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Titre en VO :
Diffusion US :
Diffusion FR :
Superman doit partir pour sauver un musicien mais ce dernier l'insulte et l'accuse de lui avoir brisé sa carrière en lui fracturant le poignet. Il l'emmène même en justice. Alors Superman cherche un avocat mais Loïs s'interroge. Elle trouve le vrai métier de Scardino, il est en fait un agent pharmaceutique et lors du procès, il pose une bombe dans le tribunal.
Superman sauve tout le monde et la femme du musicien avoue ce que fait réellement son mari. Loïs avoue à Superman qu'elle aime un autre homme, Clark.
Alors elle arrive vers lui et lui annonce qu'elle ne voit plus Dan et elle l'embrasse. Clark ne la fuira plus comme par le passé.
Note : 8/10
Popularité
Titre VO
Whine, Whine, Whine
Titre VF
Concert de plaintes
France (redif)
Mercredi 28.09.2022 à 00:45
France (redif)
Mardi 27.09.2022 à 01:40
France (inédit)
Vendredi 23.02.2018 à 00:00
_LOIS AND CLARK_
_The New Adventures Of Superman_
"Whine, Whine, Whine"
Written by Kathy McCormick & John McNamara
Directed by Michael Watkins
_CAST_
CLARK KENT/SUPERMAN
LOIS LANE
JIMMY OLSEN
PERRY WHITE
MARTHA KENT
JONATHAN KENT
CALVIN DREGG
ELISE CARR
DAN SCARDINO
BILL CHURCH, JR.
CONSTANCE HUNTER
CHARLES KNOX
BOBBY BIGMOUTH
DR. FRISKIN
MARLIN PFINCH-LUPUS
BARRY BARKER
MA BARKER
SHARPIE LAWYER
SMILER LAWYER
PRO LAWYER
ANTONIO ORTEGA LITTLE GIRL
ASSASSIN
JUDGE
_LOCATIONS_
_INTERIORS_: _EXTERIORS_:
Daily Planet Daily Planet
Newsroom Street Fair
Band Stand
Clark's Apartment
Hospital
Lois' Apartment
Calvin's House *
Dr. Friskin's Office
Sidewalk Cafe
Barry Barker's Office
Metropolis Street
Constance Hunter's office
Clark's Apartment
Court House
Room Lois' Apartment
Hall
Anteroom Metropolis Street
Limo Courthouse
Park
Dark Hallway
Elevator
_TEASER_
FADE IN:
1 EXT. STREET - DAY #1 1
We're on the street outside the Daily Planet. The street's
been closed off to vehicular traffic because there's a
street fair going on. It's a Daily Planet-sponsored charity
fund raiser. We find LOIS and CLARK at a cotton candy
stand. Clark pays for two cotton candies, hands one to
Lois, who looks at it askance.
LOIS
My parents wouldn't let me have
these.
CLARK
Ever? You've never had cotton
candy?
They're moving now, walking slowly along the line of booths
and attractions. Beyond them is a bandstand. No musicians
yet; workmen are setting up the amps and the large
instruments.
LOIS
(quoting her father)
'The girl's hyperactive enough,
Ellen. Don't feed her dyed (X)
sugar.'
(grins engagingly) (X)
I eat cotton candy every chance I (X)
get. (X)
They come into range of JIMMY.
JIMMY
Step right up, folks. One dollar,
one measly dollar to learn your
future. Madame Blavatsky knows
all, sees all, tells all.
LOIS
(ragging him)
How much of my dollar goes to
charity?
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) Pink Rev. 3/28/95 1A.
1 CONTINUED: 1
JIMMY
One hundred percent, one hundred
pennies of your dollar will go to
charity. Madame Blavatsky's heart
is as big as --
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) FULL Blue Rev. 3/24/95 2.
1 CONTINUED: 1
From inside the tent:
PERRY (O.S.)
Olsen!
JIMMY
-- her voice.
PERRY (O.S.)
Is that Lois I hear?
PERRY, aka Madame Blavatsky, sticks his head out of the tent
opening. Makeup, diaphanous scarves. He holds up one
hand, from which garishly colored fake fingernails dangle.
PERRY (CONT'D)
(to Lois)
How do you keep these things from
falling off? Why in thunder do you
women do this to yourselves?
He disappears back into the tent. Lois hands her cotton
candy to Clark.
LOIS
You'll be here when I come back
out, right? You're not having a
sudden urge to return a video or
put money in the meter or buy new
shoelaces, are you?
PERRY (O.S.)
Lois! Get in here!
Lois disappears into the tent to deal with the peevish
Madame Blavatsky's fingernails. Clark and Jimmy gaze
silently at the closed tent flap, then Jimmy grabs Clark's
arm and gets intense:
JIMMY
(softly)
This is your idea of a date? You
think Scardino takes her to silly
street fairs and buys her cotton
candy?
CLARK
I don't care what Scardino does.
DAN SCARDINO has come up behind them.
DAN
Hi, guys.
They turn.
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) FULL Blue Rev. 3/24/95 3.
1 CONTINUED: 2 1
DAN (CONT'D)
Lois around?
He and Clark square off.
CLARK
(to Dan)
She's with me.
Clark looks kind of silly standing there holding two cotton
candies. Dan smiles. He _likes_ competition.
DAN
Yeah?
CLARK
Yeah.
They're sort of nose to nose. At this moment Lois emerges
from the tent, stops on seeing them. She looks from one to
the other of them.
DAN
Like a date?
CLARK
Yeah. Like a date. Where she and
I are together for a certain amount
of time doing stuff with each other
as a couple. Where she's with me
and I'm with her.
At this unfortunate moment, we HEAR:
VOICE
(panicky)
Look out! Oh, my God! Look out!
They all look in the direction of:
2 THE BANDSTAND 2
where a huge amp, elevated above the platform, is teetering,
about to fall to the stage below. Directly beneath it is
CALVIN DREGG, guitarist, a legend in his own mind. He has
on earphones, which are connected to his electric guitar,
which he's tuning. He's oblivious.
3 WITH LOIS, CLARK AND DAN 3
Lois and Dan are looking toward-the shouting. Clark slips
away.
--page break--
WHINE, WHINE, WHINE (#21) FULL Blue Rev. 3/24/95 4.
4 AT THE BANDSTAND 4
SUPERMAN whisks Calvin Dregg out of harm's way just as the
amp crashes to the stage, right where Calvin was standing.
5 BEHIND THE BANDSTAND 5
Superman floats down to the ground, sets Calvin down.
Calvin seems dazed. Superman looks him over.
SUPERMAN
I'm glad I was nearby.
He's eager to leave, but now a woman, ELISE CARR, comes
running up to them. She's clearly distraught, near tears.
Superman can't leave just yet.
ELISE
Oh, thank you, Superman. Oh,
Calvin, Calvin! Thank God! Are
you okay?
SUPERMAN
He's a little dazed, miss, but
he'll be fine.
Superman starts to leave again, but:
CALVIN
(to Superman)
Fine? Fine?!
(to Elise)
He broke my hand, Elise! Just when
I get my big break in show
business, this baboon busts my
hand!
(to Superman)
Take me to the hospital right now,
I mean it!
Superman blinks. Try to be nice, what does it get you?
6 WITH LOIS AND DAN 6
Lois and Dan are standing where we left them. Presumably
they've been watching the drama at the bandstand. Now they
turn back toward the booth. Lois registers that Clark's not
there.
LOIS
Clark?
Lois may not be pleased, but Dan is.
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) FULL Blue Rev. 3/24/95 5.
6 CONTINUED: 6
DAN
So now you know, Lois.
LOIS
Know what?
DAN
Just about how much you mean to
Clark Kent.
Off Lois' reaction --
FADE OUT.
_END OF TEASER_
--page break--
WHINE, WHINE, WHINE (#21) FULL Blue Rev. 3/24/95 6.
_ACT ONE_
FADE IN:
7 EXT. STREET FAIR - DAY 7
Lois and Dan are sitting at a sidewalk table with the
remains of a fast-food meal. They are not having fun.
LOIS
He probably had a good reason.
DAN
Sure he did. He's a wuss. (X)
(off her look)
I'm sorry, Lois, the guy just
brings it out in me. I don't
understand what you see in him.
LOIS
He's... nice. He's kind. He's
patient...
DAN
I thought you were mad at him.
LOIS
I'm mad at both of you.
DAN
Me? Why me?
LOIS
Because you deliberately horned in
on my date with Clark. Because you
tried to make him look bad.
DAN
I didn't have to try very hard.
She's on a roll.
LOIS
Because you think sending gifts
solves everything. Because you
won't talk to me about your work.
DAN
Whoa, Lois, you know that's not
personal.
He turns it back on Clark:
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) Goldenrod Rev. 3/30/95 7.
7 CONTINUED: 7
DAN (CONT'D)
But I'm here, and I'm here because
I want to be with you whenever I
can. Can you say that about Clark
Kent? I mean, he's the one you had
a date with. Where is he?
