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Tempus est de retour et il enlève Loïs pour l'emmener dans un monde parallèle où il contient plus de violences.
Elle y rencontre un certain H.G. Wells et ils essayent de faire de Clark le Superman mais le problème c'est qu'il est fiancé à quelqu'un d'autre, que ses parents sont morts et qu'il ne la connait pas puisqu'elle est morte quand il est arrivé au Daily Planet.
Elle réussi quand même à le convaincre et lui fabrique un costume et il commence son "nouveau" travail la nuit même en sauvant quelques personnes.
Tempus et Perry sont en confrontation pour devenir mair de la ville et Superman arrive pour empêcher une bombe d'exploser mais Tempus l'éloigne avec de la kryptonite. Dans son discours, il dévoile toute la vérité sur Superman mais H.G. Wells dit à tout le monde qu'une bombe va exploser mais Superman sauve tout le monde malgré sa faiblesse.
Perry est élu maire de la ville et Superman a perdu sa fiancée, il demande à Loïs de rester mais elle refuse...
Note : 9.5/10
Popularité
Titre VO
Tempus, Anyone
Titre VF
Dix secondes d'éternité
Première diffusion
21.01.1996
Première diffusion en France
11.06.1996
_LOIS & CLARK_
The New Adventures of Superman
"Tempus, Anyone"
Written by John McNamara
Directed by Winrich Kolbe
_CAST_
CLARK KENT/SUPERMAN
LOIS LANE
JIMMY OLSEN
PERRY WHITE
TEMPUS
H.G. WELLS
LANA LANG *
MAJOR DOMO
SPY
ROOKIE
BANK GUARD
WOMAN
_LOCATIONS_
_INTERIORS_: _EXTERIORS_:
Daily Planet Daily Planet
Newsroom
Lobby Metropolis Street
Clark's Apartment Bank
TV Station Alley
Windowless Room Cemetery
Ledge
Clark's Deck
_TEASER_
FADE IN:
1 EXT. METROPOLIS STREET - DAY #1 1
LOIS and CLARK walk, each awkwardly burdened with reams of
wedding-related documents.
LOIS
I can't believe it's next week.
CLARK
I know.
LOIS
The caterer needs a final head
count, the band doesn't have a
final song list... Clark, we're way
behind.
CLARK
We'd be way ahead if people'd just
stop trying to kill us.
LOIS
Let's keep our fingers crossed
things stay quiet this week.
They pass a police station where several WANTED POSTERS are
pinned up. One catches Lois' eye -- a bank camera photo of
a familiar face (minus the familiar beard): _Tempus_. She
pauses for just a second, as if recognizing it, then moves
on with Clark.
2 EXT. AROUND THE CORNER - DAY 2
Lois and Clark walk. She consults an actively-revised sheet
of names.
LOIS
Is this the absolute, total and
final guest count?
CLARK
Funny you should mention that. I
ran into an old friend last night.
(CONTINUED)
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 2.
2 CONTINUED: 2
LOIS
Who?
CLARK
Lana Lang. (X)
LOIS
Ah, an old _girl_friend.
CLARK
Lois, you're getting that sound in
your voice.
LOIS
What sound?
CLARK
Like any minute claws are gonna pop
out of your paws and I'll be
getting you a saucer of milk.
She's not worth it. We dated in
high school.
LOIS
Smallville girl. Here in the big
city. And ... ?
CLARK
I told her I was getting married
LOIS
Smart. And she was...?
CLARK
Really happy for me.
LOIS
So happy she'd like to come to the
wedding.
CLARK
How'd you know?
LOIS
And how'd she take it?
CLARK
Take what?
LOIS
When you said, no.
CLARK
Ummm. Hm.
(CONTINUED)
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 3.
2 CONTINUED: 2 2
LOIS
Clark.
CLARK
Well, you have to know Lana... (X)
LOIS
No, no, I don't, interestingly
enough.
CLARK
She's kind of... insistent; just
steamrolls through things, so it's
not like I actually said she could
come, she just sort of... said...
she could... come.
LOIS
Let me get this straight. You're
Superman. And your high school
girlfriend can push you around.
CLARK
(beat, then:)
Oh, God... (X)
He SUPER-HEARS an alarm.
CLARK (CONT'D)
Speaking of Superman...
LOIS
Go. We'll finish this at the
office.
(he starts off, she
stops him)
Be careful.
They kiss. He ducks away.
3 EXT. BANK - DAY 3
Riddled with bullet holes. Broken windows. Smoke pouring
out, PEOPLE GAGGING as they exit. SUPERMAN appears, moves
to a BANK GUARD.
SUPERMAN
What happened?
(CONTINUED)
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 4.
3 CONTINUED: 3
BANK GUARD
Some kind of rocket came through
the window... set off gas... then
this guy storms in... big guns...
shooting up the place... took gold
and jewels...
SUPERMAN
Which way'd he go?
4 EXT. STREET NEAR ALLEY - DAY 4
Lois walks by and hears a 'Psssst' from the alley. She
stops, turns and a large GUN is aimed at her. A finger
appears and crooks her to come in. She does.
5 EXT. ALLEY - DAY 5
Lois is led in by TEMPUS. Much as we remember him:
arrogant, superior and armed to the teeth. Only now wearing
20th Century clothes.
TEMPUS
Hi, Lois. Remember me?
LOIS
No, I --
(stops)
-- wait, the wanted poster.
TEMPUS
Come. I know I lost the beard but
I'm in politics now and Joe Average
doesn't trust facial hair. Oh,
Lois, after all we meant to each
other, I'm not ringing any bells?
Then again, I suppose time
travel...
And now he pivots, revealing H.G. Wells' time machine at the
far end of the alley. On it, his bag of jewels and gold
from the bank.
TEMPUS (CONT'D)
... can be a real brain drain. You
want to drop your things and step
onto the sled here?
(she hesitates)
Step on or be carried. Makes no
difference to me.
Frightened and annoyed, she sets her wedding plans down.
LOIS
God, it's always something...
