tied
with a blue ribbon from a cardboard box filled with
memorabilia. We HEAR the WHISTLE of a TEA KETTLE.
MRS. MALLORY (CONT'D)
Oh, tea's ready. I'll be right
back.
As she puts the letters on the wicker table between them our
heroes are surprised to SEE A LARGE TATTOO on the inside of
her forearm that says "Sonny Boy" encircled by a heart. As
she exits into the house Lois and Clark exchange a look,
then Lois pulls out an envelope.
LOIS
(eyeing the postmark)
Here's one he wrote the day before
he died.
(pulls out letter)
'Dear Mom. Thanks for the argyles
and the Maalox...'
She quickly skims the letter silently. Then...
LOIS (CONT'D)
Clark. Listen to this. 'This is
probably the last letter I will be
writing you from prison. If you
don't hear from me for a while --
or ever again -- don't worry. Just
know that I am in a far better
place... I
CLARK
Sounds like a man who knew he was
going to die.
LOIS
Pretty sad.
As Clark looks at the letter, his SUPER HEARING picks up a
TICKING SOUND. Using his X-RAY VISION, he LOOKS THROUGH THE
FLOORBOARDS and sees an INCENDIARY DEVICE under the porch.
CLARK
Um, Lois... I'm going to wash up.
He rushes into the house, loosening his tie, passing Mrs.
Mallory on her way out with a tray of tea and cookies.
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 17.
18C ANOTHER ANGLE 18C
As Mrs. Mallory sets the tray on the wicker table, SUPERMAN
CRASHES thru the porch floorboards several feet behind her.
As she turns in surprise SUPERMAN FLOATS UP through the hole
amid a cloud of smoke, holding the spent device in his hands.
LOIS
Superman. What happened?
SUPERMAN
I was in the area when I spotted
this incendiary device under the
porch. It was capable of burning
down this entire house within
minutes.
MRS. MALLORY
Oh my. Well I'm very grateful to
you Superman. Would you like a
cookie?
SUPERMAN
No thank you, ma'am. I'm watching
my calories. I'll have someone
come around tomorrow to fix your
floorboards. Have a nice day.
Superman takes off.
MRS. MALLORY.
My... he's quite a big boy.
Clark comes out of the house and eyes the hole in the porch
floor.
CLARK
What happened?
LOIS
Clark, someone tried to burn down
this house.
MRS. MALLORY
But that sexy Superman fellow was
in the area and saved us. I'm a
bit weak in the knees. Maybe I
should go lie down for a while.
As she starts to walk off somewhat in a daze...
MRS. MALLORY (CONT'D)
Why would anyone want to burn down
this old house?
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 18.
18C CONTINUED: 18C
LOIS
Mrs. Mallory, could we borrow these
letters for a few days?
MRS. MALLORY
Be my quest. I suppose they'll be
safer with you.
As Mrs. Mallory heads into the house, Lois reaches for the
letters and notices the needlepoint Mrs. Mallory left on the
chair. She picks it up and eyes it incredulously.
LOIS
'Eat my dust?'
CUT TO:
19 OMITTED 19
20 EXT. STANLEY'S HOUSE - DAY - LATER 20
An upscale suburban home.
21 INT. STANLEY'S LIVING ROOM - DAY 21
A large room with an ornate fireplace in the corner.
Expensively furnished and impeccably neat and clean. The
room is filled with exotic plants, many in bloom. On an
oversized ornate desk is a large screen computer. A top of
the line treadmill is next to the desk. Gables sits at a
table eating a plate of green nondescript vegetables and
reading a magazine, as Albie enters.
ALBIE (X)
How's your seaweed sir? (X)
GABLES (X)
I hate it. (X)
ALBIE (X)
I know sir, but the doctors said (X)
you need the iodine and B-6. (X)
GABLES
Look at this, Albie...
(reading)
'Brilliant scientist invents new
diet pill.' I suppose Starlabs (X)
will reward him with a blue ribbon (X)
and a new car. All they gave me
was a pink slip.
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 19.
21 CONTINUED: 21
He throws down the magazine and walks to his plants, seeking
solace.
ALBIE
For one little mistake.
GABLES
I didn't make a mistake! They did!
ALBIE (X)
(tip-toeing) (X)
But you did tell me sir, that (X)
Starlabs hadn't authorized that (X)
experiment you were working on. (X)
GABLES (X)
Listen Albie. You don't achieve (X)
greatness by playing by the rules. (X)
ALBIE (X)
With all due respect sir, I don't (X)
know if the four technicians who (X)
died from the Omega Virus would (X)
feel quite the same way. (X)
Gables turns from his plants and grabs Albie by his shirt. (X)
GABLES (X)
And what about my pain!? (X)
Gables rips open his shirt exposing the top of his chest, (X)
revealing a large hideous patch of blistered skin. (X)
GABLES (CONT'D) (X)
At least they went quickly. Every (X)
day this virus eats away another (X)
piece of me. (X)
(closing his shirt) (X)
So don't think I don't know about (X)
sacrifice. (X)
He walks back to his plants. (X)
ALBIE
(sotto, meekly)
Um, Mr. Gables, I don't wish to (X)
upset you any further... but we (X)
ran into a little snag with the
letters. (X)
GABLES
Tell me you got them. (X)
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 20.
21 CONTINUED: 2 21
ALBIE
(cowering)
Uh... no. Superman showed up. (X)
GABLES
I'm hyperventilating, Albie. You
know how that depletes my (X)
anti-oxidants.
ALBIE
Mister Gables, this stress isn't
good for you. Maybe we should
rethink this whole idea. (X)
GABLES
No! I tried the legal system and (X)
it failed me. The people of
Metropolis have spoken and now
they're going to suffer the same
way I am. (X)
ALBIE
(worried)
I... I thought you said it was just
Starlabs you wanted to hurt. You
mean you want to kill everyone in
Metropolis?
GABLES
If I just wanted to destroy
Starlabs Albie, I could have burned
it down. I wouldn't have gone to
all the trouble of inventing the
Resurrection pill. Which reminds
me.
(presses a button on his
desk)
We have work to do.
The door to the room opens and SEAN MALLORY, 30-ish and
Irish, very much alive, comes into the room. (X)
MALLORY
You needed something, Mr. Gables?
FADE OUT.
_END OF ACT ONE_
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 21.
_ACT TWO_
FADE IN:
22 INT. LOIS' APARTMENT - NIGHT #1 22
The living room is bathed in candle light. Soft music plays
in the b.g. The DOORBELL RINGS.
LOIS
It's open, Clark!
Clark enters, loaded down with reference books, oblivious to
the romantic setting. Lois enters from the kitchen with a
tray of hors d'oeuvres.