8 EXT. HOSPITAL - DUSK 8
Superman, Calvin and Elise exit the hospital. Calvin's
wearing a cast on his hand. He's upset, and he's hogging
the conversation:
CALVIN
(at Superman)
I'm a musician, I'm an artist, I
need both my hands, what would Jimi
Hendrix have been with one hand?
I'll tell you what: He'd have been
nobody, held have been nothing,
he'd have been --
ELISE
Alive. You're alive, Calvin, and
you're going to be fine.
Calvin turns his whining invective on Elise.
CALVIN
You don't understand anything!
You're a waitress, for God's sake!
You serve slabs of dead cows to fat
businessmen. You wouldn't know (X)
art if it jumped up and bit your (X)
kneecap! (X)
Though Elise probably hears this crap seventeen times a day,
it still has the power to wound. She looks like she might
cry. Superman intervenes:
SUPERMAN
People who love each other should
be kind to each other.
CALVIN
What are you, a greeting card on (X)
steroids? You fly around putting (X)
your nose into other people's (X)
business. Who asked you? (X)
SUPERMAN
I've never been sorry I saved
anyone's life, Mr. Dregg. I'd hate
to start now.
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) Goldenrod Rev. 3/30/95 7A.
8 CONTINUED: 8
CALVIN
Why are you still here? What are
you waiting for? Gratitude? You
ruined my life!
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) FULL Blue Rev. 3/24/95 8.
8 CONTINUED: 8
He holds up his injured hand.
SUPERMAN
It will heal.
Elise puts a hand on Superman's arm.
ELISE
Please go. He won't calm down till
you go.
Superman is conflicted about leaving her alone with this troll.
ELISE (CONT'D)
I'll be okay. Really. And thank
you.
Superman nods and flies off. After him:
CALVIN
You ruined my life!
9 EXT. STREET FAIR - NIGHT #1 9
Clark appears at the street fair. It's over. There's
nobody around except some workers pushing brooms and
breaking down booths.
10 EXT. ANOTHER STREET - NIGHT 10
Lois and Dan, walk and talk.
DAN
It's not some dumb guy thing,
Lois. I'm a federal agent, you're
a reporter. Our professional
loyalties conflict. Not to mention
the fact that if you know too much
about what I'm doing, you could be
in danger.
LOIS
Oh, excuse me, and you have to
protect the little woman?
Dan gazes at her for a moment, then:
DAN
Sometimes...
LOIS
I don't need protection.
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) Green Rev. 3/29/95 9.
10 CONTINUED: 10
DAN
What do you need? ... What do you want, Lois?
Off her look --
11 INT. DR. FRISKIN'S OFFICE - DAY #2 11(X)
The hyperactive Lois Lane is pacing back and forth in DR.
FRISKIN's office.
LOIS
I want one man. One whole man. Is
that so much to ask? And what do I
have to choose from? There's one
guy who could be really wonderful
only he disappears every time I try
to talk to him, and one guy who's
exciting to be with only he won't
talk to me about his work and what
do people talk about if they can't
talk about what they did all day,
and one guy who's out of this
world... literally.
DR. FRISKIN
I thought you'd given up the
Superman fantasy.
LOIS
My head wants to. My heart is, um,
conflicted.
DR. FRISKIN
So it would seem.
Lois sits.
LOIS
Can we go over my options?
DR. FRISKIN
Well, your current options are one
wonderful guy who's apparently
afraid of commitment, one exciting
guy who apparently wants to control
the conversation, and one superhero
who's apparently unattainable. Or
it could be that none of them is
right for you.
There's silence, then:
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) FULL Blue Rev. 3/24/95 10.
11 CONTINUED: 11
LOIS
You know, you have this annoying
habit of giving me back what I just
said.
Dr. Friskin smiles.
DR. FRISKIN
Sometimes we can't really hear what
we're saying unless someone
reflects it back.
Lois still can't hear it. She's stuck on:
LOIS
They just all make me so mad!
DR. FRISKIN
And what do you think you might
want to do about that?
Off Lois' reaction...
12 INT. DAILY PLANET - DAY 12
Lois is at her desk. She's copying some names and numbers
from her Rolodex when Clark comes up with two cups of
coffee. He holds one out to her. She ignores it and
ignores him.
CLARK
Lois...
Jimmy's walking by.
LOIS
(to Jimmy)
Did you hear something, Jimmy?
JIMMY
(stops)
Like what?
LOIS
It sounded a little like my name.
You didn't say 'Lois,' did you?
Uh-oh.
JIMMY
I didn't. Clark did.
LOIS
Clark who?
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) Blue Blue Rev. 4/4/95 11.-12.
12 CONTINUED: 12
CLARK
Lois...
LOIS
There it is again.
Jimmy looks from Lois to Clark and back again. Nope, this
is not worth it. He moves off in a hurry.
CLARK
Lois...
She wheels on him, overrides him:
LOIS
What? No, don't say a word, allow
me: 'Lois, I can explain, I
suddenly remembered that my
mother's sister's poodle needed a
haircut and so you can see why I
had to leave you in the middle of a
date with your thumb in your ear
but I'm sure you understand.' How
am I doing so far, Clark?
Without waiting for an answer, she turns her back on him and
dials a phone number. From a distance, Perry watches as
Clark goes to his desk and sits.
(X)
13 13
THRU OMITTED THRU
14 14
--page break--
WHINE, WHINE, WHINE (#21) Yellow Rev. 3/28/95 13.
15 EXT. CALVIN DREGG'S HOUSE - DAY 15
Actually, it's not Calvin's house, since Calvin has no way
to pay rent, since Calvin is too artistically pure to take a
job for mere money. It's Elise's house. Calvin is sitting
in a chair by the window, watching TV. He's suffering, and
not in silence, as he scratches the itch underneath his cast
with a long skinny stick.
CALVIN
My hand itches, Elise. And it
hurts.
Elise comes out the front door, dressed in a waitress
uniform.
16 INSERT - TV 16
Calvin is watching the Nature Station. The host, MARLIN (X)
PFINCH-LUPUS, is intoning...
PFINCH-LUPUS (T.V.)
... so while the male lion basks
majestically in the warm sun of the
veldt, the female hunts and cares
for her young...
(Pfinch-Lupus will be filmed sitting in front of a blue
screen. Footage to be composited behind him.)
17 BACK TO SCENE 17
Calvin sees the uniform.
CALVIN
You're not going to work?! What if
I need something?
ELISE
Everything you'll need is on the
coffee table, Calvin.
CALVIN
What if I need to write something
down, like a phone message?
ELISE
Use your other hand.
CALVIN
What if I need to open a beer?
ELISE
Use your other hand.
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) Pink Rev. 3/28/95 14.
17 CONTINUED: 17
CALVIN
What if I need to go to the
bathroom?
She opens her mouth to say it again, but decides against it.
Instead:
ELISE
I'm sorry, Calvin, really, you know
I am, but I _have_ to go to work.
She scurries out. Calvin is alone with his sour expression
and his shriveled soul. From the TV he HEARS:
BARRY BARKER (V.O.)
Have you been injured?
He whips his head toward the TV.
18 INSERT THE TV 18
where BARRY BARKER, personal injury attorney, is hawking his
sleazy wares.
BARRY BARKER (T.V.)
You just call me, Barry Barker.
on the bottom of the screen appears, 1-800-555-01-SU. (X)
BARRY BARKER (CONT'D)
(TV)
I'll go to the mat for you! I'll
sue anybody for anything! And when
I say anybody, I mean _anybody_!
Barry Barker is demented.
19 INT. BARRY BARKER'S OFFICE - DAY 19
BARRY BARKER, 40's, is at his desk, Calvin's across from
him:
BARRY BARKER
Superman?
Calvin nods.
BARRY BARKER (CONT'D)
Superman?
Barry Barker is a weasel, a ferret, a toad, a snake. For a
moment, we can't tell whether he's eager or reticent about
taking on Superman.
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) FULL Blue Rev. 3/24/95 15.
19 CONTINUED: 19
But now his eyes start to glitter, he grins and all but rubs
his hands together gleefully.
BARRY BARKER (CONT'D)
Finally, I'll be famous! Finally,
I'll get respect! Finally, women
will sense my power!
Calvin doesn't like the way this is going.
CALVIN
Excuse me. This is about me.
BARRY BARKER
Of course it is, my boy. I know
that. I never lose sight of the
true objective.
He's risen from his desk and has nudged Calvin out of his
chair and is now escorting him to the door as he talks.
BARRY BARKER (CONT'D)
I'll take your case, and it won't
cost you a cent, I'll be working
absolutely on contingency, forty
percent of the settlement when we
win.
CALVIN
Forty percent?
BARRY BARKER
Could you ask the receptionist to
step in here, please?
He shuts the door on Calvin, stands there with his mind
racing.
BARRY BARKER (CONT'D)
Barry Barker versus The Man of
Steel.
He's a happy man. There's a timid KNOCK on the door, then
it opens to reveal the RECEPTIONIST, a little old lady.