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 5.
6 EXT. METROPOLIS SKY - DAY 6
Superman flies, scanning the streets below with TELESCOPIC
BEAMS. He sees something. (X)
7 EXT. ALLEY - HIGH ANGLE (SUPERMAN'S TELE-POV) - DAY 7
Lois on the time machine, Tempus holding her at gunpoint as
he flips levers and dials.
8 BACK TO SUPERMAN 8
Furious. He dives.
9 EXT. ALLEY - DAY 9
The time machine is glowing and rippling. Lois looks up.
Brightens.
LOIS
If I were you, I'd put the gun down
and work on my manners.
TEMPUS
Really. Why?
Superman lands fast and reaches out to grab the gun from
Tempus. But Lois and Tempus are already DISSOLVING.
Superman's hands pass right through Tempus. Tempus laughs.
He and Lois disappear in a BLAST OF LIGHT. (X)
SUPERMAN
Lois... LOIS!
She and Tempus and the machine are gone. He's alone.
10 EXT. CEMETERY - DAY 10
A FLASH OF O.S. LIGHT again and Lois, dazed, stumbles into
sight. She's alone. Barren trees, grey sky. Wind. Lois
looks around, trying to get her bearings. Then sees
something that makes her go ice cold.
A gravestone. And chiselled on it: LOIS LANE, 1967 - 1993.
Tempus' LAUGHTER ECHOES through the cemetery.
FADE OUT:
_END OF TEASE_
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 6.
_ACT ONE_
11 EXT. CEMETERY - DAY - CONTINUOUS 11
Tempus' LAUGHTER fades. Lois stares at her own grave, numb.
Then a man appears: sixtyish, mustachioed, bespectacled;
dressed in an early-century suit. He is, we shall learn --
WELLS
Miss Lane? My name is Wells.
Herbert George Wells. Actually,
we've met but I doubt you
remember...
LOIS
You're the second person who's said
that, now what is going on, is this
some kind of -- ?
(stops)
Did you say Herbert George.-- ?
(he nods)
H.G. Wells?
(he nods)
The writer who died a long time
ago, oh, my God, I'm dead.
WELLS
No. No, no, no --
LOIS
What do you mean no? I'm looking
at my grave with a dead writer!
WELLS
Miss Lane, I assure you -- you are
very much alive and so am I.
Please. Sit.
(he gets her to a bench,
sits with her)
Now, I'm going to tell you
something. And as I do, you'll
begin to remember, like a dream
recalled. So close your eyes and
let the images unspool.
(she does)
We met on an extraordinary
adventure. You see, before I was
this elderly gentleman you now see
before you, I was a time
traveller...
And as WE MOVE IN CLOSE on Lois, we --
DISSOLVE TO:
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 7.
12 FLASHBACK: SCENES FROM "TEMPUS FUGITIVE" 12
as narrated by Wells:
WELLS (V.O.)
... and I had journeyed to the
future in search of Utopia but
found instead... Tempus. A violent
psychotic with a bitter hatred for
Superman. He tried to kill Clark (X)
Kent As a baby, hoping to change
future history. You stopped him.
13 BACK TO SCENE 13
as Lois's eyes snapping And WE PULL BACK.
LOIS
I remember. You're H.G. Wells. I
know you. But... you're... well, I
don't mean to be rude but you're a
little...
WELLS
Older?
(nods)
Seventeen years. The me you met (X)
was from 1899. The me you now see
before you is from 1916. (X)
LOIS
Is it okay if I get a headache?
WELLS
Quite all right. After our
escapade, Tempus escaped and built (X)
his own time machine... then did
something rather unique with it.
Let me show you.
14 EXT. STREET OUTSIDE CEMETERY GATES - DAY 14
Wells and Lois emerge. She looks around. People, cars, and
store fronts all identify it as Metropolis.
LOIS
It's Metropolis.
WELLS
Look carefully.
She does. It is different. Not Our Metropolis. Garbage
in the streets, graffiti on walls. Grim.
(CONTINUED)
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 8.
14 CONTINUED: 14
WELLS (CONT'D)
Is it not more dirty than clean,
more dark than light?
LOIS
(nods)
Is this the future?
WELLS
No. Very much the present...
He picks up a newspaper from atop a trashcan, unfolds it and
the headline reads: GET TOUGH ON CRIME, SAYS PRESIDENT
HESTON.
WELLS (CONT'D)
... but an alternate present.
LOIS
President Heston? Charlton Heston
is President? What is this place?
WELLS
A parallel dimension.
LOIS
A what?
WELLS
A second Metropolis; a sibling
reality, co-existing with our own,
hidden from us by a curtain of
space, now parted.
(excited at the
discovery)
A thousand details exactly alike --
and a thousand as startlingly
different as the infinite choices
in every moment.
LOIS
So, in plain English, Ben-Hur's
President and I'm worm food. God,
and I'm getting married next week.
Why does this keep happening?
A GANG walks by, all wearing bolstered pistols. Then across
the street she sees a MAN in a business suit with a shotgun
slung over his shoulder.
Then up the street an OLD LADY, purse in one hand, machine
gun in another. (General Rule: about a third of every extra
in a street scene carries some kind of firearm.)
(CONTINUED)
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 9.
14 CONTINUED: 2 14
LOIS (CONT'D)
Do I want to know why so many
people are wearing guns or is that
just going to upset me more?
WELLS
From what little I've been able to
gather, everyone is frightened,
cynical, with no faith that society
can protect them. That, and...
He gestures to a sign over a store front that reads TEMPUS
WEAPONS STORE -- BIG GUNS, SMALL PRICES. There's a grinning
picture of Tempus and the motto: "Be Prepared For The
Enemy!"
WELLS (CONT'D)
... a certain someone is making
sidearms affordable and attractive.
LOIS
(looking off)
And that's not even the worst part.
WELLS
I know.
They both watch, stunned, as a bus rolls by with a huge
TEMPUS FOR MAYOR sign on it, with the slogan "_He's_
Prepared For The Enemy -- Are You?"