CLARK
I picked up some books from the
library. Bartlett's Quotations,
Shakespeare, Jung's Collective
Unconscious. Anything that had
a reference to _resurrection_.
LOIS
I hope you're hungry.
Clark puts his books down and sits on the sofa. Lois puts
the hors d'ouvres on the table.
CLARK
Did you get anything from the
letters?
LOIS
Not yet, but I'm only half way
through them.
CLARK
I should phone the office. Maybe (X)
the police lab called on that
incendiary device.
LOIS
Wait. You probably haven't eaten
all day. Here. Try one of these.
She pops an hors d'oeuvre in his mouth. He grimaces, then
starts to cough.
LOIS (CONT'D)
Too much curry? I knew it.
He waves her off indicating it's okay and starts for the
phone. She stops him again.
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 22.
22 CONTINUED: 22
LOIS (CONT'D)
Here. Have some wine:
Lois offers him a glass of wine. Clark refuses.
CLARK
Lois, is there some reason we're
not getting down to work?
LOIS
Well, actually there is something I
wanted to ask you first. I need to
know... Am I yesterday's news? (X)
CLARK
What?
LOIS
You know. Stale, old.
(then)
It's been over a week since our
first date... and... our first
kiss. And... you haven't said a (X)
word about it. It's like... it
never happened.
CLARK
Lois, I had a great time on our
date. I'm sorry if you feel...
(stops; sniffs the air)
... you smell something?
They react to a small stream of smoke wafting into the
living room from the kitchen.
LOIS
I made you souffle!
As they bolt from the sofa for the kitchen the DOORBELL
RINGS.
CLARK
I'll get the souffle. You get the
door.
They split up. As Clark disappears in the kitchen.
22A ANOTHER ANGLE 22A
Lois opens the door revealing Dan Scardino, dazzling smile (X)
on his face.
SCARDINO (X)
Hi.
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 23.
22A CONTINUED: 22A
LOIS
(surprised)
Agent Scardino. (X)
SCARDINO (X)
Please. Call me, Daniel. May I
come in?
Scardino enters and spots the hors d'oeuvres. (X)
SCARDINO (CONT'D) (X)
Rumaki! My favorite.
(samples one)
Mmm. Not bad. A little heavy on
the curry. I'm sorry to drop in on
you like this, but I was thinking
that maybe if we started working
together...
Clark returns from the kitchen. He's not thrilled at the
sight of Scardino. (X)
CLARK
I didn't know you invited Agent
Scardino to dinner. (X)
LOIS
I didn't.
SCARDINO (X)
(to Clark)
Well look who's here. The man with
the smoldering eyes.
CLARK
What are you talking about?
Scardino pulls the diary from his jacket. (X)
SCARDINO (X)
Mayson's diary. Pretty steamy
stuff. Read like an Emily Bronte
novel.
LOIS
(impressed)
You read Emily Bronte?
SCARDINO (X)
Guilty as charged. Anyway Kent,
she wrote some really passionate
purple prose. Mainly about you.
(teasing)
And you said you were two were just
friends.
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 24.
22A CONTINUED: 2 22A
CLARK
We were.
SCARDINO (X)
Not according to the diary. You
holdin' out on me, Kent?
Before Clark can respond...
LOIS
(to Scardino) (X)
You have to understand. Clark was
probably the only one in Metropolis
who didn't know Mayson was madly
in love with him.
CLARK
Who's holding out on who,
Scardino? You took the diary. (X)
SCARDINO (X)
I'm willing to share. You work
with me. I'll work with you.
Scardino flips him the diary. Clark catches it. (X)
SCARDINO (CONT'D) (X)
Now, what've you got for me?
LOIS
The last thing Mayson said to Clark
before she died was the word
'resurrection.'
SCARDINO (X)
(recalling)
Resurrection? The last entry of
her diary was 'resurrection equals
Mallory' with a question mark.
Lois and Clark exchange a look.
DISSOLVE TO:
23 INT. DAILY PLANET BULLPEN - DAY #2 23
Lois is at her desk reading Mallory's letters as Clark
enters from the elevators.
LOIS (X)
Where've you been? (X)
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 25.
23 CONTINUED: 23
CLARK (X)
Doing some checking on Wild Man (X)
Scardino. He's been on probation (X)
more often than any other DEA (X)
agent. (X)
LOIS (X)
Hmm. Anything else? (X)
CLARK (X)
(begrudging) (X)
Yeah, he's also the most decorated (X)
agent. (X)
She smiles to herself. He quickly changes the subject. (X)
CLARK (CONT'D)
Still reading Mallory's letters?
LOIS
Yeah. I've been thinking about
what Mallory wrote in the last one
he mailed. About being in a
'better place.' What if he wasn't
talking about the hereafter? What
if the better place was outside the
prison walls?
CLARK
Are you saying you think he faked
his death?
LOIS
Well, Dan said...
CLARK
Oh, now it's 'Dan'?
LOIS
(she lets it slide,
then)
He said the bomb that killed Mayson
could only have been built by
Mallory. If that's true...
She looks at Clark.
CLARK
Okay, I'll play along. So maybe we
should pay a visit to Mallory's
'pen pal.'
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 26.
23 CONTINUED: 2 23
LOIS
I already made an appointment. His
name is...
(checks notepad)
Big Buster Williams.
Mac walks over carrying a long white florist box which he (X)
hands to Lois.
MAC (X)
Hey, Lois. This just came for (X)
you.
LOIS
Flowers?
She opens the box and takes out one very perfect, very long (X)
stemmed rose.
LOIS (CONT'D)
Ooh. It's beautiful.
(melting)
Clark. You shouldn't have.
MAC (X)
He didn't. It's from agent (X)
Scardino. (X)
CLARK
(with some sarcasm)
Oh. _Please_, call him Daniel.
Mac exits as... (X)
LOIS (X)
What's with you? What's so bad (X)
about him? (X)
CLARK (X)
What's so good about him? (X)
LOIS (X)
A lot of things. Okay, he's a (X)
little different. But that can be (X)
refreshing. (X)
Jimmy approaches carrying a surveillance camera photo.
JIMMY (X)
Uh, guys? I thought you better see (X)
this. Security camera at the (X)
police impound lot caught this (X)
photo. The guy was poking around (X)
the remains of Mayson's car. He (X)
ran before they could catch him. (X)
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 27.
23 CONTINUED: 3 23
As they look at the photo we recognize the 'corpse' that
woke up in the tease.