BARRY BARKER (CONT'D)
You'll have to work late tonight.
There's a little something I need
for you to do.
20 EXT. METROPOLIS - NIGHT #2 20
Superman on patrol in the skies over Metropolis.
--page break--
WHINE, WHINE, WHINE (#21) FULL Blue Rev. 3/24/95 16.
21 INT. BARRY BARKER'S OFFICE - NIGHT 21
Barry Barker's receptionist is standing in the open window
high above the street below. Barker is holding her by the
waistband. In his other hand, a legal-looking document.
MA BARKER
Help!
It comes out weak. Barker grimaces.
BARRY BARKER
Louder, Mother.
MA BARKER
Help! Help!
It's still weak. Barker loosens his grip on the waistband,
and the old lady teeters, her eyes widening in terror.
22 EXT. SKIES - NIGHT 22
As Superman flies, he hears a really loud:
MA BARKER (V.O.)
Hellllppppp!!!
Superman peels off toward the sound.
23 INT. BARRY BARKER'S OFFICE - NIGHT 23
Barker wasn't really going to let her fall. He now has a
good grip on her again.
BARRY BARKER
Much better, Mother.
Superman appears, quickly maneuvers the old lady off the
ledge and back into the office. He turns a stern eye on
Barry Barker.
SUPERMAN
What exactly do you think you're
doing, sir?
Barker slaps the legal document in Superman's hand.
BARRY BARKER
Superman, you have just been
served.
Off Superman's reaction
FADE OUT.
_END OF ACT ONE_
--page break--
WHINE, WHINE, WHINE (#21) Yellow Rev. 3/28/95 17.
_ACT TWO_
FADE IN:
24 INT. LOIS' APARTMENT - NIGHT 24
The TV is on, tuned to The Nature Station. (X)
PFINCH-LUPUS (T.V.)
... No one knows why 90 percent of
the females die before reaching
reproductive maturity, but we do
know that there are five male adult
Namibian mud dobbers for every
female, a situation that seriously
complicates the mating ritual...
The PHONE is RINGING, and after a moment Lois appears with a
dishtowel in her hand. She picks up the receiver:
LOIS
Hello?... Hi, Bobby, you have what
I'm looking for?
25 INT. PHONE BOOTH - NIGHT 25
BOBBY BIGMOUTH, talking into the receiver, a bunch of food
on the counter. He's opening cartons as he talks.
BOBBY
I don't see any duck here, Lois. I
wanted duck.
INTERCUT AS NEEDED.
LOIS
I tried, Bobby. You have to order
duck in advance.
Bobby opens a carton, reacts.
BOBBY
Ooooh, Hunan beef, I love Hunan
beef!
He pops the piece into his mouth, chews ecstatically.
BOBBY (CONT'D)
Nirvana...
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) Pink Rev. 3/28/95 18.
25 CONTINUED: 25
LOIS
What? (X)
BOBBY
What you asked for. It's a code (X)
name. Project Nirvana. Are you
sure your boyfriend Scardino is
with the DEA?
LOIS
He's not my boyfriend.
BOBBY
It's a figure of speech, Lois.
According to what I'm hearing, he's
not DEA, he's FDA.
LOIS
What?
BOBBY
Food and Drug Administration, Lois.
He's one of the people who says
'yes' or 'no' to companies that
want to market new drugs.
LOIS
No. You must have the wrong
Scardino.
BOBBY
If you say so.
Lois ponders it for a moment, then:
LOIS
What's the rest of it?
BOBBY
Project Nirvana is something to do
with Intergang, I don't know what
and I'm not sticking my neck in
that noose, you didn't hear any of
this from me, now we're even.
At Lois' end, we hear the connection go.
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) FULL Blue Rev. 3/24/95 19.
25 CONTINUED: 2 25
LOIS
Hello? Hello? Bobby?
The DOORBELL RINGS. Lois hangs up.
LOIS (CONT'D)
Who is it?
DAN (O.S.)
It's me, Dan.
Lois opens the door. Dan's there, with a clipboard in one
hand, pencil in the other.
DAN
Hello. I'm doing a survey of women
who resent having gifts sent to
them. Please answer 'true' or
'false': Wrapping paper offends
me... I am psychologically unable
to accept gifts... Gifts are okay,
I just don't like the guy who sent
then...
He's being very charming, but Lois has her own agenda:
LOIS
It's not about gifts, Dan. It's
about trust.
Dan was really hoping the charm would work, but he can see
it's a forlorn hope. He sighs.
26 OMITTED 26
27 INT. LOIS'S APARTMENT - NIGHT 27
A few minutes later. The TV is still on, but the sound is
very low. Dan is mid-explanation:
DAN
... it's not just dangerous for
_you_ to know what I'm doing, it's
dangerous for _me_.
Lois is entering the room with a tray: coffee and cookies.
As she sets it down on the coffee table:
LOIS
That's what I'm saying, Dan. You
don't trust me.
Before Dan can respond, his BEEPER GOES OFF. He unclips it,
looks at the number. Lois is leaning over in front of him
and can see the number.
--page break--
WHINE, WHINE, WHINE (#21) Green Rev. 3/29/95 20.
28 INSERT - BEEPER 28
We see the number: 800-555-0100. (X)
29 BACK TO SCENE 29
Lois looks away from the beeper as Dan looks up. She
continues pouring coffee for him. Dan resumes the
conversation:
DAN
I think you're looking for
something that doesn't exist, Lois.
The perfect man, the perfect
relationship, the perfect life...
Will you excuse me for a minute?
He takes a cel phone out of his pocket and walks away to get
a little privacy.
DAN (CONT'D)
This won't take a second.
To his back:
LOIS
Nirvana?
Dan's antennae go up. He turns.
DAN
What?
His reaction fuels her suspicions.
LOIS
(innocently)
The perfect life. Nirvana. Eden.
Utopia. Camelot.
Dan relaxes. Must've been a fluke.
DAN
(patiently)
Yeah... Those places don't exist,
Lois. The real world is what we
have to deal with.
And here comes the real world, Metropolis style. Superman
appears at the window, behind Dan. He's holding the summons
that Barry Barker served. Dan sees Lois' eyes shift to the
window, and he feels the breeze. He turns. Neither he nor
Superman is pleased to see the other.
--page break--
WHINE, WHINE, WHINE (#21) Pink Rev. 3/28/95 21.
30 INSERT - TV 30
PFINCH-LUPUS (T.V.)
... while the female _seems_ to
hold the power to choose amongst
the various rivals for her
affections, in fact the power
resides with whichever male mud
dobber proves to be the most (X)
ruthless gladiator...
31 BACK TO SCENE 31
LOIS
(to Superman)
Hi.
SUPERMAN
(to Lois)
Could I talk to you?
DAN
Take a number, pal.
32 INT. LOIS' APARTMENT - NIGHT 32
A few minutes later. Dan is in the kitchen, talking softly
into his cel phone. Yes, Superman _could_ tune in his
superheating to overhear Dan's conversation, but he's got
his own problems. Lois finishes reading the subpoena.
SUPERMAN
I've never been sued before. I'm
not sure how to proceed.
LOIS
You need a lawyer. I know a guy
who handles stuff like this, and
he's never lost a case.
During this, Dan finishes his call and returns to the living
room.
SUPERMAN
Is he a good person?
LOIS
(oh, please, get real)
He's a lawyer.
DAN
Bad for your Boy Scout image to be
represented by a scuzzball?
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) FULL Blue Rev. 3/24/95 22.
32 CONTINUED: 32
SUPERMAN
Surely somewhere out there there's
one honest lawyer.
DAN
I know one, for all the good it'll
do you.
33 INT. CONSTANCE HUNTER'S OFFICE - DAY #3 33
Superman sits across from CONSTANCE HUNTER. She's fortyish.
Her office is dark -- blinds closed, sunlight struggling to
get in but losing the battle, a single desk lamp lit. Lots
of law books, both current and old, line the walls.
Constance is calm and focused and kind. She's listened
empathetically to Superman's story, which is winding up now.
SUPERMAN
... His hand will heal, and since
he has no job, there's no loss of
income.
CONSTANCE
So except for his medical bills, he
has no case...
SUPERMAN
Yes, and I offered to pay the
medical expenses.
CONSTANCE
What was his response?
Superman smiles.
SUPERMAN
He seems to have only one response
to everything: He complained.
Constance smiles back.
CONSTANCE
I know the type. _They_ want,
_they_ need, _they_ deserve.
Nothing is ever right, and nothing
is ever enough. They stand alone
at the center of the universe
whining for more. Their hunger is
insatiable, their thirst
unquenchable, their demands
unappeasable... I really hate them.
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) Yellow Rev. 3/28/95 23.
33 CONTINUED: 33
SUPERMAN
You must be great in front of a
jury... So you'll take the case?
CONSTANCE
No.
Off Superman's reaction --
34 INT. DAILY PLANET - DAY 34
Lois is at her desk. In front of her is a pad with a phone
number written on it, a number we've seen before: 555-0373.