LOIS
Who's this 'Enemy?' What is he
after, why'd he put us here?
WELLS
(head shake)
Like you, I was kidnapped and
dropped here without a clue why.
LOIS
Wait. If this place _is_ the same
but different, then maybe there's a
Clark here... and where there's a
Clark...
WELLS
... there's a Superman. Good
thinking, my dear.
They move off.
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 10.
15. INT. TV STATION - DAY 15
The set for a daytime talk show. Bleachers, cameras, a
small carpeted stage with a cheesy backdrop and some chairs.
THREE THUGS and Tempus sorting through the sack of gold and
jewels from the bank heist. The head Thug is called
MAJOR DOMO
You're amazing, Mr. Tempus, I mean,
how do you score this kinda swag
and there's not a cop after you,
not a bank with your picture in it?
TEMPUS
Major Domo? Can you keep a secret?
MAJOR DOMO
Sure.
TEMPUS
I have an inter-dimensional
transport. Right here in this
building, actually. And once a
day, I pop out of this universe
into an alternate one, take what
I want and zip back here -- where I
haven't so much as jaywalked.
The guys just look at Tempus a second, then at each other,
then back at Tempus. Domo bursts into laughter. So does
Tempus. Then so do the others.
TEMPUS (CONT'D)
(under their laughter)
Cretins.
MAJOR DOMO
Ahhh, Mr. Tempus, you kill me, I
swear, if there's anybody funnier
than you, I mean, hey, no wonder
you wanna be on TV...
TEMPUS
Oh, I don't want to be on TV to
entertain... anymore than I want
people to know I really own this
station.
(moves to a camera,
lovingly)
You see, TV is power. The power to
lull, pacify...
(moves from camera to
monitor)
... and influence, then -- once all
eyes are glazed and all minds are
jelly -- the power to _take_.
(MORE)
(CONTINUED)
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 11.
15 CONTINUED: 15
TEMPUS (CONT'D)
The power to hold the world in your
fist. Which is just what I'm going
to do after I'm elected Mayor.
MAJOR DOMO
Whoa, is this guy deep or what? (X)
Tempus' cell phone rings. He flips it open.
TEMPUS
Yes?
INTERCUT:
16 EXT. METROPOLIS STREET - DAY 16
A SPY who works for Tempus follows along behind Wells and
Lois, murmuring into his cell phone:
SPY
Wells and Lane have linked up.
Looking very buddy-buddy.
TEMPUS
Where are they going?
SPY
Looks like the Daily Planet.
TEMPUS
No doubt in search of a super-hero.
I love predictable behavior.
TEMPUS OUT. The Spy melts into the Crowd. We pick up Wells
and Lois in mid-conversation:
LOIS
Clark must be going out of his
mind.
They pass a MAN who pulls a gun and is handed a wallet by
ANOTHER MAN as if it were the most natural thing in the
world.
LOIS (CONT'D)
We've got to get back...
WELLS
Our only hope is to get Tempus'
machine. To that end, I've begun
piecing something together out of
odds and ends...
(CONTINUED)
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 12.
16 CONTINUED: 16
He extracts what looks like bits of a walkman jury-rigged to
a radio.
WELLS (CONT'D)
It's not finished but if I can get
it to work, it _should_ home in on
the flux capacitator in Tempus'
dimensional transport, assuming it
has one.
17 EXT. DAILY PLANET - DAY 17
Lois and Wells come around the corner. She sees the Planet
and heaves a sigh of relief.
LOIS
Well, at least this world isn't
_completely_ nuts.
A banner has just been unfurled-over the face of a nearby
building. It has a huge picture of Perry and says: PERRY
WHITE FOR MAYOR.
WELLS
In fact, there even may be some
hope.
LOIS
(looking off)
More than hope.
She points across the crowded street. Clark is walking
toward them. Different glasses, a more subdued style of
dress -- but it's Clark.
LOIS (CONT'D)
Clark!
He hears his name called and looks out at the sea of faces.
LOIS (CONT'D)
Clark, it's me! Over --
She's cut off by a rapid report of GUNFIRE from down the
street. Everyone drops low. MANY pull guns. A car SQUEALS
into view, the DRIVER shooting at a storefront, the MAN in
the store FIRING back. The car then peels out of sight.
Lois looks over at Clark and sees him in motion. He ducks
behind a building -- then she hears a familiar O.S. WHOOSH.
(CONTINUED)
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 13.
17 CONTINUED: 17
LOIS (CONT'D)
(smiles as she scans the
skies)
Things can't be all bad. Come on.
If he's anything like my Clark
he'll be back inside mumbling some
lame excuse.
18 INT. PLANET - DAY 18
We start TIGHT ON 'Perry White, Editor,' etched on Perry's
office door, then REVEAL several new WHITE FOR MAYOR posters
stacked nearby-- then PERRY WHITE himself steps right up to
a poster to give it the once-over.
This Perry is a bit less dapper, more rumpled and denim-ed,
like a 60's college professor. But the poster has him in a
sharp suit and tie, hair artificially thickened. Perry (X)
grimaces.
PERRY
Now who did this? That's not my
tie, not my coat... and that hair;
I look like Malvolean Dan Rather. (X)
All right now, who in the Sam Hill
messed with my poster? Come on
now, speak up!
Lois and Wells step off the elevator and Lois smiles at
Perry's tirade.
LOIS
Well, it seems like the closer we
get to the bullpen, the more things
get familiar.
PERRY.
Who turned me into a pretty boy!
JIMMY (O.S.)
I did.
Perry turns. The room goes silent. Jimmy steps out of the
conference room. Wearing a suit, tie... and mustache.
PERRY
Mr. Olsen...
Lois's jaw drops as she watches the following Bizarro World
exchange:
(CONTINUED)
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 14.
18 CONTINUED: 18
JIMMY
Polls have shown you're skewing a
little old, White. I talked to
your campaign manager and we
decided to run some new posters. I
like them.