LOIS (X)
Clark! This is the guy I told you (X)
they buried alive at Mayson's (X)
funeral! (X)
CLARK (X)
It does look like him. I mean... (X)
from how you described him. But we (X)
saw the coffin buried. I don't get (X)
it. (X)
LOIS (X)
Neither do I, but if he's (X)
interested in Mayson's car, so am (X)
I. (X)
CUT TO:
24 OMITTED 24
25 EXT. POLICE IMPOUND LOT - DAY - LATER 25
A few wrecks, some late model cars seized in drug raids, and
a couple of black and whites. Lois and Clark poke around (X)
the remains of Mayson's car. (X)
LOIS
What do you think we're looking (X)
for?
CLARK
I'm not sure. (X)
A beat then he activates his X-RAY VISION and scans the (X)
car. As his eyes come to the driver's side rocker panel he
sees a cylindrical metal tube inside.
CLARK (CONT'D)
Lois, give me a nail file.
LOIS
Why do men assume women always
carry a nail file?
CLARK
I'm sorry. Do you have a nail
file?
LOIS
Well... actually... I do.
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 28.
25 CONTINUED: 25
Lois hands him a nail file. Blocking her view with his
body, Clark surreptitiously unscrews the bolts of the rocker
panel at SUPER SPEED, then pulls out the cylindrical metal
tube. He opens it and discovers a purple pill like the one
we saw Albie give the man in the coffin.
LOIS (CONT'D)
What made you think to look in
there?
CLARK
Uh...
(then quickly)
The 'French Connection.' It was
Mayson's favorite movie.
LOIS
(impressed)
Really? Nice work.
CUT TO:
26 INT. STANLEY'S LIVING ROOM - DAY - LATER 26
DIEGO MARTINEZ, the 'corpse' we saw in the coffin, and (X)
Mallory sit around the table going over the plans for the (X)
break-in. Gables is on a massage table, face down, stripped (X)
to his waist. A patch of blistered skin is evident on his (X)
left scapular. Several ACUPUNCTURE NEEDLES stick out of (X)
his back. Albie stands over him. Throughout the scene (X)
Albie will slowly put more needles in his back. (X)
GABLES (X)
See the basement? Starlabs has a (X)
sub-zero chamber there. That's (X)
where they store the virus. (X)
DIEGO
How do we get to it?
GABLES
There's an air vent that leads
directly to the chamber. Then,
once I have the virus, we're
unstoppable.
MALLORY
Exactly what makes this virus so
special?
CABLES
It's airborne and it's lethal. And
there's no antidote. (X)
(MORE)
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 29.
26 CONTINUED: 26
GABLES (CONT'D)
Anyone who comes in contact with (X)
it will die a slow painful death. (X)
DIEGO
(a little wary)
Except us of course...
GABLES
Of course. You'll be wearing (X)
protective suits. Ow!! How did (X)
you learn acupuncture, Albie?! By (X)
mail?!
ALBIE
Sorry sir.
MALORY
(re: blueprint)
That air vent's pretty narrow.
Nobody in this room's gonna fit.
GABLES
That's right. We're still missing
one member of our team. Big Buster
Williams.
MALORY
(to Diego)
My old cellmate.
GABLES
Albie's going to pay him a visit
today.
ALBIE
(worried)
Mr. Gables, are you sure there's no
other way to get even with
Metropolis? (X)
GABLES
Getting cold feet, Albie?
ALBIE
Well, sir. It's just... well, (X)
exposing _everyone_ to a deadly
virus seems... I don't know... a
little severe.
GABLES
Exactly. (X)
DISSOLVE TO:
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 30.
27 EXT. METROPOLIS PRISON - DAY - ESTABLISHING 27
28 OMITTED 28
29 INT. PRISON HALLWAY - DAY 29
Lois, dressed in a cheap looking short tight skirt and
revealing halter top, walks down the hall towards the
visitor's room with Clark.
CLARK
Did Dr. Hamilton say how long it
will take to analyze that pill?
LOIS
He should have the results some
time tomorrow. How do I look?
CLARK
Appropriately cheap.
Clark opens the visitors door for Lois.
LOIS
If Big Buster asks who you are
we'll say you're my uh... brother.
Just let me do most of the talking.
CLARK
You usually do.
CUT TO:
30 INT. PRISON VISITOR'S ROOM - DAY - CONTINUOUS 30
As Lois and Clark enter, they brush past Albie, who passes
them unaware of who they are. Lois and Clark approach the
PRISON GUARD. (X)
CLARK
Excuse me. We're here to see
Buster Williams.
The guard gives Lois the once over. (X)
PRISON GUARD (X)
You want Big Buster. (X)
LOIS
That's right. (X)
PRISON GUARD (X)
Hey Buster, you got another (X)
visitor. (X)
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 31.
30 CONTINUED: 30
The guard points out BIG BUSTER, a diminutive man. (X)
LOIS
That's Big Buster?
Lois and Clark walk over to his table and sit down. Lois
puts on a tough talking act.
LOIS (CONT'D)
Hey, so you're Buster. Just like (X)
Mallory said. Best lookin' guy in
the joint.
Buster is getting a little fuzzy, as the pill starts to take
effect.
BIG BUSTER
(squinting up at Lois)
Yeah? And... who are you?
Lois extends an eager hand.
LOIS
Angel. Mallory's old lady. This
is my brother, Spike.
Clark rolls his eyes heavenward as Buster gives Lois the
once over.
BIG BUSTER
That's some killer outfit.
LOIS
Thanks.
BIG BUSTER
(giving Lois the once
over)
I didn't know Mallory had a doll.
I thought he was kinda a morals
boy.
LOIS
Yeah, well Sean was kinda tight
lipped, you know.
BIG BUSTER
So, did he send you to fill me in
on the job?
Lois and Clark exchange a look.
LOIS
The job?
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 32.
30 CONTINUED: 2 30
Buster starts to cough.
CLARK
Do you need some water?
BIG BUSTER
No thanks Spike. I'm okay.
His eyes suddenly roll back and he does a header off the
chair, landing at their feet. Lois and Clark jump up.
Clark leans over and feels for a pulse.
CLARK
(looking up at Lois)
He's dead. I guess that really is
a killer outfit.
Off a wide-eyed Lois, reaction...
FADE OUT.
_END OF ACT TWO_
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 33.
_ACT THREE_
FADE IN:
31 INT. DAILY PLANET - BULLPEN - DAY - LATER 31
Lois, dressed in more conservative clothes, works at her
desk as Jimmy approaches with a file.
JIMMY
I got the info you wanted on that
stiff in the cemetery.
(drops file on her desk)
Diego Martinez was serving twenty
years for bank robber. The guy
was an expert at getting past
security systems. Except the last
time.
LOIS
Look at this. It says he was in
good health, but under cause of
death they have 'unknown.'