Lois dials the number. After a couple of RINGS:
PHONE VOICE
(recorded)
You have reached the office of
Charles Knox, president of
Omnicorp. Please leave your name,
number and the purpose of your
call. Thank you for calling
Omnicorp.
There's a BEEP. Lois hangs up, looks over to another part
of the room, where Perry and Jimmy are watching one of
several TV sets.
35 CLOSE ON A TV 35
we're watching Congress in session, but what we're HEARING
is...
PFINCH-LUPUS (V.O.)
... and so we see that spineless
dung beetles tend toward thinly
veiled power struggles, apparently
having little regard for the colony
as a whole...
As we're HEARING this, we're PANNING over to Perry and Jimmy
to find that the voice over is coming, not from C-SPAN, but
from The Nature Station, which they're watching. (X)
PFINCH-LUPUS (T.V.)
Next we go to the fascinating
Andean Nettlebug, a species with
three genders; male, female and the
sexless drone. The drones seem to
serve a matchmaking function unique
in the insect kingdom, and a
thankless job it is for them...
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) Pink Rev. 3/28/95 23A.
35 CONTINUED: 35
PERRY
My god, look at that.
PFINCH-LUPUS (T.V.)
Caught between a ravenous male and
a predatory female, the luckless
drone can only follow its genetic
program and fulfill its deplorable
destiny --
Lois has come up behind them.
LOIS
Have you guys seen Clark today?
Their attention remains on the TV.
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) Green Rev. 3/29/95 24.
35 CONTINUED: 2 35
JIMMY
No, and don't try to put me in the
middle of anything.
Lois decides not to travel down this road, whatever it is.
Instead:
LOIS
I need some research, Jimmy. I
want to know everything there is to
know about Omnicorp and Charles
Knox. He's the president.
JIMMY
Okay.
LOIS
(to Perry)
Now I'm going out to investigate
this guy who's suing Superman.
PERRY
Okay.
Lois leaves. Jimmy and Perry remain riveted to the TV.
PFINCH-LUPUS (T.V.)
... and so, the Andean nettlebug
mates only once, with tragic
consequences for all concerned.
But the species survives and
thrives, and the little newly
hatched nettlebugs have no inkling
of the calamitous fate that awaits
them...
36 INT. CONSTANCE'S OFFICE - DAY 36
Superman and Constance. Constance is explaining. (X)
CONSTANCE
I don't want to be the person who (X)
destroys Superman. (X)
SUPERMAN
Excuse me, but don't you think (X)
you're being a little hyperbolic? (X)
CONSTANCE
No... I don't try cases anymore. (X)
I gave it up because I never won. (X)
I never won because I think (X)
justice should be about truth, not (X)
about who's the better liar. (X)
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) Green Rev. 3/29/95 24A.
36 CONTINUED: 36
SUPERMAN
But that's what I need: Someone (X)
who understands that justice is (X)
about truth.
Constance gives him a pitying smile.
CONSTANCE
No. You need to win. Otherwise
you'll spend the rest of your life
in court answering to greedy
plaintiffs and their noxious
attorneys. Is that what you want?
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) Goldenrod Rev. 3/30/95 25.
36 CONTINUED: 2 36
SUPERMAN
No, of course not.
CONSTANCE
Then you need someone who sees an
open wound and automatically
reaches for the salt. You need a
_real_ lawyer... I'm sorry.
37 EXT. SIDEWALK CAFE - DAY 37
Calvin is sitting at a table. He's waiting, not patiently.
Lois sits down at the table next to him. Elise arrives and
sits across from Calvin.
CALVIN
(to Elise)
Did you bring it?
ELISE
Yes.
She's reaching into her capacious bag, pulls out a Watchman
TV, sets it up and turns it on. You're probably expecting
The Nature Station, but:
TV VOICE OVER
... Is Superman getting too big for
his britches? Next on Jerry... (X)
CALVIN
Isn't this great, Elise?
He's pumped.
CALVIN (CONT'D)
I'm on national TV, and Barry
Barker says there's no way I can
lose the case.
ELISE
That's wonderful, Calvin... If you
win a lot of money, then can we
tell people we're married?
Lois reacts. Are there no depths too low for this leech?
Calvin takes Elise's hand and turns on the boyish charm.
For the first time we see what must've hooked Elise on the
worm.
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) Goldenrod Rev. 3/30/95 26.
37 CONTINUED: 37
CALVIN
Absolutely, honey. You know the
only reason I wanted to keep it
secret was so your friends wouldn't
think you'd married a bum.
Blinded by love and stupidity, Elise buys it. Lois doesn't.
CALVIN (CONT'D)
You understand what you have to say
when you're on the witness stand,
don't you?
Aha, so that's what it's about. Elise still doesn't see it.
ELISE
Yes, Calvin.
Lois can hardly keep from horning in. Unfortunately for
him, Clark picks this moment to arrive and sit across from
Lois.
CLARK
Hi, Lois.
Lois turns a look on him that would shrivel a lesser man.
LOIS
Men are pigs.
Clark reacts.
CLARK
What?
CALVIN
(excited)
Here it is, it's starting!
Lois and Clark look over to:
38 ANGLE - THE WATCHMAN 38
where we see JERRY RETCHIN, talk show host. (This will be (X)
shot outside the Daily Planet Building. Jerry is doing a (X)
location show.)
JERRY (T.V.) (X)
Today we'll be talking to Calvin
Dregg, a master guitarist on the
cusp of major stardom -- until he
suffered a career-ending injury at
the hands of Superman.
(MORE)
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) Goldenrod Rev. 3/30/95 27.
38 CONTINUED: 38
JERRY (T.V.) (CONT'D) (X)
Yes, folks, Superman. Is The Man
of Steel the Champion of Justice,
or is he just a bully in a cape?
You decide.
As Jerry is talking, his studio camera is widening until (X)
Calvin appears on screen, too.
39 BACK TO SCENE 39
Lois and Clark are appalled. Calvin is very excited.
CALVIN
There I am! There I am! I'm so
photogenic!
JERRY (T.V.) (X)
(oily sincerity)
We tried to contact Superman to
hear his side of the story...
(he's lying)
... but The Man of Steel apparently
feels he's not answerable to
anyone. Well, we'll see if he's
answerable to the law.
ELISE
You look good on TV, Calvin.
The TV Calvin has started talking, and Elise is talking over
him.
CALVIN
Shhh! Shhh!
CALVIN (T.V.)
According to the doctor my attorney
found for me, I have permanent
nerve damage, I'll never play the
guitar again.
GROANS of sympathy from the audience. Lois is watching the
TV, her head turned away from Clark, who has had just about
all of Calvin Dregg that he can take.
CALVIN (T.V.)
And Superman didn't even apologize.
That's it. Clark lowers his glasses and aims his HEAT
VISION at the TV, which sizzles, pops and dies. Calvin is
beside himself, and of course, he blames Elise.
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) Pink Rev. 3/28/95 27A.
39 CONTINUED: 39
CALVIN
You idiot! You bought a defective
TV! I have to find another one!
He bolts from the scene. Elise follows. Lois and Clark
look at each other.
CLARK
Unpleasant.
She's gazing at him. (X)
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) Pink Rev. 3/28/95 28.
39 CONTINUED: 2 39
CLARK
What? (X)
LOIS
Well?
CLARK
Well what?
LOIS
Time to talk.
Clark opens his mouth, but nothing comes out.
LOIS (CONT'D)
We had a _date_, Clark. And you
just disappeared and you never
came back.
CLARK
(stalls)
I'm not sure what I'm supposed to
say, Lois.
LOIS
The truth. I'm at the point now
with this, with us, that I need to
hear the truth. Whatever it is.
Trapped. Trapped like a fly in a sticky web. At this
moment, we hear, from somewhere O.S., a faintish SQUEAL OF
BRAKES. Clark reacts. If Clark Kent were capable of
saying, "Oh, shit!!" -- now would be the time.
CLARK
I'm really sorry, Lois --
He rushes OUT OF FRAME. Lois may pop an artery.
40 40
THRU OMITTED THRU
41 41
42 EXT. STREET - DAY 42
CLOSE ON the back bumper of a taxi as Superman drags it to a
halt inches shy of a crosswalk. (This should be around a
corner somewhere, out of Lois' view.)
--page break--
WHINE, WHINE, WHINE (#21) Pink Rev. 3/28/95 28A.
43 WIDER 43
as a dozen pedestrians drop what they were doing and try to
crowd into the taxi, pretending they were in it and moaning
and carrying on like they've been injured in the rescue.
Superman stands there looking harassed and powerless.
44 EXT. SIDEWALK CAFE - DAY 44
Lois goes from apoplexy to cold fury. She snags a passing
waiter.
LOIS
Excuse me...
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) Goldenrod Rev. 3/30/95 29.
44 CONTINUED: 44
She takes the waiter's pad and pen from him and writes a
brief note as:
LOIS (CONT'D)
If my friend comes back, will you
give him this, please.