Lois moves toward the two, amused and amazed. Wells trails.
LOIS
I don't believe this...
PERRY
Mr. Olsen, sir, I like Tarzan's
hair and George Hamilton's duds
much as the next fella but I'm just
a Memphis word stringer... this
ain't me.
JIMMY
It's a better you. A younger you.
Ever since you jumped into this
race you've been way ahead and I
want to keep you there. My paper's
put a lot on the line for you,
White.
LOIS
(close now, looking at
Jimmy)
Oh, my God.
PERRY
(hears her, turns, sees
her)
Oh, my God.
He drops his coffee cup. It SHATTERS.
PERRY (CONT'D)
Lois? Is that you, honey?
LOIS
It's me.
Perry laughs and pulls her into a fierce embrace.
PERRY
I don't know how this can be 'n I
don't care -- I'm happier 'n a
preacher in a month of Sundays!
Where've you been? What happened
to your hair?
(CONTINUED)
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 15.
18 CONTINUED: 2 18
LOIS
Well, I... I... uhhhh...
JIMMY
(holding out his hand)
James Olsen, Miss Lane.
LOIS
Hi.
PERRY
Mr. Olsen's the new owner.
LOIS
Owner. Really.
PERRY
Boy wonder of the computer world.
Decided to roll his dice on our
rag.
JIMMY
White talks about you all the time,
Miss Lane. Said you disappeared in
the Congo.
LOIS
Congo. The... gun running story,
three years ago. Yes.
(to Wells)
I did. For a while. But --
PERRY
We hired an army to go over and
look for you. Never did find...
well, you. What happened?
LOIS
What happened is... I'm fine.
Obviously. Thanks to my friend
here. Mr. Wells.
WELLS
Hello.
LOIS
He runs... a mission.
PERRY
You've been in a mission for three (X)
years?
LOIS
I was sick.
(CONTINUED)
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 16.
18 CONTINUED: 3 18
JIMMY
Too sick to make a phone call?
WELLS
Coma. Totally incapacitated. Just
came out of it yesterday and said,
'Herb, get me to the Planet.' I
naturally wondered _what_ planet
and then she explained to me --
Lois glances at the elevator -- and sees Clark step off.
LOIS
Clark...
She can't help herself. As he moves toward the stairs, she
runs to him and practically flies into his arms.
LOIS (CONT'D)
Oh, Clark, I'm so glad to see you.
(whispers)
You and Superman.
Before he can respond, she kisses him on the lips. His eyes
go wide. Then he gently but firmly pushes her off.
CLARK
Miss. Who are you... and what's
Superman?
She looks at him, dumbfounded. At that moment, a striking
woman of twenty-nine steps off the elevator. Looks at Lois
with a sharp territorial anger. This is LANA LANG. (X)
LANA (X)
Clark? Who is this?
CLARK
I don't know.
LANA (X)
Well, I guess she knows _you_. So
she ought to know me. I'm Lana (X)
Lang. Mr. Kent's fiancee. (X)
She holds out her right hand. Lois stares.
FADE OUT:
_END OF ACT ONE_
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 17.
_ACT TWO_
FADE IN:
19 INT. PLANET - DAY - CONTINUOUS 19
Lois and Lana face off, Clark between them. (X)
LANA (X)
And you are ... ?
LOIS
Uhh, I...
Wells appears at Lois' side.
WELLS
Lois Lane. And still a bit
feverish, I'm afraid, aren't you,
my dear?
LOIS
I, I guess.
He leads her off. Jimmy and Perry join Lana and Clark. (X)
20 LOIS AND WELLS 20
move to a corner. In the b.g., Perry and Jimmy smooth
things over with Clark and Lana. (X)
LOIS
He doesn't know me...
WELLS
I know this is one in a series of
dreadful shocks --
LOIS
But why -- ?
WELLS
Obviously the Lois of this
dimension died before Clark arrived
in Metropolis.
LOIS
And there's no Superman. He didn't
even know who that was.
WELLS
Oh, my.
Lois watches as Lana and Clark move back to the elevators (X)
and Perry and Jimmy head back to the bullpen.
(CONTINUED)
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 18.
20 CONTINUED: 20
LOIS
It doesn't matter. We don't belong
here and the only way we're getting
back is with super-help.
WELLS
Do you have a plan?
LOIS
(nods)
But first I need an excuse to team
up with Clark Kent.
They move off toward Perry and Jimmy.
21 CLARK AND LANA 21(X)
at the elevators. She is waiting for a car, going over a
list of details.
LANA (X)
... and we're meeting my parents at
seven to go over the final guest
list.
CLARK
Okay.
He glances into the bullpen -- and watches Lois talking with
Perry and Jimmy.
LANA (X)
Last thing -- I saw that little
stunt you pulled a few minutes ago.
CLARK
Stunt?
LANA (X)
Don't give me those puppy eyes.
The gunfight out front? You ducked
away and... ?
She makes the flying motion with her hand.
CLARK
Honey, nobody saw me. I just used
the...
(makes laser vision
motion with his hand)
... zzz, burned out his tires and
the cops got him.
(CONTINUED)
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 19.
21 CONTINUED: 21
LANA (X)
Clark, you promised.
CLARK
(hits button)
Boy, this is one slow elevator,
huh?
LANA (X)
They'd lock you up in some lab and
study you. And even if you broke
out, you'd never have a life.
(hugs him)
We'd never have a life. No one
will ever love you more than I
do...
CLARK
I know.
LANA (X)
... and no one understands you
better. So promise this is the
last time.
PING, the elevator doors open.
CLARK
Here you are.
LANA (X)
(as she gets on)
Promise me.
CLARK
See you at seven. (X)
LANA (X)
Clark --
The doors close and shut her up. Clark crosses to get some
coffee.
22 BULLPEN 22
Lois, Perry and Jimmy.
PERRY
Darlin', you want your job back,
you got it. As long as it's okay
with Mr. Olsen.
(CONTINUED)
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 20.