JIMMY
That's because there wasn't an
autopsy. Budget cuts. The guy at
the prison infirmary says they send
the bodies directly out to the
cemeteries.
Jimmy exits as Lois spots Clark approaching, deeply (X)
engrossed in a fax.
LOIS
What's that?
CLARK
Dr. Hamilton faxed over his report
on that pill we found in Mayson's
car.
(hands her fax)
It's a form of synthetic
barbiturate. Taken in large enough
doses, it could produce a temporary
state of suspended animation.
(X)
Lois takes a beat, her eyes going from the fax to Martinez'
file. Then...
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 34.
31 CONTINUED: 31
LOIS
Clark... I know this is kind of out
there, but what if Mayson found out
that someone was using this pill to
get criminals out of prison by
making it appear they died?
CLARK (X)
It is out there. But... it's a (X)
great way to break out of prison. (X)
Who would look for you if you were (X)
dead? (X)
(beat, then) (X)
But the cemetery would have to be (X)
in on it. (X)
LOIS
You know, I feel a sudden urge to
plan a funeral.
DISSOLVE TO:
32 INT. FUNERAL DIRECTOR'S OFFICE - DAY 32
A display area of coffins. Lois and Clark stand over an
opened coffin with a LIME GREEN INTERIOR.
LOIS
Who would spend eternity in that?
CLARK
Somebody who has their eyes closed.
A side door opens and MR. SUNSHINE, 30's enters. Elegantly
dressed in black, Sunshine is professionally solicitous. He
carries with him a large, leather folder.
MR. SUNSHINE
So sorry to have kept you waiting.
I'm Mr. Sunshine. Please, accept
my condolences at this difficult
time. Was the dear departed a
relative?
CLARK LOIS
My uncle. My aunt.
LOIS
(trying to cover)
He... he was a cross dresser. At
the time of his death we weren't
exactly sure what he... she was.
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 35.
32 CONTINUED: 32
MR. SUNSHINE
I understand. Sort of.
CLARK
Mr. Sunshine, we have a lot of
questions. Shouldn't we go to your
office?
MR. SUNSHINE
(re: leather folder)
I always carry my office with me.
This way, we don't have to waste
any valuable ground.
(lays it on a coffin)
When you're a cemetery, use of
space is very important.
As Mr. Sunshine pulls out a brochure from his folder, Lois
and Clark exchange a look. They must get a look inside that
folder. Mr. Sunshine hands the brochure to Lois.
MR. SUNSHINE (CONT'D)
Now... I have only three words to
say... Location -- Location --
Location. The plot is everything.
LOIS
I see. Um... I was interested in
some of those caskets over there.
Could you show them to me?
She indicates an area away from his folder.
MR. SUNSHINE
Well, those _are_ the economy
models.... but it would be my
pleasure.
Sunshine reluctantly leads Lois away from the folder,
allowing Clark to stealthily flip through it thru...
MR. SUNSHINE (CONT'D)
Frankly, those models offer very
little moisture protection.
They're just slightly better than a
Ziplock bag.
He senses Clark's not with them and starts to turn back.
Lois grabs his arm, steering him to a nearby coffin.
LOIS
What about this one?
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 36.
32 CONTINUED: 2 32
MR. SUNSHINE
Ah, our 'Happy Trails' model.
Excellent choice.
Clark finds what he was looking for in the file. As he
quickly reads over an invoice...
MR. SUNSHINE (CONT'D)
Bronze construction, 100% moisture
proof and silk lined. Cotton tends
to wrinkle so. Don't you agree?
Clark closes the folder and heads for Lois.
CLARK
I think we've seen everything we
need. Thanks so much for your help.
He grabs Lois' arm and they head for the exit.
MR. SUNSHINE
I understand. Check around, kick a
few handles... When you're ready
to buy, come see us.
They wave and exit. Mr. Sunshine snorts derisively.
MR. SUNSHINE (CONT'D)
Looky-loos.
CUT TO:
33 OMITTED 33
34 EXT. CEMETERY - DAY - MOMENTS LATER 34
As Lois and Clark exit the funeral director's building...
CLARK
I found an invoice. All three of
the prisoner's funerals were paid
for by a man named Albie Swinson.
I'm going to call Jimmy, see what
he can find on this guy.
LOIS
I'll meet you at 29B. If someone
_is_ digging these guys up, maybe I
can find some evidence.
As they leave, we see Craven the grave digger off to the
side, watching them.
CUT TO:
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 37.
35 EXT. CEMETERY - PLOT 29B - DAY - A LITTLE LATER 35
Lois kneels at the grave, eyeing the dirt for any signs of
disruption. A BACKHOE digs another grave fifty yards away.
The SOUND covers the approach of Craven in an EARTH MOVER.
Craven aims the earth mover towards the unsuspecting Lois,
then hops off and runs away.
35A ANOTHER ANGLE 35A
Clark's rounding a crypt when he spots the earth mover
bearing down on Lois. He rips for his shirt as he steps
back behind the crypt.
35B ANOTHER ANGLE 35B
The earth mover's just about upon Lois before she hears it
and glances over her shoulder. The earth mover looms up
behind her. As she starts to rise, Dan Scardino appears (X)
from out of nowhere and scoops Lois out of the way as the
earth mover misses them by inches.
35C ANOTHER ANGLE 35C
A BLUR OF BLUE and SUPERMAN lands in front of the unmanned
machine. He leans against it until the machine GRINDS To A
HALT. He then hurries over to...
35D LOIS AND SCARDINO 35D
disentangling themselves.
SUPERMAN
(to Lois)
Are you okay, Lois?
LOIS
I guess so...
(realizing)
Thanks to Agent Scardino. (X)
SCARDINO (X)
(extending hand to
Superman)
Please. Call me Daniel.
Superman takes his hand without enthusiasm.
SUPERMAN
(tightly)
Lucky you were nearby.
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 38.
35D CONTINUED: 35D
LOIS
How did you know...
SCARDINO (X)
You'd be here?
(shrugs)
I don't know. I guess we just
think alike.
Lois eyes him with new found appreciation. Superman
notices, his expression tightening.
SUPERMAN
Well... I guess you don't need me.
If you'll excuse me...
He abruptly FLIES OFF.
SCARDINO (X)
Somehow I always thought held be
nicer than that.
LOIS
I wonder what's wrong with him?
(and then)
I've got to find Clark.
SCARDINO (X)
Hold it. You're not going
anywhere. Someone just tried to
kill you. I think you've had
enough of cemeteries for awhile
young lady.
LOIS
Young lady?! Excuse me! But as I
recall, my father has gray hair.
Clark jogs up.