She stomps off. A moment after she disappears, Clark
returns, looks around. The waiter hands him the note and
moves off. Clark looks down at it:
45 INSERT - THE NOTE 45
"Just forget it."
46 BACK TO SCENE 46
On Clark's forlorn expression --
47 INT. CLARK'S APARTMENT - NIGHT #3 47
Clark's sitting on the couch with his head in his hands. He
looks up as there's a KNOCK on the door.
48 AT THE DOOR 48
He opens it to find MARTHA and JONATHAN standing there.
MARTHA
We saw the Jerry show... (X)
CLARK
Boy, am I glad to see you.
49 INT. CLARK'S APARTMENT - NIGHT 49
A few minutes later. Clark's been catching them up.
CLARK
... and that's where I am: Lois
hates me, there's a long line of
people waiting to sue me and I
can't find a lawyer, I don't have
time to do my job at the Planet,
and Lois hates me.
JONATHAN
You said that.
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) FULL Blue Rev. 3/24/95 30.
49 CONTINUED: 49
MARTHA
And it's not true.
CLARK
You didn't see her face.
MARTHA
She wouldn't get upset if she
didn't care.
There's silence, then:
CLARK
I don't think I can do this
anymore.
JONATHAN
Do what?
CLARK
I really wanted to be able to have
a normal life. To have a job and
friends and somebody to love... But
it's not possible, is it? I can't
be two people anymore...
MARTHA
Oh, honey...
CLARK
I'm going to have to choose: Clark
or Superman.
FADE OUT.
_END OF ACT TWO_
--page break--
WHINE, WHINE, WHINE (#21) Green Rev. 3/29/95 31.
_ACT THREE_
FADE IN:
50 INT. CLARK'S APARTMENT - NIGHT - MINUTES LATER 50
Jonathan and Martha look at their son, concerned, as:
JONATHAN
Are you saying you don't want to be
Superman anymore?
CLARK
No. I could never stand on a
street corner and watch a bus head
for a little kid and not do
something.
MARTHA
Then you're saying you can't be
Clark? Is that it?
CLARK
(nods)
I think... that's what I'm
thinking. (X)
51 EXT. METROPOLIS COURT HOUSE - DAY #4 51
Superman LANDS and walks up the steps. There is a commotion
at the doors, a PHALANX of REPORTERS and LAWYERS exiting.
The crowd breaks and Superman sees at the center of it:
BILL CHURCH, JR., in the middle of giving a statement to the
press:
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) FULL Blue Rev. 3/24/95 32.
51 CONTINUED: 51
BILL, JR.
... no, I'm certainly not bitter
and --
(sees Superman)
Superman!
He moves to him. Press people follow, cameras CLICKING.
SUPERMAN
Don't tell me you made bail.
BILL, JR.
Bail? No. They're dropping the
charges.
SUPERMAN
What?
BILL, JR.
All you need's a good lawyer.
Trust me, you're gonna love it in
there.
He smiles, pats him on the shoulder and moves off, talking
to the Press:
BILL, JR. (CONT'D)
I just signed to write a book on
the whole experience, called WHY
THIS IS THE GREATEST COUNTRY ON
EARTH...
Superman just shakes his head and moves into the court.
52 INT. COURT ROOM - DAY 52
Emptying out of ONLOOKERS, but for Superman and Lawyer 1,
a brass-knuckle, courtroom SHARPIE, packing up his valise
after a day of trial.
SHARPIE LAWYER
Lemme tell ya a little about my
strategy in a case like this,
Superman. I don't just beat the
other side... I kill them. You
think I'm kidding?
(a mad gleam in his eye)
I am not kidding.
53 INT. COURT HALL - DAY 53
Superman with a silky SMILER of a lawyer.
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) FULL Blue Rev. 3/24/95 33.
53 CONTINUED: 53
SMILER LAWYER
You're right to shop carefully for
an attorney. I've handled dozens
of cases 1 e this and none of them
have ever gone to trial. I've
always settled amicably and
cheaply.
SUPERMAN
That's great. How?
SMILER LAWYER
Find the plaintiff's darkest secret
and threaten to print it unless
they back off.
(offers a dish)
Mint?
54 INT. COURT ROOM - DAY 54
Back to the Sharpie, getting heated:
SHARPIE LAWYER
You choke 'em on paperwork, cut off
their air, then go after their
families, friends and when their
bones are breaking in your fists --
SUPERMAN
I don't think
SHARPIE LAWYER
You squeeze harder!
55 INT. COURT ANTEROOM - DAY 55
Superman sits with a seasoned old PRO.
PRO LAWYER
Superman, you're the one being
exploited here and I've got an
idea. Let's sue them. And not
just them -- let's go after those
guys selling Superman t-shirts and
not cutting you in and the comic
books, let's get you a little taste
of that action.
(as Superman tries to
interrupt)
I know, I know, no money, right?
Don't worry, the first few are on
me, pro bono... if you just sign
over the TV movie rights to me.
--page break--
WHINE, WHINE, WHINE (#21) FULL Blue Rev. 3/24/95 34.
56 INT. COURT ROOM - DAY 56
Back to the Sharpie in a pantomiming, red-faced apoplexy:
SHARPIE LAWYER
... kill, kill, kill!
SUPERMAN
I, uh, really have to... go rescue
someone... or something...
SHARPIE LAWYER
(suddenly calm, checks
watch)
Oh, yeah, I'm late for yoga.
Listen, we'll talk soon, huh?
Superman just nods absently and gets the hell away from this
lunatic.
57 EXT. COURT HOUSE - DAY 57
Superman comes out fast, takes a deep breath, moves to a
bench and sits, exhausted. A LITTLE GIRL walks up.
GIRL
You look sad, Superman.
SUPERMAN
I'm okay.
GIRL
Want a hug?
He nods. She loops her arms around his neck and gives him a
squeeze and a peck on the cheek. Then --
GIRL (CONT'D)
Don't be a Mr. Gloomy Pants.
SUPERMAN
I'll try.
She turns and skips off.
LOIS (O.S.)
Careful, I might get jealous.
He turns. Lois is coming out of the court house. She sits
next to him.
SUPERMAN
Lois... what are you doing here?
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) Blue Blue Rev. 4/4/95 35.
57 CONTINUED: 57
LOIS
Checking out this bum who's suing
you. He's got quite a record back
in England. Loved to sue people.
Loved to _get_ sued so he could
counter-sue. Now I think that
establishes a real pattern...
SUPERMAN
It would if it were admissible.
LOIS
You can't use this? But it proves
he's... he's vindictively
litigious.
SUPERMAN
(getting up)
Sorry, Lois. Thanks for trying.
LOIS
Tell me what I can do to help.
Please.
SUPERMAN
I'm afraid this is a battle I've
got to fight on my own.
LOIS
But I --
There's more she'd like to say but he takes off with a
WHOOSH.
LOIS (CONT'D)
-- oh, no, I had nothing else to
say, I was finished... thanks.
(X)
--page break--
WHINE, WHINE, WHINE (#21) Blue Blue Rev. 4/4/95 36.
58 OMITTED 58
59 INT. DARK HALLWAY - NIGHT #4 59
Dan steps out of the shadows, wearing a suit and tie. A man
appears. Dressed in an expensive suit, with an air of
authority, this is CHARLES KNOX. He carries a steel attache
case.
DAN
Hi. Charles Knox, right? Dan
Scardino, FDA.
(points to case)
Is that money?
He hefts it onto a sill and snaps it open. It's stuffed
tight with cash.
KNOX
Let's talk dates.
DAN
We hardly know each other, but
hell, if you're paying...
Knox steps into Dan's face, menacing:
KNOX
Go be Chuckles the Clown on your
time; on my clock, shut your mouth.
Now... we want FDA approval on the
drug. We want it by the first of
the year. And we want it
guaranteed.
DAN
You got it.
Knox walks off, leaving the case. Dan hefts the case and
walks down the hall to the elevator, pushes the button,
waits. Then, from behind him --
LOIS
So this is what you didn't want me
to find out about.
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) FULL Blue Rev. 3/24/95 37.
59 CONTINUED: 59
He whirls. There she is. PING. The elevator arrives. she
moves past him, coolly, into the car. He scrambles after
her, agitated.
60 INT. ELEVATOR - NIGHT 60
The doors close.
DAN
Lois, there are things going on you
can't know about...
LOIS
Really
(checks notes)
Like, you're posing as a corrupt
FDA researcher? And the man you
just met is the President of (X)
Omnicorp, which wants to push
through a new painkiller called...
(flips to new page)
... Nirvana, which the DEA suspects
might have mind-altering affects? (X)
DAN
How did you -- ?
LOIS
Hel-looo? I'm a reporter,
remember?
TIGHTEN ON the metal case -- and WE SEE there is a tiny (X)
metal microphone in the side, near the seam.
61 INT. DARK HALLWAY - NIGHT 61
Around the corner from where Dan and Knox met. Knox is
listening to Lois and Dan on a small, hand-held radio.