22 CONTINUED: 22
JIMMY
If half of White's said about you
is true, Lois, I'm lucky to have
you.
LOIS
Good, then I want to dive right
into an expose on Tempus.
PERRY
(to Jimmy)
Did I tell you she's the best?
LOIS
Since I'm a little out of touch
with things maybe I ought to work
with a partner...
23 23
THRU OMITTED THRU
24 24
24A INT. DAILY PLANET - CONFERENCE ROOM - DAY 24A
Lois and Clark talk as Wells fiddles with his tracking
device.
CLARK
So. Perry says you want to do an (X)
expose on Tempus.
LOIS
Yeah, but first we have to talk (X)
about us.
CLARK
Us? (X)
LOIS
Well, you actually. For (X)
instance... how many people know
you're from another planet?
CLARK
What.
LOIS
Or that you can bend steel in your
bare hands, leap tall buildings in
a single bound -- ?
CLARK
Hey, keep your voice down...
(CONTINUED)
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 21.
24A CONTINUED: 24A
LOIS
(complying)
That you came here as a baby, in a
spaceship --
CLARK
(to himself)
Oh, God, Lana said this was gonna (X)
happen...
LOIS
-- you were found by the Kents and
raised in Smallville, Kansas --
CLARK
(self)
I didn't listen.
LOIS
-- but from there, I'm sure things
get different because --
CLARK
(to Lois)
Okay, just tell me: Are you from
the government?
Lois and Wells chuckle at the notion.
WELLS
Certainly not, my boy.
LOIS
No, we're from another dimension.
Clark just looks at them.
24B INT. DAILY PLANET - BULLPEN - DAY 24B
Lois, Clark and Wells emerge from the conference room. (X)
Wells trailing behind, fine-tuning a nearly-finished
tracker.
CLARK
I'm sorry, I just... I have a lot
of trouble believing all this.
LOIS
What? That Tempus is a criminal?
That he's H.G. Wells or that we're
from a parallel Metropolis?
(CONTINUED)
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 22.
24B CONTINUED: 24B
CLARK
No, that this other me flies around
in tights.
LOIS
Well, your Mom made them...
CLARK
My Mom?
LOIS
Martha Kent.
CLARK
But the Kents died when I was ten.
They stop.
LOIS
Oh, Clark, I'm sorry... Who raised you?
CLARK
I kind of bounced around.
(off her look)
It's okay, it was a long time ago,
I'm fine.
LOIS
Are you?
A moment. They look at each other.
CLARK
This is the weirdest feeling. I
know I shouldn't talk to you, I
_know_ I should just walk away
but...
LOIS
What?
CLARK
(studying her)
... I can't.
Then a HARSH BEEPING from Wells' tracking device and he
steps up to them, elated.
WELLS
It works! The tracking device,
it's locked onto Tempus' transport.
(CONTINUED)
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 23.
24B CONTINUED: 2 24B
LOIS
Clark. Please. Help us get back
where we belong.
WELLS
Yes. Help us rid your world of
Tempus before he destroys it.
As Clark's about to answer, Lana walks up. (X)
LANA (X)
Clark? Where've you been?
Although she's talking to Clark, she's looking at Lois.
CLARK
Uhhhh..
(looks at watch)
... oh, right, seven, your folks. (X)
We were just...
LOIS
... working on a story.
LANA (X)
Together?
CLARK
Perry teamed us up.
LANA (X)
Did he.
LOIS
(to Clark)
But we can take point while you
deal with your wedding. I know how
overwhelming it can all get. Just
promise we'll meet up later?
Lois and Clark lock eyes.
LANA (X)
Let's go, Clark.
LOIS
Clark?
CLARK
(to Lois)
I'll catch up with you back at the
Planet. About one.
LOIS
Great.
(CONTINUED)
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 24.
24B CONTINUED: 3 24B
Lana leads Clark off. (X)
LANA (X)
I don't like having to come look
for you. You know how Dad gets
when you're late...
LOIS
(after they're gone)
I'm not sure, but I think I hate
her.
25 EXT. ANOTHER STREET - DAY 25(X)
Lois and Wells walk, following the BEEPS and light flashes
of the tracker.
WELLS
We cross the street here, then
round that corner there, then...
Major Domo appears, gun in hand. (X)
LOIS
Don't tell me. A mugging. (X)
MAJOR DOMO
A kidnapping. (X)
26 INT. WINDOWLESS ROOM - NIGHT #1 26
Wells is being strapped into a steel chair by Domo. Lois (X)
has a blindfold removed from her eyes by Tempus. (X)
TEMPUS
You know, you really shouldn't walk
around unarmed. My stores are
offering a nice deal on a twelve
clip automatic.
(produces it)
Twenty-four rounds with every
purchase... and a free pair of
sunglasses. (X)
WELLS
You may do what you wish with me,
Tempus, but I implore you: let the
girl go.
TEMPUS
God, Herb, who writes your
dialogue? You sound like The
Prisoner of Zenda.
(CONTINUED)
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 25.
26 CONTINUED: 26
LOIS
You're not going to get away with
this.
TEMPUS
And you sound like Lois Lane, in
trouble again. Not gonna get away
with what, Lois?
LOIS
With... well, whatever you've got
planned.
TEMPUS
My plan is to become Mayor of
Metropolis by killing Perry White.
But wait, somebody might try and
stop me -- big, brawny, looks good
in blue? Gee, if _only_ I lived in
a dimension with no Superman. Oh,
wait. I do!
(laughs)
And you're headed for another
dimension yourself, Lois. .
Slightly more... spiritual. Hope
you've been good.
(X)
27 INT. WINDOWLESS ROOM - LATER 27
Tempus wheels in a TV. (X)
TEMPUS
I've missed you, Herb. Sure, (X)
you're a few years older, I'm a few
pounds lighter... you're about to (X)
be a corpse, I'm about to be a god,
but it's the same old us, together
again, hm? Only now, you want _my_
machine. And it's in the building,
right here.
WELLS
where is Lois Lane?
TEMPUS
Just standing around.