CLARK
I just saw Superman. Are you okay?
LOIS
(more to Scardino) (X)
I'm perfectly fine.
SCARDINO (X)
Kent, help me talk some sense into
your partner. Someone tried to run
her down. She needs protection.
CLARK
(approaching Lois)
Want me to take you home?
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 39.
35D CONTINUED: 2 35D
SCARDINO (X)
No offense, Kent. But as a federal
agent, I'm more qualified to offer
the lady protection than you are.
CLARK
Really? Well, I happen to think
I...
LOIS
Hold it! I don't need either one
of you to protect me. Now, if
you'll excuse me, I'm going home.
(for emphasis)
By myself.
As Lois stomps off, Clark and Scardino stand there (X)
frustrated.
DISSOLVE TO:
36 36
THRU OMITTED THRU
37 37
38 INT. LOIS' APARTMENT - NIGHT #2 38
The apartment is dark, except for filtered light coming from
the bathroom. We HEAR the SOUND of a SHOWER.
39 ON LIVING ROOM WINDOW 39
as a hand appears and slowly opens it from the outside.
Someone is breaking in from the fire escape!
40 ON LOIS 40
in the shower. She turns off the water and steps out.
41 RESUME LIVING ROOM 41
The INTRUDER'S SHADOW flickers across the wall.
42 ON LOIS 42
wrapped in a towel, drying her hair. Suddenly, she hears a
noise coming from the living room.
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 40.
42 CONTINUED: 42
Frightened, she slips on a robe and scans the bathroom for a
possible weapon. She settles for a TOILET PLUNGER. She
turns off the bathroom light and cautiously makes her way
into...
43 THE LIVING ROOM 43
Through the darkness, she sees the back of the intruder.
She lunges and gets off a few whacks until he grabs her
wrist. They wrestle around the room, crashing into lamps
and chairs. As they tumble onto the floor, Lois straddles
him, pinning his legs. She reaches over and flips on a
light switch.
LOIS
Scardino!! (X)
SCARDINO (X)
Please. Call me Daniel.
LOIS
(furious)
What do you mean breaking into my
house?!
SCARDINO (X)
Uh, Lois, much as I have fantasized
being in this position with you...
you're crushing my legs.
(as she rises)
Look, I'm sorry. I rang the bell.
You didn't answer.
LOIS
I was in the shower.
SCARDINO (X)
Yeah. I can see that now.
Lois, flustered, tightens her robe around her and walks to
the window, where she notices the rope he climbed down on.
LOIS
I can't believe I defended you to
Clark. He was right. You _are_
crazy! I don't answer the bell, so
you climb down from the roof?
SCARDINO (X)
Hey, I was worried about you, okay?
Sean Mallory is an animal. For all
I knew, he was in here trying to
kill you!
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 41.
43 CONTINUED: 43
LOIS
You know, I'm curious. What do the
words 'I don't need you to protect
me' mean in your world?
SCARDINO (X)
Look, I already lost one woman I
cared about to Mallory, it's not
going to happen again! Got it?
They stare at each other a moment, then Scardino moves to (X)
the couch and flops down.
LOIS
(gently)
Was it your partner?
Scardino hesitates. This is painful for him. Then... (X)
SCARDINO (X)
Yeah. Her name was Jena. Bright,
caring... a little mouthy
sometimes, but then I'm not exactly
a monk.
Lois moves to the couch, perches on the edge, listening
intently. He notices, smiles.
SCARDINO (CONT'D) (X)
I wish it was a better story. We
had a hot tip on a shipment of
drugs, went in for the bust and the
damn warehouse door was wired. She
never had a chance.
(and then, derisively)
Didn't even make the front page.
Just another casualty in the war on
drugs.
LOIS
And Mallory was the bomber?
He nods. The doorbell RINGS. (X)
LOIS
Excuse me.
Lois rises and crosses to the door.
43A AT DOOR 43A
Lois opens it, surprised to find Clark standing there. She
closes the door a little, casually blocking his view into
the apartment.
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 42.
43A CONTINUED: 43A
LOIS
Clark! What are you doing here?
CLARK
I know it's late, but I found out
that Albie Swinson works for a man
named Stanley Gables. Ring a bell?
LOIS
Gables... There was a file with
his name on it on Mayson's desk!
CLARK
There's more. According to the
visitor sign-in sheet at the
prison, Albie visited Big Buster,
Mallory and Martinez on the days
each of them 'died'. What do you
think of that?
Scardino suddenly pops his head over Lois' shoulder. (X)
SCARDINO (X)
Fascinating. And well told, too.
Of course you're a writer, so
you're good with words.
Clark eyes Scardino a beat, then Lois. (X)
LOIS
Agent Scardino just dropped by to (X)
uh... chat about the case.
CLARK
It must have been some chat for you
to need a shower.
(turns to leave)
I'll see you later.
He shoots one last look at an uncomfortable Lois, then exits
around a hallway corner. She turns and faces Scardino. (X)
LOIS
Look... I uh... well, thanks for
worrying about me. But... I think
you'd better go.
She steps aside, holding the door open for him. But it's
clear there's an attraction here and she's conflicted.
Scardino takes a beat, then shrugs. (X)
SCARDINO (X)
Okay. But I'm not going very far.
DISSOLVE TO:
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 43.
44 INT. LOIS' BEDROOM - PRE-DAWN 44
CLOSE on Lois' digital clock radio which reads 5:00 am.
Lois is asleep. The PHONE by her bed RINGS jarring her
awake. She gropes for the receiver and pulls it to her ear.
LOIS
Hello...
ALBIE'S VOICE
Miss Lane? My name is Albie
Swinson. You've got to help me.
LOIS
(still groggy)
Albie swinson?
ALBIE'S VOICE
Please, the toxins in his body are (X)
poisoning his mind. He's going to (X)
kill innocent people.
LOIS
Who? Gables? (X)
45 CLOSE ON SPEAKER PHONE 45
ALBIE'S VOICE
I can't say any more on the phone. (X)
Meet me at Whispering Pines, plot
29B in half an hour. (X)
PULL BACK TO REVEAL
46 INT. STANLEY'S HOUSE - PRE-DAWN - CONTINUOUS 46
Stanley listening to an intercom speaker, hidden in his top
desk drawer.
LOIS' VOICE
I'll be there.
The line disconnects. Stanley clicks off the intercom and
slams the desk door closed, seething. It doesn't look good
for Albie or Lois.
47 INT. LOIS' BEDROOM - PRE-DAWN - MOMENTS LATER 47
Lois has thrown on some jeans and a sweater. She picks up
the phone and dials. We HEAR it RING twice on the other
end, then...
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 44.