LOIS (V.O.)
Is that why you won't talk to me
about your work? Because you don't
trust me?
TIGHT ON Knox, listening.
62 INT. ANOTHER HALL - NIGHT 62(X)
Lois and Dan emerge from the elevator. (X)
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) FULL Blue Rev. 3/24/95 38.
62 CONTINUED: 62
LOIS
You think that whatever I find out
about I'm going to print, is that
it?
DAN
Lois -- stay away from this. (X)
LOIS
Excuse me -- ?
DAN
Stay --
LOIS
-- what am I, a house pet?
He accidentally bangs the attache into something, SMASHING
the bug.
63 INT. DARK HALL - NIGHT 63
Knox's transmitter goes dead.
64 INT. ANOTHER HALL - NIGHT 64(X)
LOIS
All you talk about is how evasive
Clark is and Clark always
disappears mysteriously but you (X)
know what? At least Clark trusts
me... and he knows I'd never use
someone close to me just to get a
story. So. Here are all my notes
on your case. Good luck.
She hands them over, turns and walks off. (X)
65 INT. DARK HALL - NIGHT 65
Knox shuts off the radio and lifts a cel phone.
KNOX
Mr. Church? Charles Knox.
66 INTERCUT BILL CHURCH, JR. - IN HIS LIMO 66
with a couple of GORGEOUS WOMEN. (X)
KNOX
I've got bad news.
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) FULL Blue Rev. 3/24/95 39.
66 CONTINUED: 66
BILL, JR.
I admire your bluntness... and your
courage.
KNOX
It's about Operation Nirvana...
BILL, JR.
Nirvana... ahhhh ... ?
KNOX
It's a synthetic nerve block we
were developing... disguised as
aspirin? Makes people susceptible
to suggestion?
BILL, JR.
Right, right, right, people take it
for headaches, then buy our crap
because they'll just believe what
they're told. What's the problem?
One of the Girls lets out a giggle.
KNOX
Are you alone, sir?
BILL, JR.
(eyeing the babes) (X)
I just got out of _jail_ Knox. (X)
KNOX
A DEA agent and a reporter are (X)
onto us... (X)
BILL, JR.
(to Driver)
Pull over.
67 EXT. STREET MINUTES LATER 67
Two very pissed off Gorgeous Women stand next to the idling
limo.
68 INT. BILL, JR.'S LIMO - NIGHT 68
Bill, Jr. alone.
BILL, JR.
Lane and this agent. They're both
testifying at the Superman trial,
aren't they?
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) FULL Blue Rev. 3/24/95 40.
68 CONTINUED: 68
KNOX
I think I read that.
BILL, JR.
Wouldn't it be sweetly ironic if (X)
something happened to them right
under his nose? Might put the last
nail in the coffin of his career?
KNOX
Yes, yes it would --
BILL, JR.
Get right on that.
(opens door)
Oh, girls, we can pick up where we
left off now...
69 INT. CONSTANCE HUNTER'S OFFICE - NIGHT 69
Constance and Superman in mid-conversation. (X)
SUPERMAN
I can't find a lawyer I'd want to (X)
spend five minutes with, let alone
entrust my career to. _Please_.
CONSTANCE
You're being pathetic. (X)
SUPERMAN
I know, I'm sorry...
CONSTANCE
Don't say you're sorry, it's
pathetic... I can't say no to
pathetic, I never could... and
_you_ being pathetic is... really
pathetic.
SUPERMAN
Ms. Hunter, I thought I'd seen
every kind of evil there is...
every perversion of man, law and
God. And I thought I knew how to
fight them all. But there's
something out there I've never
really seen before and I _can't_
fight it because I don't understand
it. Greed. I need an ally, Ms.
Hunter, someone who does understand
it but doesn't want to be a part of
it... and if that's pathetic,
well...
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) Green Rev. 3/29/95 41.
69 CONTINUED: 69
CONSTANCE
God, just once, I'd like to have a
client come in here with a case I
thought I could win.
SUPERMAN
You'll do it?
CONSTANCE
Go... wherever it is you go and
rest up. We'll start at nine
tomorrow. You bring the bagels.
THE SCENE ENDS AS THE SONG 'OLD LOVE' BY ERIC CLAPTON TAKES
US THROUGH A MUSICAL MONTAGE WITH LOIS AND CLARK:
70 OMITTED 70
--page break--
WHINE, WHINE, WHINE (#21) FULL Blue Rev. 3/24/95 42.
71 INT. LOIS' APARTMENT - BEDROOM - NIGHT 71
She lies in bed, on her back, and stares at the ceiling.
72 INT. CLARK'S APARTMENT - NIGHT 72
He flops down on the couch.
73 INT. LOIS' APARTMENT - LIVING ROOM - NIGHT 73
She pads in, picks up a book, nuts it down, looks at the
phone, then puts a pillow overall.
74 INT. CLARK'S APARTMENT - NIGHT 74
He turns on the TV, turns it right off, gets up and paces.
75 INT. LOIS' APARTMENT - NIGHT 75
She paces into frame, eating ice cream.
76 INT. CLARK'S APARTMENT - NIGHT 76
He stops pacing, looks down and sees the phone.
77 INT. LOIS' APARTMENT - NIGHT 77
She pushes the pillow off, picks her phone up and dials.
78 INT. CLARK'S APARTMENT - NIGHT 78
He has the phone in his hand now and dials, finishes, waits.
79 INT. LOIS' APARTMENT - NIGHT 79
She SLAMS the phone down.
80 INT. CLARK'S APARTMENT - NIGHT 80
He SLAMS the phone down and SHATTERS it into a hundred bits.
81 EXT. LOIS' APARTMENT - NIGHT 81
She comes out into the night and goes for a walk.
82 EXT. CLARK'S APARTMENT - TERRACE - NIGHT 82
Superman takes off and goes for a fly.
--page break--
WHINE, WHINE, WHINE (#21) FULL Blue Rev. 3/24/95 43.
83 EXT. STREET - NIGHT 83
Lois turns a corner.
84 EXT. SKY - NIGHT 84
Superman soars and stretches, yawns.
85 EXT. CLARK'S APARTMENT - NIGHT 85
Lois comes into view and peers at Clark's front door. Sees
it's dark inside, turns and goes back.
86 EXT. SKY - NIGHT 86
Superman banks out of frame.
87 EXT. LOIS' APARTMENT - NIGHT 87
Late. Lois walks back to her front door. Dan is sitting on
the stoop. MUSIC UNDER, as:
DAN
Hey.
LOIS
Hey.
DAN
I thought about what a jerk I
was...
LOIS
Dan...
DAN
Thought given the _size_ of my
jerkiness... maybe roses... maybe
jewelry... maybe a Lear jet...
LOIS
We both overreacted.
DAN
I didn't bring you anything, Lois,
because I don't want to dazzle
you... I just want to be with you.
So. Can we... talk?
He gestures to the door.
LOIS
Sure.
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) FULL Blue Rev. 3/24/95 44.
87 CONTINUED: 87
MUSIC BACK UP as they move up her stoop and into her
building WE WIDEN TO REVEAL Superman across the street, in
the shadows, as his face sets, more sad than angry, and he
takes off.
87A EXT. SKY - NIGHT 87A
Superman flies, totally bummed. (X)
FADE OUT:
_END OF ACT THREE_
--page break--
WHINE, WHINE, WHINE (#21) Green Rev. 3/29/95 45.
_ACT FOUR_
FADE IN:
87B INT. CLARK'S APARTMENT - DAY #5 87B
Clark and the Kents over breakfast. (X)
JONATHAN
But how do you give up being who (X)
you are?
CLARK
Pretend to move overseas, build (X)
myself some secret lair to live (X)
in... I don't know, I haven't (X)
sorted it all out yet... But I (X)
just can't keep this up, I can't (X)
keep lying to Lois and hurting (X)
her.
MARTHA
And what if you lose your case? (X)
What happens to Superman then? (X)
Off Clark's inability to predict the future: (X)
88 INT. DR. FRISKIN'S OFFICE - DAY 88
Lois and Dr. Friskin, in mid-session.
LOIS
So what you're saying is, all my
life I've basically been attracting
men who are controlling or
incomplete or downright liars
because... because...
DR. FRISKIN
Keep going.
LOIS
... because I like being treated
like that? But wait, then how come
if I like this kind of man and I
always seem to set this kind of
man, I'm not happy?
DR. FRISKIN
You like chocolate, right? But you
know it's bad for you. And the
older and wiser you get, the less
tolerance you have for something
that's bad for you. You're not a
victim, Lois...
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) Green Rev. 3/29/95 45A.
88 CONTINUED: 88
These words hit Lois hard.
DR. FRISKIN (CONT'D)
... so stop acting like one. You
know who you want to be with.
You've known all along. The
problem is, he's just as scared as
you are. So... which one of you is
going to step up and say the scary
words?
LOIS
How come you never ask simple
questions?