He aims the remote and hits the button. The TV switches on.
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 26.
28 ON TV: LOIS STANDING ON THE LEDGE OF A BUILDING 28
She is blindfolded and her hands are cuffed behind her back.
The ledge is very narrow.. Sheer wall above, sheer wall
below. No windows. The skyline and the wind buffeting her
tell us she's up high.
TEMPUS
Think she has any idea she's five
hundred feet in the air?
A ledge-brick Lois is standing on crumbles from its mortar
and --
29 EXT. THE LEDGE - NIGHT 29
Lois SCREAMS and nearly tumbles off. Fights for balance and
regains her footing.
LOIS
No, no stay calm... You're high
up, you're blind, you can't use
your hands, the ledge is falling
apart and you're alone.
(beat)
Okay... panic.
30 EXT. WINDOW ACROSS THE STREET - NIGHT 30
The Spy aims a TV camera at Lois.
31 INT. WINDOWLESS ROOM - NIGHT 31
Tempus pulls up a nice lounge chair and settles in to watch.
TEMPUS
Oooh, watch the foot there, Lois...
32 ON TV: CLOSE SHOT OF LOIS' FOOT 32
sliding over onto this loose brick. It starts to give.
33 LOIS ON THE LEDGE 33
slides the foot further, gets it off that brick.
34 BACK TO SCENE 34
TEMPUS
Whew. Close, huh?
(CONTINUED)
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 27.
34 CONTINUED: 34
Grabs a bowl of popcorn. Munches.
WELLS
Tempus, I cry out to whatever
humanity there is in you -- don't
do this.
TEMPUS
Why?
WELLS
It's barbaric and cruel.
TEMPUS
Sure... but it's fun.
WELLS
What do you gain by killing her?
TEMPUS
Herb, if I wanted to kill her, I'd
beat her to death with a frozen
lamb chop and eat it.
35 LOIS ON THE LEDGE 35
She is moving, back to the wall, feet scraping side to side.
LOIS
There has to be a window, keep
moving, you'll find a window...
We see, of course, there is no window.
36 BACK TO SCENE 36
Tempus salts his corn.
TEMPUS
No, I want to torture her, terrify
her...
37 ON TV: BRICKS UNDER LOIS' FEET 37
starts to crumble and loosen. She moves along, fast. More
bricks start to crumble and she's losing her balance.
TEMPUS
... send her into spasms of sheer
horror.
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 28.
38 BACK TO SCENE 38
WELLS
But _why_?
TEMPUS
It's good TV! Fun for the whole
family! And then of course
there're those magic words
guaranteed to make it a ratings
bonanza. 'Help! Superman! Save
me!' Except there _is_ no
Superman, so now I've _got_ to see
what happens.
39 EXT. LEDGE - NIGHT 39
Lois is standing on the only two bricks still set in the
wall. And they're quivering.
40 INT. WINDOWLESS ROOM - NIGHT 40
Tempus fires some popcorn into his mouth as Wells watches,
helpless.
TEMPUS
But, ask yourself, Herb, _why_ is (X)
there no Superman here? Because
this Clark lost his parents, didn't
have their loving support? Or has
he been denied that daily impetus?
Being in love with a woman who's
always throwing herself into
death's jaws and screaming for ... ?
41 ON TV - LOIS 41
Lois, about to tumble
LOIS
Help!
42 OMITTED 42
43 LOIS ON THE LEDGE 43
as the bricks give way and she tumbles off.
LOIS
CLAAAAAAAAAAA-RRRRRK!
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 29.
44 BACK TO TEMPUS 44
grinning, munching his corn.
TEMPUS
Only thing that could ruin this'd
be a commercial.
FADE OUT:
_END OF ACT TWO_
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 30.
_ACT THREE_
FADE IN:
45 EXT. CLARK'S APARTMENT - NIGHT 45(X)
Lana and Clark are bidding her PARENTS farewell. (Mrs. Lang (X)
checking the clip on her gun). Clark SUPER-HEARS Lois' (X)
SCREAM:
LANA (X)
... and we want cloth napkins, not
paper, right, Clark? Clark?
CLARK
I'll get back to you on that.
He's gone in a flash.
46 EXT. MID-AIR - NIGHT 46
Lois, blindfolded and hands tied, tumbles, SCREAMING. The
ground rushes up.
47 EXT. BUILDING - NIGHT 47(X)
She plummets at high speed, about to pancake, when a BLUR
intercepts and WHOOSHES her off screen.
48 INT. WINDOWLESS ROOM - NIGHT 48
Wells breathes a sigh of relief. Tempus seems more
delighted than ever as they watch --
49 EXT. BUILDING - NIGHT 49(X)
Lois and Clark as they arc into frame. He takes off her (X)
blindfold and lands her gently. PAN TO a Second Spy with (X)
camera filming this at street level. (X)
50 BACK TO SCENE 50
TEMPUS
Well, bravo, Mr. Kent. My plan is
working perfectly.
WELLS
Your plan?
TEMPUS
Yes, Herb. I'm the bad guy. We
always have a plan.
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 31.
51 EXT. BUILDING - NIGHT 51(X)
Clark snaps the cuffs off Lois.
CLARK
You sure you're okay?
LOIS
Fine. Thank you.
CLARK
Who did this?
LOIS
Tempus.
CLARK
We should call the police.
LOIS
Well, okay, that's _one_ way of
handling it.
CLARK
What's the other?
LOIS
(leading him off)
Let's talk about that...
52 EXT. STREET - NIGHT 52
Lois and Clark walk.
CLARK
Look, I don't want to be a hero.
LOIS
Really. Then why did you go after
that gunman this morning? Why did
you save me just now?
CLARK
I help when I can... but I want to
live my life.
LOIS
Well, that's why you've got your
secret identity.
CLARK
A what? A secret what?
LOIS
Just go with me on this...
She pushes him through a doorway. WE REVEAL it's a ski
store, having an off-season sale.
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 32.