47 CONTINUED: 47
CLARK (V.O.)
Hi, this is Clark. Please leave a
message at the sound of the tone.
She waits for the Beep, then...
LOIS
Clark. Where are you at five AM? (X)
Look, I don't have time to explain.
Just meet me at Whispering Pines. (X)
She hangs up.
CUT TO:
48 INT. DAILY PLANET - PRE-DAWN SAME 48
The bullpen is empty, save for a staffer at the night desk
and a few cleaning people. Clark, dressed in the same
clothes from last night, pours over a stack of articles. He
lifts his glasses and rubs his tired eyes. As he emits a
BIG YAWN, Perry enters.
PERRY
Clark? I thought I was the only
one that liked to come in early
around here.
(sees Clark yawn)
Did you pull an all-nighter?
CLARK
(nods)
I had a lot of research to do on a
guy named Stanley Cables. We think
he might be tied into Mayson's
death.
PERRY
Gables? I know that name. Didn't
he used to work for Starlabs?
He glances at a couple of the articles on Clark's desk.
48A INSERT - HEADLINES 48A
One reads, FREAK ACCIDENT KILLS FOUR -- CHEMIST BLAMED.
Another, GABLES CLAIMS STAR LABS TO BLAME.
CLARK (O.S.)
One of their top chemists.
Invented something called the
Omega Virus.
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 45.
48B RESUME SCENE 48B
PERRY
Right. I remember now. The guy (X)
had an accident in his lab and the
virus killed four people. (X)
CLARK
According to these articles, they
fired him and he sued. He blamed
Starlabs for the accident.
As Clark reaches for the phone and dials...
PERRY
But the jury didn't buy it. We (X)
ran an editorial praising the
verdict. The guy just wouldn't
take responsibility for his own
mistake.
(noticing Clark's
concerned look)
What's the matter?
CLARK
I wanted to tell Lois to meet me at
Gable's house, but she isn't
answering.
(hangs up)
Where could she be at this hour? (X)
CUT TO:
49 EXT. WHISPERING PINES - PLOT 29B - MORNING - DAY #3 49
Lois waits near Mallory's headstone, a shovel resting (X)
against it. She hears the SOFT CRUNCH of foot steps behind
her. As she turns...
LOIS
Albie... ?
It's Craven, the grave digger. He levels a gun at Lois.
CRAVEN
Albie couldn't make it.
LOIS
(fumbling)
Well, that's too bad. I guess...
I'll just jog alone this morning.
CRAVEN
I don't think SO. (X)
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 46.
49 CONTINUED: 49
As he COCKS his gun, Lois surreptitiously feels for the (X)
shovel, then comes around swinging it into Craven, knocking (X)
him off balance. Lois takes off. Craven regains his (X)
footing and takes off after her. (X)
50 ON LOIS 50
weaving between-headstones. She ducks behind a large
headstone and hides as Craven rushes past. A beat, then
Lois heads the other way.
50A ANOTHER ANGLE 50A
Lois looks back, sees Craven doubling back towards her.
Lois spots a COFFIN sitting on boards above an open grave.
In desperation, she lifts the lid. She cringes and averts
her eyes from the corpse.
LOIS
I'm sorry.
As she starts to climb inside...
50B ON CRAVEN 50B
He appears from around a monument just as the lid on the
coffin closes. As he scans the area for Lois...
51 INSIDE COFFIN 51
Lois lays silently against the body. She fishes into her
pocket and pulls out her key chain light. She turns it on
and discovers she's face to face with Big Buster. Lois
stifles the urge to scream.
52 RESUME CRAVEN 52
Seeing three workers approach, he reluctantly pockets the
gun and exits. One of the workers slides behind the wheel
of EARTH MOVER as the others reach for the boards.
53 INSIDE COFFIN 53
Lois reacts to the MUFFLED SOUND of the MACHINE starting up.
A beat, then the COFFIN begins to shake. Lois tries to open
the lid, but it won't budge. She pounds on it.
LOIS
Hey! HEY!
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 47.
53A ON WORKERS 53A(X)
The noisy machine drowns out Lois' cries. As the workers
use straps to lower the coffin into the grave...
53B INSIDE COFFIN 53B
Lois reacts to the SOUND of DIRT hitting the coffin. HOLD
ON Lois' expression as she realizes she is being buried
alive.
FADE OUT.
_END OF ACT THREE_
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 48.
_ACT FOUR_
FADE IN:
54 INT. COFFIN - MOMENTS LATER 54
Lois presses in vain against the coffin lid. Nothing.
LOIS
Oh my God...
The coffin begins to rattle. We HEAR the gentle HUM of a
small electric motor and the sound of a metal grating slide
open. As the coffin starts to move, Big Buster stirs awake.
BIG BUSTER
(looks up at Lois)
Oh man. I must have really died. (X)
'Cause Angel, this is heaven. (X)
Off Lois' repulsed reaction...
DISSOLVE TO:
55 INT. STANLEY'S DEN - LIVING ROOM - A LITTLE LATER 55
Mallory and Diego are at the table going over a BLUE PRINT
of Starlabs. Albie is by the fireplace in a loveseat, bound
and gagged. Stanley walks a treadmill while keeping a
watchful eye on...
56 A COMPUTER SCREEN 56
in color graphics, we SEE the circuitous route the coffin
makes to its destination. Stanley turns off the treadmill.
GABLES
Exercise gentlemen, is the key to a
sound mind and a healthy body.
He gets off the treadmill and wipes his face on a hand
towel.
DIEGO
(sotto to Mallory)
Sound mind? Who's he kidding? (X)
MALLORY
Hey, Mr. Gables. When's Luster (X)
gettin' here?
Stanley looks up at the monitor.
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 49.
56 CONTINUED: 56
GABLES
Any second now.
Diego and Mallory walk to the FIREPLACE and watch as the
head of the coffin appears in the opening of the hearth. (X)
The men pull the coffin into the room.
DIEGO
(re: coffin)
Man, this is heavy. I thought you
said Buster was a little guy. (X)
Mallory pries open the coffin lid and discovers Lois on top
of Big Buster.
MALLORY
Hey! What are you doing in there?
LOIS
Would you honestly believe anything
I said?
Mallory and Diego pull her out of the coffin.
MALLORY
Looks like we got us a stowaway,
Mr. Gables.
GABLES
(facetious)
Miss Lane, I presume. My man at
the cemetery was baffled by your
disappearance.
He glances at the coffin as Big Buster is helped out.
GABLES (CONT'D)
A unique escape plan, I'll give you
that.
LOIS
(re: cons)
Let me return the compliment.
Gables bows graciously, then...
GABLES
(to Mallory)
Albie looks lonely. Aren't
loveseats made for two?