DR. FRISKIN
I would if I knew any simple answers.
89 EXT. COURT HOUSE - TO ESTABLISH - DAY 89
--page break--
WHINE, WHINE, WHINE (#21) Yellow Rev. 3/28/95 46
90 INT. COURT ROOM - DAY 90
Moments before Superman's trial. On one side of the bar,
Calvin and Barker; behind them, in the gallery, Elise. On
the other side, Superman and Constance; behind them in the
gallery, Perry, Jimmy, Dan and Lois. The room is packed,
dotted with PEOPLE in neck braces, slings and bandages.
LOIS
(studying the faux
infirm)
Look at this... the next wave of
injured plaintiffs.
(shakes head)
Amazing. Superman's spent his
whole career fighting
mega-criminals and he's getting
brought down by a mealy-mouthed
talk show whiner and his
sycophantic mouthpiece.
PERRY
Says just a little too much about
the society we live in right now.
LOIS
(looks around)
Where's Clark?
PERRY
He told me he was going to
Smallville for a few days.
LOIS
Why?
PERRY
Got a few personal things to take
care of. I'm a little worried
about him. Hasn't been himself
lately.
Lois tries to hide the effect of another disappointment.
Perry leans over and whispers to Jimmy:
PERRY (CONT'D)
See The Nature Station last night? (X)
JIMMY
(nods)
The Male Blue-Headed Whipperwill
always returns to its birth nest...
PERRY
... after an unsuccessful attempt
at mating.
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) FULL Blue Rev. 3/24/95 47.
90 CONTINUED: 90
Both men nod sagely and glance at Lois. Dan, sitting beside
her, takes her hand.
JIMMY
Then you've got your Rain Forest
Koka Monkey...
PERRY
... movin' in on the female the
_second_ the male's in another
tree.
JIMMY
We're just this far --
(holds fingers an inch
apart)
-- from the jungle, huh, Chief?
PERRY
If that, son, if that.
Sitting at the bar, Superman glances back and sees Dan
holding Lois's hand. He tries not to let it hurt. Lois
sees the look on his face. Their eyes meet for a second,
she's curious, then... The JUDGE enters, everyone rises.
91 INT. COURT ROOM - WITNESS STAND - LATER 91
Elise on the stand, nervous, under direct exam by Barker:
ELISE
... and Calvin hasn't been able to use
his hand since.
BARKER
Completely paralyzed?
ELISE
Yes. Completely.
BARKER
And what about his moods?
ELISE
Oh, they're... mmmm, they're bad...
um, he's not himself. (X)
The Judge glances at Calvin. Calvin slumps low in his chair
and shields his eyes with his hand, a mournful and forlorn
figure of suffering and sorrow. Lois looks at Calvin,
disgusted.
LOIS
I smell ham...
(then glares at Elise)
and cheese.
--page break--
WHINE, WHINE, WHINE (#21) Pink Rev. 3/28/95 48.
92 EXT. PARK ACROSS FROM COURT HOUSE - DAY 92
Knox with a well-dressed ASSASSIN, both kneeling in front of
an open attache case.
ASSASSIN
It's silent, no moving parts, just
two globs of liquid C-12, (X)
separated by this little piece of
plastic. Start your acid eating
through and in five minutes, (X)
whammo. Always wanted to try this (X)
little sucker... right under
Superman's nose.
We see what's in the attache case now: a high-tech bomb.
The Assassin closes the case and locks it.
KNOX
Just remember, it can't look like
Scardino and Lane were the only
targets...
ASSASSIN
It won't. (X)
They move out of the park, toward the court house.
93 INT. COURT HALL - DAY 93
A break in the proceedings. People mill. Elise gets some
water. Lois walks up.
LOIS
Can I ask you a question? How can
you lie on the stand like that for
a man who won't even admit he's
married to you?
Elise looks at her, like a deer caught in headlights.
ELISE
How... how did you... ?
LOIS
The kind of degradation you'll
tolerate in your personal life is
your business -- but you're ruining
an innocent man and I'm not going
to sit by and
ELISE
(moving off)
Leave me alone
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) FULL Blue Rev. 3/24/95 49.
93 CONTINUED: 93
LOIS
He doesn't love you, Elise.
(this stops her)
You know when a man loves you by (X)
the way he treats you, by the way
he looks at you... the way he -- (X)
ELISE
Look, Miss Lane, if you've got the
perfect man, I'm happy for you but
I --
LOIS
He's about as far from perfect as
you can be but I'll tell you the
difference between him and
Calvin -- he wants my happiness
more than his own. I feel it every
second I'm with him, and sometimes
there aren't enough of those
seconds and the ones we _do_ have
end a little abruptly but Elise,
Calvin doesn't feel that way about
you and someday he'll prove it in
the ugliest way he can.
Elise, stunned, moves back to court. A man bumps her from
behind and mutters an excuse. As he slips into the
courtroom, we see it's the Assassin, with his attache case.
94 INT. COURTROOM - DAY 94
The Assassin sets his attache in the aisle near Lois and
Dan, twists the snap-lock and --
95 INSERT - INSIDE THE CASE 95
as the acid burns through the plastic separating the two
forms of liquid explosive. Smoke rises and curls.
96 INT. COURT ROOM - DAY 96
The Assassin gets up and exits the court room, just as
Superman under direct exam by Constance:
CONSTANCE
Sitting here, listening to all this
damning testimony, I'd like to
know... why do you want to _be_
Superman? It seems to me it's
never offered you much but exposure
to danger and ridicule...
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) FULL Blue Rev. 3/24/95 50.
96 CONTINUED: 96
SUPERMAN
No, that's not true.
CONSTANCE
Explain.
SUPERMAN
All the things I can do... the
powers I have... I've asked myself
a thousand times, why? And the
only answer I could come up with
is: to help. As quickly and
decisively as possible. And maybe
because of that, I've been a
target
(he looks at Lois)
... and maybe there are some things
I'll never have... but when I can
save a life, well... in that
instant, I know two things most (X)
people never figure out: why I'm
here and how I can make a
difference.
A hush in the courtroom. Superman cocks his head and sniffs
the air, as if smelling something for the first time.
CONSTANCE
Your witness.
CALVIN
(whispers to Barker)
Fry him.
BARKER
In oil, kid, in oil.
(rising)
Well, that was a heart-rending
speech. Can I get anybody a
tissue?
SUPERMAN
Do you smell something?
BARKER
What?
97 INSERT - INSIDE THE ATTACHE CASE 97
As the plastic burns and the two liquids begins to mix and
bubble.
--page break--
WHINE, WHINE, WHINE (#21) FULL Blue Rev. 3/24/95 51.
98 INT. COURTROOM - DAY 98
Superman gets up, sniffing the air.
SUPERMAN
I've smelled it before...
BARKER
Your Honor...
SUPERMAN
I'm sorry, your Honor, but I think
what I'm smelling is C-12, it's an
explosive...
(sniffs)
... and it's burning, somewhere in
here...
BARKER
Oh, please, this is the most
disgraceful form of courtroom
theatrics I've _ever_ witnessed.
LOIS
Listen to him...
99 INSERT IN THE CASE 99
and the liquid bubbling furiously, rattling and shaking.
100 INT. COURT - DAY 100
Superman moves into the gallery, sniffing and searching.
BARKER
(getting in Superman's
face)
I suppose next you'll tell us we're
all going to die.
PERRY
Mister, you don't back off and let
him do his job, you're gonna be
suing _me_ for assault.
BARKER
I hope everyone heard that!
CALVIN
I did!
JIMMY
Naturally.
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) FULL Blue Rev. 3/24/95 52.
100 CONTINUED: 100
LOIS
Superman, should we evacuate the
building?
SUPERMAN
Everyone stay calm, I think... yes,
it's right...
(picks up Assassin's attache)
... here.
He opens it, revealing the bubbling, smoking bomb. PEOPLE
jump and SCREAM, startled and terrified.
ELISE
Oh, my God...
Superman hugs the bomb to him and takes off, going straight
up in a whooshing BLUE AND RED BLUR.
The sound of Superman CRASHING through the ceiling. Plaster
chunks and bits of dust cascade down. Some of it lands on
Calvin. He starts to dust it off, annoyed, then a thought
strikes Barry Barker, who nudges Calvin, and suddenly "in
agony" --
CALVIN
My eyes!
He makes a blind-man grope and tumbles over a chair. Elise
and Barker kneel to him.
BARKER
Calvin, Calvin... are you all
right? Someone get a doctor!
Then the SOUND of an ENORMOUS BLAST echoes from above.
Everyone looks up, frozen.
The doors open and Superman strides in, smoke sizzling off
his suit, holding the charred remains of the bomb in his
hands.
DAN
If I had to guess, I'd say that was
meant for me...
SUPERMAN
Agent Scardino you should have
your lab get on this.
He hands it over.
DAN
Thanks.
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) FULL Blue Rev. 3/24/95 53.
100 CONTINUED: 2 100
He bolts from the room.
LOIS
Superman, are you all right?