53 EXT. STORE - LATER THAT NIGHT 53
Lois and Clark emerge with a bag.
LOIS
It's not a ski suit -- I mean, it
_is_ but it's more than that --
it's a symbol, you're making
yourself into a beacon.
CLARK
Are you always like this?
LOIS
Sorry, I'm a little high-strung.
CLARK
Lady, you're a Stradivarius.
LOIS
(exasperated)
Maybe this'll help.
She hands him the bag. He takes it. She pulls her wallet
out of her purse and shows him a picture of Superman.
LOIS (CONT'D)
That's what I'm talking about.
CLARK
That's... what I'm afraid of.
He flips to another photo: Lois and Clark.
CLARK (CONT'D)
Is that... us?
LOIS
Well, it's me and him.
CLARK
Are we -- ?
She shows him the ring.
CLARK (CONT'D)
This is just too weird.
He flips to another picture: Clark and the Kents.
CLARK (CONT'D)
Oh, my God.
He just stares at them. Has to sit on a bus bench. Lois
sits with him.
(CONTINUED)
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 33.
53 CONTINUED: 53
CLARK (CONT'D)
They're alive?
(she nods; pause)
Does he... spend a lot of time with
them?
LOIS
Yes.
CLARK
That's good. That's...
He lets it trail, overwhelmed.
LOIS
They're very proud of him. I bet
your parents were, too.
CLARK
I guess so. It was a long time
ago.
LOIS
What happened?
CLARK
Car wreck. I saw it happen. I was
pretty fast, even then, but... not
fast enough. Lana said I (X)
shouldn't blame myself. One man
can't really make a difference...
no matter what kind of powers he
has.
LOIS
I know things are different here.
I know _you're_ different. But
trust me... powers or no powers...
one man can change any world.
He flips back to the picture of Superman.
CLARK
His Mom made that, huh?
LOIS
Yeah.
CLARK
You sew as well as she does?
LOIS
Well...
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 34.
54 INT. CLARK'S APARTMENT - NIGHT 54
Lois on the phone, at the dining room table, surrounded by
bolts of red and yellow cloth, a sewing machine. Littered
at her feet, a half dozen red-and-yellow S's -- crooked,
mis-sewn or otherwise botched and discarded. In the kitchen
behind her, a huge kettle is bubbling and steaming.
LOIS
Look, Jimmy -- sorry, Mr. Olsen --
I think it's a bad idea for Perry
to debate Tempus tomorrow..
She gets up and moves to the boiling pot. Grabs a pair of tongs.
LOIS (CONT'D)
No, I certainly don't want him to
look like a coward but Tempus said
he was going to kill Perry... No,
he didn't say where or when.
With the tongs she fishes a boot out of the caldron -- it's
soaking wet and dyed bright red. She lets it drop back in.
LOIS (CONT'D)
But if there's anybody in the
Tempus camp that you might be able
to get to... you know... open up,
in exchange for some... I don't
know... money, _now_ might be a
good time. Yes, security's a good
idea, too.
(looks off)
I'm working on that angle myself.
Bye.
She hangs up and glimpses a photo of Lana and Clark, arms (X)
around each other. She turns away from it and sees another
one. She shakes her head.
LOIS (CONT'D)
I've gotta get out of here.
She hears the sounds of Clark struggling O.S.
LOIS (CONT'D)
How's it fit now?
CLARK
(O.S., behind a screen)
Tight.
LOIS
Let me see.
(CONTINUED)
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 35.
54 CONTINUED: 54
She moves so she can see him. He straightens up. All we
see is his head. Bit of cape and shoulders.
LOIS (CONT'D)
Still need a few more pieces here
and there...
CLARK
I just remembered something; from
that picture. It's in that trunk
over there.
She moves to a trunk. Kneels and opens it.
CLARK (CONT'D)
My Mom gave it to me when I was
little. She said it was on the
blanket they found me in.
She takes out the S. Smiles. Looks back at her aborted
sewing attempts.
LOIS
It always shows up just in the nick
of time.
55 EXT. CLARK'S APARTMENT - DECK - NIGHT 55
Lois is waiting out here alone. Then she hears him come
through the door. She turns. He stands there, backlit:
Superman. He takes her breath away. She just stares.
SUPERMAN
(heads back in)
I knew it, I look stupid.
LOIS
(catching his arm)
No. No. You look great.
She takes his hand and they move to the edge of the deck.
56 EXT. 2ND BUILDING WINDOW - NIGHT 56
The First Spy with his camera. (X)
57 INT. WINDOWLESS ROOM - NIGHT - TIGHT ON TV 57
With Lois and Superman on it, being shot from across the
way. REVEAL Tempus and Wells, watching. Tempus is sorting
through a selection of ties.
(CONTINUED)
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 36.
57 CONTINUED: 57
TEMPUS
The heroine creates her hero. A
mythically moving moment. Herb?
Am I still a man in your eyes if I
weep?
WELLS
This is what you want. You _want_
her to create Superman.
TEMPUS
Very good, Herb. Mind like that,
you missed a big career on game
shows.
58 EXT. CLARK'S DECK - NIGHT 58
Lois and Superman.
SUPERMAN
(looking down at self)
Are you sure about this?
LOIS
I'm sure.
(off his hesitation)
But you're not. So why don't we
get you comfortable?
SUPERMAN
How?
59 EXT. SKY - NIGHT 59
We soar. Superman, with Lois in his arms, swoops into (X)
view. A SONG kicks in. He and Lois bank out of view.
60 EXT. SKY - NIGHT 60
Urged on by Lois, Superman flies above the clouds. Then she
points down. He sighs.
61 EXT. SKY - NIGHT 61
He dives down into the Metropolis skyline. She gestures for
him to go lower. He hesitates. She whacks his shoulder.
Reluctantly, he drops out of frame.
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 37.
62 EXT. METROPOLIS STREET - NIGHT 62
A ROOKIE COP and a DEADLY THUG are in a standoff, both with
guns on each other.
ROOKIE
Okay, put it down.