Off Lois' reaction...
CUT TO:
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 50.
57 INT. LOIS' HALLWAY - DAY - MORNING 57
Clark carries a bag of donuts. He RINGS the doorbell. No
response. He tries again. Nothing. Then...
SCARDINO (O.S.) (X)
Okay, hold your horses.
Surprised, Clark lowers his glasses and uses his X-RAY
VISION to look inside.
57A CLARK'S X-RAY POV 57A
He sees Scardino raising the shade and climbing in from the (X)
fire escape into Lois' apartment. An open sleeping bag is
on the grate behind him.
57B RESUME CLARK 57B
Grimacing, he pushes his glasses back up and waits. A beat,
then Scardino opens the door. (X)
SCARDINO (X)
Hello, Kent.
Clark pushes past him.
58 INT. LOIS' APARTMENT - MORNING - CONTINUOUS 58
CLARK
Where's Lois?
SCARDINO (X)
In bed, probably. Like any normal
person at...
(looks at his watch)
... six in the morning. Did you
bring me a donut?
Clark tosses him the bag as he moves towards Lois' bedroom.
Scardino pulls out a donut as Clark returns. (X)
CLARK
She's gone.
SCARDINO (X)
(surprised)
You're kidding.
CLARK
When I'm kidding I'm a lot funnier.
You have no idea where she is?
Scardino shakes his head, then... (X)
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 58.
58 CONTINUED: 58
SCARDINO (X)
I slept on the fire escape in case
she needed me. She must've snuck
out when I went down to the gas
station to... uh, you know. Use (X)
the little boy's room. (X)
CLARK
I really don't want to hear this. (X)
What do you know about Stanley
Gables?
SCARDINO (X)
Just what you said about him last
night...
(then)
Wait a minute. You don't think
Lois went to see him by herself?
CLARK
There's something you should know
about Lois. She's...
SCARDINO (X)
Bold? Headstrong? Unpredictable?
CLARK
It's that obvious?
SCARDINO (X)
A woman after my own heart. Let's
go. (X)
CUT TO:
59 OMITTED 59
60 EXT. STARLABS - DAY - ESTABLISHING 60
61 INT. STARLABS - DAY - LOBBY 61
Two GUARDS sit at a large console watching a bank of closed
circuit security TV screens. A KNOCK at the front door and
they look up to see Mallory, dressed as a gardener, holding
a rake and a spray can. He gestures for them to let him in.
One of the guard's pushes a button and Mallory enters. As
he approaches...
MALLORY
Bad news. You got bugs. I gotta
spray.
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 52.
61 CONTINUED: 61
And spray he does, right into their faces. Whatever's in
the spray can knocks the guards out immediately. Mallory
then reaches over the counter and pushes the door button,
allowing Gables, Big Buster and Diego to enter. All are
dressed in protective clothing and carry gas masks, except (X)
Gables. As they fan out...
CUT TO:
61A EXT. STANLEY GABLE'S HOUSE - DAY - SAME TIME 61A
Clark and Scardino approach the porch. (X)
SCARDINO (X)
Looks pretty quiet to me.
As Scardino rings the bell, Clark lowers his glasses. (X)
61B HIS X-RAY VISION 61B
Deep in the house, Clark sees Albie and Lois-bound and
gagged on the loveseat, struggling to loosen their ropes.
61C RESUME SCENE 61C
CLARK
Uh... why don't you try around
back, see if there's an open
window?
Scardino picks up a small marble statue and CRASHES it (X)
through the front window.
SCARDINO (X)
This one's open. (X)
He smiles and gestures for Clark to go first.
CUT TO:
61D INT. STARLABS LOBBY - DAY - SAME TIME 61D
Mallory positions himself under an airvent in the lobby,
then lifts Big Buster above his head. As Buster pries open
the vent, Diego moves to a SECURITY PANEL on a nearby
SECURITY DOOR leading to the inner depths of the building.
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 53.
61E ANOTHER ANGLE 61E
Diego tries the security panel. Locked. He withdraws a
COBRA PICK it looks like a chrome plated electric
toothbrush inserts it into the lock, and pulls the
trigger. It vibrates for a few seconds. The lock opens.
Inside the panel is a tangle of wires and circuitry. Diego
pops a disk from the unit and replaces it with one of his
own. The light on the security system goes from red to
green. He turns to Gables, who's watching as Mallory boosts
Buster into the open air vent.
DIEGO
Done. The Security system is down.
Mallory hands Big Buster a small bomb.
MALLORY
Remember, stick this right on the
freezer lock, otherwise the blast
won't be big enough to open it.
Big Buster nods, takes the bomb, then...
GABLES
You're sure you know the way to the
sub-zero chamber?
BIG BUSTER
Don't worry, I know my job. Just
be on the roof in five minutes.
And with that, Big Buster disappears up into the air vent.
CUT TO:
62 62
THRU OMITTED THRU
64 64
65 INT. STANLEY'S DEN - DAY - SAME TIME 65
Clark leads Scardino into the room. Scardino slips in (X)
front of Clark so that he can untie Lois. Clark reacts,
then unties Albie through...
CLARK
Where's Gables?
ALBIE
He went to Starlabs. You've got to
stop him!
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 54.
65 CONTINUED: 65
SCARDINO (X)
What's at Starlabs?
LOIS
The Omega Virus. He's going to
break in and release it into the
atmosphere!
Clark finishes untying Albie, then...
CLARK
Uh... I'll go find a phone and call
the police.
He hurries from the room, reaching for his tie. As
Scardino finishes untying Lois... (X)
SCARDINO (X)
(to Albie)
You know where the virus is stored
at Starlabs?
ALBIE
(nodding)
I've seen the building's
blueprints.
SCARDINO (X)
Then let's go!
He and Albie start for the door.
LOIS
What about Clark?
SCARDINO (X)
Let him call the cops. We can use
all the help we can get.
Lois hesitates a beat, wondering if she should wait for
Clark, then decides to follow Scardino. (X)
CUT TO:
66 OMITTED 66
67 EXT. METROPOLIS SKY - DAY (STOCK) 67
The Man of Steel slices through the sky.
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 55.
68 68
THRU OMITTED THRU
71 71
72 EXT. STARLABS ROOF - DAY 72
Gables, Mallory and Diego, now wearing their gas masks, wait
near an air vent on the roof. Gables impatiently checks his
watch. Suddenly the air vent shudders. As Mallory and
Diego reach down and pull Big Buster out...
BIG BUSTER
Sorry it took so long. I made a
wrong turn over the second floor.
They set him down on the roof. He hands a sealed VIAL to
Gables, who smiles.