Before he can answer --
CALVIN
I... I can't see... the dust in my
eyes... oh, dear Lord -- I'M BLIND!
BLIND!
BARKER
Is there no end to the suffering
Superman causes?
ELISE
(suddenly rising)
Oh, shut _up_!
Barker turns to her, stunned. So does Calvin.
CALVIN
Elise...?
ELISE
I have had it with you, Calvin!
We'd be _dead_ if it wasn't for
Superman! And there's nothing
wrong with your eyes, except you
can't see anything but yourself!
BARKER
Your Honor --
ELISE
(ripping sling off)
And your arm will be fine!
(to Judge)
And he'll play guitar just as bad
as he ever did! He just wanted the
money and he got me to lie for him!
CALVIN
(trying to shush her)
Elise... honey... (X)
ELISE
(with quiet
determination)
You don't speak for me anymore,
Calvin. I want a divorce... not
that anyone ever knew we were
married.
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) FULL Blue Rev. 3/24/95 54.
100 CONTINUED: 3 100
She catches Lois' eye, who gives her a nod: well done.
CONSTANCE
Your Honor, in view of this new
evidence...
JUDGE
Save it, counselor.
The Judge BANGS his gavel.
JUDGE (CONT'D)
Case dismissed.
BARKER
(to Elise)
Do you need a lawyer?
CUT TO:
101 INT. COURT HALL - DAY 101
As the court empties out, Superman takes a moment with
Constance.
SUPERMAN
Well... I guess your losing streak
is over, Ms. Hunter.
CONSTANCE
It didn't hurt that you saved the
judge's life... tends to make him
lenient.
SUPERMAN
(holds out his hand)
Thank you for believing in me.
CONSTANCE
No, Superman... thank _you_.
They share a warm look, then she moves off. Lois walks out
of court with Elise.
ELISE
I'm sort of looking forward to
being single again... I have a
feeling there are so many
wonderful, caring, exciting men out
there, just waiting.
Lois gives Elise her best encouraging smile.
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) Pink Rev. 3/28/95 55.
101 CONTINUED: 101
LOIS
And... and good for you. (X)
She breaks from Lois and walks off. Superman approaches. (X)
LOIS (CONT'D)
Congratulations.
She kisses his cheek and looks at him, in wonder.
SUPERMAN
What?
LOIS
I think I understand something I
didn't before. Why I don't really
know you. Why no one does. You
live..
(indicates the sky)
... above us, and when we try to
bring you down here, we just show
the worst sides of ourselves. I've
tried to love you but I realized
today how selfish that is. You're
not _just_ here for me you're
here for all of us.
(pause)
I'll always need you... and I'll
always be your friend but
there's someone down here who needs
_me_... if I can just figure out
how to get him to see it.
Another kiss on the cheek and she turns.
SUPERMAN
Lois, I need --
She stops. So does she.
SUPERMAN (CONT'D)
-- to say... thank you. For being
such a good friend.
He gives her a smile, then turns and walks down the hall.
She watches till he's gone with an O.S. WHOOSH that blows
back her hair.
--page break--
WHINE, WHINE, WHINE (#21) Green Rev. 3/29/95 56.
102 INT. CLARK'S APARTMENT - NIGHT #5 102
The apartment is a mass of suitcases and boxes. Jonathan, (X)
Martha and Clark pack and sort.
JONATHAN
I can't do this. I'm sorry,
Martha. I know we said we wouldn't
stick out noses in, but Clark --
this is wrong, you can't give up (X)
your whole life like this. (X)
CLARK
(re: the suitcases)
Look, I don't want to do this,
okay? But I don't see any other
way that's fair to Lois. (X)
MARTHA
Clark, if Lois is the problem, why
are you running away? (X)
CLARK
What are you saying? That I (X)
should just tell her that I'm... (X)
I'm... ?
MARTHA
I'm not saying anything. And (X)
before we stick our noses in any
further --
(exiting with Jonathan)
We're going out for Chinese.
103 INT. LOIS' APARTMENT - NIGHT 103
There's a knock at the door, she opens it and there's Dan,
with a copy of the Planet and the headline's "OMNICORP'S
KNOX ARRESTED". Beneath are photos of Knox and the
Assassin. "Exclusive by Lois Lane."
DAN
Congrats.
LOIS
Dan, come on in.
He comes in and as he does, he produces a bouquet.
DAN
Sorry. Couldn't help myself.
She takes them and smiles.
--page break--
WHINE, WHINE, WHINE (#21) Green Rev. 3/29/95 56A.
104 INT. CLARK'S APARTMENT - NIGHT 104
Clark is alone, on the phone. RINGING, then the sound of
Lois' machine picking up. He hangs up.
105 ON TV - THE HOST OF THE NATURE STATION 105
is talking to us:
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) Pink Rev. 3/28/95 57.
105 CONTINUED: 105
PFINCH-LUPUS (T.V.)
And so what are we to learn from
the mating habits of insects,
reptiles and mammals? What does it
teach us about ourselves? That
we're not the only creatures on the
planet capable of caring, (X)
betrayal, sorrow, forgiveness...
106 BACK TO SCENE 106
as Lois appears at the door.
PFINCH-LUPUS (T.V.)
... and faith.
(O.S., to be faded
down) (X)
That the forces which drive us to (X)
the heights of passion and depths (X)
of despair, are in deed felt by (X)
all creatures, great and small. (X)
She knocks. He moves away from the drone of the TV to the
door and opens it.
LOIS
Hi.
CLARK
Hi.
LOIS
(peering in)
You planning a yard sale?
(suddenly shifts gears)
Wait, wait. That's a form of
distancing. My therapist -- I
know, I have a therapist, can you
believe it? -- she says I say
things like that to distance, so we
don't really have to deal with
anything and it's very complicated
and linked to a lot of boring
childhood trauma and... can I come
in?
As she does --
LOIS
I told Superman I just want to be
friends... that there's someone
else... And Dan and I -- (X)
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) FULL Blue Rev. 3/24/95 58.
106 CONTINUED: 106
CLARK
(heated) (X)
Look, Lois, if you came here to
tell me that you and Dan are... (X)
LOIS
We're not going to see each other
anymore. (X)
(off his surprise,
looks around) (X)
This isn't just vacation packing,
is it? This is forever packing.
CLARK
I was thinking of moving but... (X)
now I'm not so sure. (X)
LOIS
What, you were just going to slip
out of town, not even tell me?
Maybe send me a post card from -- ?
(stops)
Distancing, distancing. Sorry. (X)
But this is... I mean, _leaving_, I
didn't expect this.
CLARK
Lois, we haven't been very happy
with each other lately. And it's
my fault and I think I should --
LOIS
Yes, it _is_ your fault. And my
fault. We let ourselves get
distracted and we let ourselves get
hurt too easily and we work too
much and we argue over stupid
things... all so we can hide from
each other and I'm sick of it,
Clark. Because the only reason we
hide is, we're scared.
CLARK
Of what?
LOIS
The fact that we're partners...
best friends... and _this_.
She launches herself at him in a passionate kiss. He's
taken aback for a moment, then returns the kiss, deeply and
passionately.
Lois breaks from the kiss, her lips close to his as she (X)
speaks:
(CONTINUED)
--page break--
WHINE, WHINE, WHINE (#21) Yellow Rev. 3/28/95 59.
106 CONTINUED: 2 106
LOIS (CONT'D)
If you want to run away from this,
tell me now.
CLARK
I won't run, Lois. I'm ready for
the next step if you are.
They kiss again, as we MOVE TO the TV nearby and see a
MONTAGE of paired animals nuzzling, hugging...
PFINCH-LUPUS (V.O.)
We seek the comfort of another...
someone to shape and share the life
we choose... someone to help us
through the never-ending attempt to
understand ourselves... and, in the
end, someone to comfort us along
the way.
... and the final image: two Koala bears, side by side,
slumbering in one another's arms. And then REVEAL our
Host, stepping in front of the blue screen of the bears.
PFINCH-LUPUS
For the Nature Station, I'm Marlin (X)
Pfinch-Lupus. Good night.
FADE OUT:
_THE END_
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[HypnoCup] Élimination de Clark
Les nouvelles aventures de Clark se sont arrêtées : il a été éliminé de l'HypnoCup par Melinda...
![[HypnoCup] Clark en compétition dans le 3ème tour !](/graph/news_icon/news_icon-cfb55615fcdcd4242c27c8fcd3b7f915.jpg?v1){kind=icon}
[HypnoCup] Clark en compétition dans le 3ème tour !
Après avoir éliminé son adversaire Firestorm avec une confortable avance sur lui (100 à 63), Clark...
Les nouveautés des séries et de notre site une fois par mois dans ta boîte mail ?
choup37, 19.04.2024 à 19:45
Maintenant j'en ai plus que deux, je joue aussi sur kaa 
CastleBeck, Hier à 11:48
Il y a quelques thèmes et bannières toujours en attente de clics dans les préférences 
. Merci pour les quartiers concernés.