(nervous)
C'mon. Don't make me... y'know...
They-hear a WHOOSH. They both look and
63 SUPERMAN AND LOIS 63
hover down into view. (X)
LOIS
(whispers)
Go on...
SUPERMAN
(nervous; stiff)
Officer, maybe I could... help out
here?
The Cop and the Thug both just stare as Superman walks over
to the Thug. The Thug FIRES. The bullet bounces off
Superman's chest. Superman takes the gun. Crushes it in
his fist. The Thug faints.
SUPERMAN (CONT'D)
(to Cop, as he moves
back to Lois)
If everything is all right, I'll
just... get outta here. (X)
ROOKIE
Thanks... uhhhh... ?
LOIS
(mouths)
Superman.
SUPERMAN
(to Rookie)
Superman.
ROOKIE
Superman?
SUPERMAN
(whispers to Lois)
He thinks it's stupid.
ROOKIE
Cool name. Thanks... Superman!
Lois and Superman soar out of frame. SONG kicks in again. (X)
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 38.
64 EXT. SKY - DAWN - DAY #2 64
Lois and Superman bank into the spray of sunrise spreading
over the clouds.
LOIS
Well, nobody's laughed so far. And
I don't see any men with nets.
How's it feel?
SUPERMAN
Well. It feels....
(grins).
... great!
65 EXT. CLARK'S DECK - DAY 65
Superman and Lois LAND.
SUPERMAN
My whole life, I've never felt so
good about being me. Thank you.
He puts his hands on her shoulders. About to kiss her. And
she starts to let him.
LOIS
Wait. I can't.
SUPERMAN
You're right, that was crazy. I'm
sorry.
LOIS
No, it's okay, it's --
SUPERMAN
-- this feeling I keep having when
I'm around you, I can't control
it
LOIS
It's fine, we're fine. I should
straighten the line on your cape
before we go out again.
She leads him back into his apartment.
66 INT. CLARK'S APARTMENT - DAY 66
Superman and Lois walk in.
(CONTINUED)
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 39.
66 CONTINUED: 66
SUPERMAN
Just 'cause I'm not wearing
glasses, you sure nobody's going to
recognize me?
LOIS
Positive.
LANA (O.S.) (X)
Clark!
She is standing there, waiting. Furious.
LANA (X)
What are you doing?
SUPERMAN
Lana. Hi. (X)
LANA (X)
What's going on?
SUPERMAN
Lois knows. About me. And...
well, I've decided that I need...
no, that the world needs me.
LANA (X)
Needs you to _what_? Model men's
underwear? Bring capes back into
fashion?
LOIS
All right, that's it --
SUPERMAN
Lois --
LANA (X)
Clark. You didn't... you didn't go
out like that and...
(makes flying motion)
People didn't see you?
LOIS
Yes, of course they saw him! He's
Superman!
LANA (X)
I don't know how you talked him
into this or what you're really
after but _this_ is between him and
me.
(MORE)
(CONTINUED)
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 40.
66 CONTINUED: 2 66
LANA (CONT'D) (X)
(to Superman)
I want things the way they were,
Clark; I want what you promised.
Or else --
The phone rings. Superman hesitates, then picks up.
SUPERMAN
Hello.
(to Lois)
It's for you.
LANA (X)
That's it.
SUPERMAN
Lana... (X)
Lana storms out as Lois takes the phone. (X)
LOIS
(into phone)
Hello?
SUPERMAN
(goes after Lana) (X)
Lana, come on, this is stupid... (X)
LOIS
(into phone)
Who is this?
67 INTERCUT TEMPUS - IN WINDOWLESS ROOM 67
with Wells. Tempus is now in a suit and the tie he picked
out earlier. A MAKEUP MAN has just finished dabbing on some
base.
TEMPUS
(disguised) (X)
I can't tell you, too dangerous.
But Perry White _will_ die...
Major Domo enters.
TEMPUS (CONT'D)
... unless you get to the TV
station on Carlin Avenue. Now.
Tempus hangs up and dismisses the Makeup Man. (X)
(CONTINUED)
--page break--
"TEMPUS, ANYONE?" (#14) FULL Blue 12/7/95 41.
67 CONTINUED: 67
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Lois Lane dans la course sur The X-Files !
Lois Lane est de retour ! L'intrépide et talentueuse journaliste est en lice pour intégrer le...
![[HypnoCup] Élimination de Clark](/graph/news_icon/news_icon-93ab562db0f0329ef1031b8cf78f253e.jpg?v1){kind=icon}
[HypnoCup] Élimination de Clark
Les nouvelles aventures de Clark se sont arrêtées : il a été éliminé de l'HypnoCup par Melinda...
![[HypnoCup] Clark en compétition dans le 3ème tour !](/graph/news_icon/news_icon-cfb55615fcdcd4242c27c8fcd3b7f915.jpg?v1){kind=icon}
[HypnoCup] Clark en compétition dans le 3ème tour !
Après avoir éliminé son adversaire Firestorm avec une confortable avance sur lui (100 à 63), Clark...
Les nouveautés des séries et de notre site une fois par mois dans ta boîte mail ?
choup37, 15.04.2024 à 10:15
Il manque 3 votes pour valider la nouvelle bannière Kaamelott... Clic clic clic 
chrismaz66, 15.04.2024 à 11:46
Oui cliquez;-) et venez jouer à l'animation Kaamelott qui démarre là maintenant et ce jusqu'à la fin du mois ! Bonne chance à tous ^^
Supersympa, 16.04.2024 à 14:31
Bonjour à tous ! Nouveau survivor sur le quartier Person of Interest ayant pour thème l'équipe de Washington (saison 5) de la Machine. 
choup37, Hier à 08:49
5 participants prennent part actuellement à la chasse aux gobelins sur doctor who, y aura-t-il un sixième? 
chrismaz66, Hier à 11:04
Choup tu as 3 joueurs de plus que moi!! Kaamelott est en animation, 3 jeux, venez tenter le coup, c'est gratis! Bonne journée ^^