GABLES
Everyone loves a good Steven King
novel. Now this city is going to
live one.
Buster slips on his mask as Gables struggles to pop open the
vial's seal. Suddenly there's a WHOOSH and they turn to
find...
72A ANOTHER ANGLE 72A
... Superman on the roof.
SUPERMAN
I wonder if the prison has a lost
and found department.
Diego, Mallory and Big Buster exchange a look, then rush for
the roof's exit door. As they disappear...
GABLES
I guess I didn't pay them enough
for loyalty. No matter. Their
masks are defective. They'll
die along with everybody else.
Superman takes a step towards Gables but stops as Gables
manages to break the seal on the vial. Only his thumb holds
the covering in place over the vial.
SUPERMAN
Give me the vial, Gables.
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 56.
72A CONTINUED: 72A
GABLES
I don't think so, Superman.
There's nothing you can do to me
that Starlabs hasn't already done.
I am a victim. Justice will be
served.
SUPERMAN
It's not justice when innocent
people are made to suffer for your
mistakes.
But Gable is beyond reason. He raises the vial above his
head.
GABLES
They all deserve to die!
Before Superman can react, Gables smashes the vial on the
roof. Thousands of SPARKLING BLUE PARTICLES spread into the
air. As Gables laughs...
73 EXT. STARLABS ENTRANCE - DAY - SAME TIME 73
A car SQUEALS up to the front just as Mallory, Diego and Big
Buster exit the building. Scardino hops from the car and (X)
gives chase to Malloy. As they disappear around the side
of the building, Albie tackles Diego as Lois takes Big
Buster out with one well placed chi-like kick.
73A EXT. STARLABS ROOF - DAY - SAME TIME 73A
Superman watches helplessly as the virus expands,
then... inspiration. He SUPERSPEEDS around the virus,
creating a vortex encircling the particles. When the BLUE
BLUR stops, we see he's turned the virus into a mini
TORNADO. FLYING beneath the tornado, he uses his
SUPERBREATH to guide it away from the roof. Gables sinks to
his knees in defeat as Superman propels the tornado towards
the sky.
GABLES
No.... no!
73B EXT. SPACE - (STOCK) 73B
Superman propels the tornado into the blackness of space,
then ceases his SUPERBREATH. The virus particles dissipate
harmlessly into oblivion.
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 57.
74 EXT. STARLABS PARKING LOT - DAY - SAME TIME 74
Scardino chases Mallory through a parking lot. Mallory (X)
tries to hop a chain link fence, but loses his balance and
falls. Scardino rushes up and draws his gun. (X)
SCARDINO (X)
Get your hands where I can see
them!
Lying prone, Mallory puts his hands out to his side. As
Scardino bends down to rip off Mallory's face mask, Mallory (X)
grabs his leg and trips him. Scardino's gun goes flying. (X)
He and Mallory wrestle on the ground until Mallory gets the
upper hand. Astride Scardino, he wraps his hands around (X)
his neck and squeezes.
MALORY
You should have died with your
partner, Scardino. (X)
We HEAR the SOUND of a gun COCKING. Mallory freezes.
75 ANOTHER ANGLE 75(X)
Lois has picked up Scardino's gun and trains it on Mallory. (X)
LOIS
Please, call him Daniel.
Scardino and Lois share a smile as we... (X)
DISSOLVE TO:
76 INT. DAILY PLANET BULLPEN - EARLY EVENING 76
Lois sits at her desk eyeing a MOCK-UP of the Planet. The
headline reads, DEATH PILL EXPOSED - SCIENTIST LINKED To
D.A.'S MURDER. PULL BACK to reveal Clark and Perry looking
over her shoulder.
PERRY
Quite a story, kids. I'd give my
set of gold plated Elvis spoons to
know what makes a guy like Gables
tick.
LOIS
That's the way it is today.
Everybody sees themselves as a
victim.
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 58.
76 CONTINUED: 76
CLARK
It's like no one takes
responsibility for their behavior (X)
anymore.
PERRY
Well, boys and girls, I for one,
take my responsibility very
seriously. And right now I've got
a paper to put to bed, so I can go
home and-have a little dinner with
Alice.
(and then)
See you tomorrow.
LOIS
Good night, Perry.
Perry exits. A beat, then...
CLARK
So, uh... You want to catch a
movie or something?
LOIS
Yeah. That would be nice.
Something funny.
CLARK
(smiling)
I'll call and find out what's
playing.
As he walks to his desk, Dan Scardino approaches Lois. (X)
Clark sees him, dials the theater, but all his attention is
on them.
SCARDINO (X)
Hi.
LOIS
Hi.
SCARDINO (X)
I uh... just came by to thank you
for what you did today.
LOIS
It's okay.
SCARDINO (X)
And to ask you a question.
(and then)
What would you say if I asked you
out sometime?
(CONTINUED)
--page break--
RESURRECTION (#17) FULL Pink Rev. 2/6/95 59.
76 CONTINUED: 2 76
Lois glances over at Clark, who's still on the phone,
focused on writing down movie titles on a pad of paper. But
of course, he's heard everything they've said.
LOIS
Are you asking me out?
SCARDINO (X)
I didn't say that. I said, what
would you say if I did? (X)
LOIS
I guess it would depend on how you (X)
asked me.
SCARDINO (X)
Tell you what. I'm going to be
around for awhile. The agency
could use an extra hand down here.
Why don't you think about what (X)
you'd say, and I'll think about how
I might ask you... and we'll talk. -
He smiles and moves off. Lois watches him go, then turns to
Clark, who hangs up and shows her the list of movies. He
smiles, but his heart isn't in it.
CLARK
Looks like you have some choices to
make.
Off their reactions, we...
FADE OUT.
_THE END_
Au total, 31 membres ont visionné cet épisode ! Ci-dessous les derniers à l'avoir vu...
carine79
31.08.2021 vers 09h
neko123
30.06.2020 vers 10h
Emmalyne
18.02.2020 vers 09h
Aloha81
29.07.2018 vers 16h
seriepoi
03.07.2018 vers 14h
logan12
25.04.2018 vers 21h
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Les nouveautés des séries et de notre site une fois par mois dans ta boîte mail ?
choup37, 18.04.2024 à 08:49
5 participants prennent part actuellement à la chasse aux gobelins sur doctor who, y aura-t-il un sixième? 
chrismaz66, 18.04.2024 à 11:04
Choup tu as 3 joueurs de plus que moi!! Kaamelott est en animation, 3 jeux, venez tenter le coup, c'est gratis! Bonne journée ^^
choup37, 19.04.2024 à 19:45
Maintenant j'en ai plus que deux, je joue aussi sur kaa 
